Beauvoir in Time situates Simone de Beauvoir's
The Second Sex in the historical context of its writing and in later contexts of its international reception, from then till now. The book takes up three aspects of Beauvoir's work more recent feminists find embarrassing: "bad sex," "dated" views about lesbians, and intersections with race and class. Through close reading of her writing in many genres, alongside contemporaneous discourses (good and bad novels in French and English, outmoded psychoanalytic and sexological authorities, ethnographic surrealism, the writing of Richard Wright and Franz Fanon), and in light of her travels to the U.S. and China, the author uncovers insights more recent feminist methodologies obscure, showing Beauvoir is still good to think with today.
Identités françaises interroge les notions de périphérisation et d’identité nationale à travers une étude de discours sur les banlieues françaises. L’exploration du quotidien, au détriment de l'extraordinaire, invite le lecteur à reconsidérer les représentations des périphéries, et les processus qui créent citoyenneté et marginalité dans la France républicaine. L'accent est porté sur des expériences féminines dans des œuvres produites par des écrivains et artistes issus de ces espaces. Cette attention éclaire les parcours de femmes qui concentrent un ensemble de marginalités socio-économiques ou raciales. L’étude de ces intersections illumine de nombreuses notions d’inclusion et de périphérisation. En plein débats autour d’une identité nationale une et indivisible, l’œuvre de Mame-Fatou Niang illumine des identités plurielles ancrées dans les banlieues françaises.
Identités françaises interrogates notions of marginalization and national identity through an analysis of French banlieues. The display of the quotidian, at the expense of the extraordinary, invites the reader to reconsider the most common images of these urban peripheries and the processes that create citizenship and marginality in republican France. The focus is on the female experience, in works produced by writers and artists from these peripheries. Banlieue women sit at the intersection of marginalities of race, gender and class. The study of these intersections illuminates multiple notions of identity, belonging and peripheralization. Amid the contemporary flare-ups and debates around a single and indivisible French national identity, Mame-Fatou Niang’s work brings to light plural identities rooted in France’s suburban spaces.
Colette Audry pointed to a mystery in observing that during the 1930s Simone de Beauvoir had not been concerned with the “woman question” and that her friend must have encountered a “serious obstacle” that “made her change her mind” and write The Second Sex. Unfortunately, Beauvoir obscured the genesis of her most important work. Using evidence uncovered by her biographers about her relationship with Sartre, and digging more deeply into their posthumously published letters and diaries, this paper uncovers a series of events that together tell a likely story of Beauvoir’s feminist turning point.
The author argues, with reference to a number of Merleau-Ponty’s unpublished manuscripts, that the philosopher’s notion of encroachment (empiétement) has origins in Simone de Beauvoir’s 1945 novel The Blood of Others. He examines how the two philosophers approach the encroachment of freedoms, the political stance of pacifism, and the interpretation of Voltaire’s Candide (Part I). The impact of Élisabeth Lacoin’s death on Beauvoir’s and Merleau-Ponty’s philosophies, as well as their relationships with Jean-Paul Sartre is also considered (Part II).