The Gouda Windows (1552-1572): Art and Catholic Renewal on the Eve of the Dutch Revolt offers the first complete analysis of the cycle of monumental Renaissance stained-glass windows donated to the Sint Janskerk in Gouda, after a fire gutted it in 1552. Central among the donors were king Philip II of Spain and bishop of Utrecht Joris van Egmond, who worked together to reform the Church. The inventor of the iconographic program, a close associate to the bishop as well as the king, strove to renew Catholic art by taking the words of Jesus as a starting point. Defining Catholic religion based on widely accepted biblical truths, the ensemble shows that the Mother Church can accommodate all true Christians.
An interdisciplinary gender-sensitive approach toward perspectives on the everyday and the sacred are the hallmark of this volume. Looking beyond the dualistic status-quo, the authors probe the categories, textures, powers, and practices that define how we experience, embody, and understand religion and the sacred, their interconnection, but also disassociation with the secular.
Contributions by an international group of feminist theologians and religious studies scholars aim to re-configure the study of both religion and gender: Angela Berlis, Anne-Marie Korte, Kune Biezeveld †, Helga Kuhlmann, Maaike de Haardt, Akke van der Kooi, Dorothea Erbele-Küster, Willien van Wieringen, Magda Misset-van de Weg, Gé Speelman, Mathilde van Dijk, Jacqueline Borsje, Hedwig Meyer-Wilmes, Goedroen Juchtmans, Alma Lanser and Riet Bons-Storm.
One of the earliest and most ambitious projects carried out by the Society of Jesus was the mission to the Christian kingdom of Ethiopia, which ran from 1557 to 1632. In about 1621, crucial figures in the Ethiopian Solomonid monarchy, including King Susenyos, were converted to Catholicism and up to 1632 imposing missionary churches, residences, and royal structures were built. This book studies for the first time in a comprehensive manner the missionary architecture built by the joint work of Jesuit
padres, Ethiopian and Indian masons, and royal Ethiopian patrons. The work gives ample archaeological, architectonic, and historical descriptions of the ten extant sites known to date and includes hypotheses on hitherto unexplored or lesser known structures.