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Franco-Maghrebi Artists of the 2000s

Transnational Narratives and Identities

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Ramona Mielusel

In Franco-Maghrebi Artists of the 2000s. Transnational Narratives and Identities Ramona Mielusel offers an account of the contesting French “national identity” in the work of young artists (writers, filmmakers, actors, singers, photographers, contemporary migrant art) of Maghrebi origin residing in France during the last twenty years (2000-2016). Her interest lies in analyzing the impact that these “minor” artists and their chosen genres have on mainstream cultural productions. She argues that constant displacement and changes in political, social and cultural contexts have significantly transformed the dynamics that govern the relationship between the center (Metropolitan France) and the periphery (its Others). Most importantly, she seeks to position their work in the field of transnationalism, which has dominated postcolonial studies and cultural studies in the past decade.
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Terrence L. Craig

The White Spaces of Kenyan Settler Writing provides an overview of Kenyan literature by white writers in the half-century before Independence in 1964. Such literature has been over-shadowed by that of black writers to the point of critical ostracism. It deserves attention for its own sake, as the expression of a community that hoped for permanence but suffered both disappointment and dispossession. It deserves attention for its articulation of an increasingly desperate colonial and Imperial situation at a time when both were being attacked and abandoned in Africa, as in other colonies elsewhere, and when a counter-discourse was being constructed by writers in Britain as well as in Africa. Kenya was likely the best-known twentieth-century colony, for it attracted publicity for its iconic safaris and its Happy Valley scandals. Yet behind such scenes were settlers who had taken over lands from the native peoples and who were trying to make a future for themselves, based on the labour, willing or forced, of those people. This situation can be seen as a microcosm of one colonial exercise, and can illuminate the historical tensions of such times. The bibliography is an attempt to collect the literary resources of white Kenya in this historically significant period.
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Stephanos Stephanides

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Terrence Craig

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Lawrence Scott

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Terrence Craig