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John Neubauer

This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark The Emancipation of Music from Language (Yale UP, 1986) and his History of the Literary Cultures of East-Central Europe (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.

Les mémoires de Maalaŋ Galisa sur le royaume confédéré du Kaabu

Un récit en langue mandinka de la Guinée-Bissau

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Cornelia Giesing and Denis Creissels

Edition d'un récit en mandinka par Maalaŋ Galisa (octobre 1988) sur la constitution et les conditions de vie au Kaabu, territoire situé entre la Gambie, le Sénégal et la Guinée-Bissau, connu depuis le 16e siècle et détruit vers 1867. La gamme des sujets couvre: le peuplement, le gouvernement, les codes de conduite des guerriers, religieux, esclaves et 'hôtes étrangers', les règles de l'esclavage, du mariage et de la succession, la coexistence des religions, les relations entre groupes d'âge et de genre.
Le texte diffère d'autres qui se focalisent sur un unique fondateur-patriarche, Tiramakan de l'épopée de Sunjata. Galisa parle du sud-est du Kaabu, à la frontière avec la Guinée. Il ajoute des couleurs locales au modèle mandinka, évoquant la puissance féminine et certains conflits violents.

Edition of a recital in Mandinka by Maalaŋ Galisa (October 1988) on the political constitution and living conditions in Kaabu, a territory situated between present Gambia, Senegal and Guinea-Bissau, known since the 16th century, definitely destroyed in 1867. The narrative presents a range of topics covering governance, codes of conduct of warriors, clerics, slaves and 'strangers', rules of slavery, marriage and succession, the cohabitation of different religions, relations of age and gender.
This text is distinctive from others focussing on a single founder-patriarch, Tiramakan of the Epic of Sunjata. Galisa focuses on South-eastern Kaabu, bordering on the region of Labé (Guinea). He adds local colours to the Mandinka model, depicting powerful women and violent conflicts resulting from injustice.

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Editors Translation in French and Francophone Literature and Film