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The Choir Altarpieces of Santo Spirito 1480-1510

Augustinian Art and Meditation in Renaissance Florence

Antonia Fondaras

In Augustinian Art and Meditation in Renaissance Florence, Antonia Fondaras reunites the fifteenth-century altarpieces---including works by Botticelli, Piero di Cosimo, and Filippino Lippi---first commissioned for the choir of the Augustinian church of Santo Spirito in Florence. Departing from a conventional focus on artist and patron, the author illuminates the engagement of the Augustinian Hermit friars with the composition and iconography of the altarpieces and the role of those works in fashioning a choir space that serves the friars’ institutional and spiritual ideals. Fondaras includes a close reading of the choir’s most compelling and original altarpieces, which reveals the institution of a sophisticated meditational practice focused on those paintings and grounded in the thinking of Augustine.

Anarchism and the Avant-Garde

Radical Arts and Politics in Perspective

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Edited by Carolin Kosuch

Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective contributes to the continuing debate on the encounter of the classical anarchisms (1860s−1940s) and the artistic and literary avant-gardes of the same period, probing its dimensions and limits. Case studies on Dadaism, decadence, fauvism, neo-impressionism, symbolism, and various anarchisms explore the influence anarchism had on the avant-gardes and reflect on avant-garde tendencies within anarchism. This volume also explores the divergence of anarchism and the avant-gardes. It offers a rich examination of politics and arts, and it complements an ongoing discourse with theoretical tools to better assess the aesthetic, social, and political cross-pollination that took place between the avant-gardes and the anarchists in Europe.

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Melis Taner

Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and the Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.

Peter von Danzig

The Story of a Great Caravel, 1462-1475

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Beata Możejko

This study traces the chequered history of Peter von Danzig, a French caravel which was inadvertently taken over by Gdańsk (Danzig). Beata Możejko charts the fluctuating and often dramatic fortunes of the caravel, from her arrival in Gdańsk as a merchantman in 1462 to her demise near La Rochelle in 1475. The author examines the caravel’s role as a warship during the Anglo-Hanseatic conflict, and her most famous operation, when she was used by Gdańsk privateer Paul Beneke to capture a Burgundian galley with a rich cargo that included Hans Memling’s Last Judgement triptych.
Using literary and archival sources, Możejko provides a comprehensive overview and analysis of the information available about the caravel and her colourful career.

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Roberto Schwarz

Literary forms travel from core countries to the periphery of capitalism, where they are adopted under social conditions that differ from those in the countries of their origin. Besides being inevitable, the resulting maladjustments lead to new and original aesthetic problems, presenting to the reader the symptoms of the world’s complexity. When properly worked through, these allow for the rise of world-class art, as in the case of the great Brazilian novels by Machado de Assis.

First published in Portuguese in 1977 as Ao vencedor as batatas: Forma literária e processo social nos inícios do romance brasileiro by Duas Cidades/Editora 34, ISBN 978-85-7326-169-2, and presented here in a new English-language translation, To the Victor, the Potatoes! is a major work of one of the most significant Marxist literary critics of our time.

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Keren Zdafee

The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a “national style". In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years, that was designated for, and reflected, a colonial and cosmopolitan culture of a few. Keren Zdafee illustrates how Egyptian foreign-local caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism, by adopting a theoretical, semiotic, and historical approach.

Armenia between Byzantium and the Orient

Celebrating the Memory of Karen Yuzbashian (1927–2009)

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Edited by Bernard Outtier, Cornelia B. Horn, Basil Lourie and Alexey Ostrovsky

This volume commemorating the late Armenian scholar Karen Yuzbashyan comprises studies of mediaeval Armenian culture, including the reception of biblical and parabiblical texts, theological literature, liturgy, hagiography, manuscript studies, Church history and secular history, and Christian art and material culture. Special attention is paid to early Christian and late Jewish texts and traditions preserved in documents written in Armenian. Several contributions focus on the interactions of Armenia with other cultures both within and outside the Byzantine Commonwealth: Greek, Georgian, Syriac, Coptic, Ethiopic, and Iranian. Select contributions may serve as initial reference works for their respective topics (the catalogue of Armenian khachkars in the diaspora and the list of Armenian Catholicoi in Tzovk’).

Medieval Franciscan Approaches to the Virgin Mary

Mater Sanctissima, Misericordia, et Dolorosa

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Edited by Steven McMichael and Katie Wrisley Shelby

This volume offers a sample of the many ways that medieval Franciscans wrote, represented in art, and preached about the ‘model of models’ of the medieval religious experience, the Virgin Mary. This is an extremely valuable collection of essays that highlight the significant role the Franciscans played in developing Mariology in the Middle Ages. Beginning with Francis, Clare, and Anthony, a number of significant theologians, spiritual writers, preachers, and artists are presented in their attempt to capture the significance and meaning of the Virgin Mary in the context of the late Middle Ages within the Franciscan movement.
Contributors are Luciano Bertazzo, Michael W. Blastic, Rachel Fulton Brown, Leah Marie Buturain, Marzia Ceschia, Holly Flora, Alessia Francone, J. Isaac Goff, Darrelyn Gunzburg, Mary Beth Ingham, Christiaan Kappes, Steven J. McMichael, Pacelli Millane, Kimberly Rivers, Filippo Sedda, and Christopher J. Shorrock.

The Oasis of Bukhara, Volume 1

Population, Depopulation and Settlement Evolution

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Rocco Rante

In The Oasis of Bukhara: Population, Depopulation and Settlement Evolution, Rocco Rante, archaeologist at the Louvre Museum, presents the results of a large-scale and ambitious regional archaeological investigation of the oasis of Bukhara, corresponding to the delta of the Zerafshan River, from the end of the 1st millennium BCE to the Timurid period. Rante reports the conclusions of several studies of the oasis, realised with the collaboration of distinguished specialists, and covers topics such as human migration, water and the city, urban development and changes in human behaviour. He also revisits the history of this part of Central Asia, providing new historical and cultural insights arising out of the intense archaeological activities undertaken in the field. The volume is co-published by Brill, Leiden, and the Louvre Museum, Paris.