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Knowledge can be expressed in language using a plethora of grammatical means. Four major groups of meanings related to knowledge are Evidentiality: grammatical expression of information source; Egophoricity: grammatical expression of access to knowledge; Mirativity: grammatical expression of expectation of knowledge; and Epistemic modality: grammatical expression of attitude to knowledge. The four groups of categories interact. Some develop overtones of the others. Evidentials stand apart from other means in many ways, including their correlations with speech genres and social environment. This essay presents a framework which connects the expression of knowledge across the world's languages in a coherent way, showing their dependencies and complexities, and pathways of historical development in various scenarios, including language obsolescence.
Volume Editors: David Rood and John Boyle
Robert L. Rankin was a seminal figure in late 20th and early 21st centuries in the field of Siouan linguistics. His knowledge, like the papers he produced, was voluminous. We have gathered here a representation of his work that spans over thirty years. The papers presented here focus on both the languages Rankin studied in depth (Quapaw, Kansa, Biloxi, Ofo, and Tutelo) and comparative historical work on the Siouan language family in general. While many of the papers included have been previously published, one third of them have never before been made public including a grammatical sketch and dictionary of Ofo and his final paper on the place of Mandan in the larger Siouan family.
Author: John Neubauer
This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark The Emancipation of Music from Language (Yale UP, 1986) and his History of the Literary Cultures of East-Central Europe (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.