Robert L. Rankin was a seminal figure in late 20th and early 21st centuries in the field of Siouan linguistics. His knowledge, like the papers he produced, was voluminous. We have gathered here a representation of his work that spans over thirty years. The papers presented here focus on both the languages Rankin studied in depth (Quapaw, Kansa, Biloxi, Ofo, and Tutelo) and comparative historical work on the Siouan language family in general. While many of the papers included have been previously published, one third of them have never before been made public including a grammatical sketch and dictionary of Ofo and his final paper on the place of Mandan in the larger Siouan family.
This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark
The Emancipation of Music from Language (Yale UP, 1986) and his
History of the Literary Cultures of East-Central Europe (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.