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China's Old Churches

The History, Architecture, and Legacy of Catholic Sacred Structures in Beijing, Tianjin, and Hebei Province

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Alan Richard Sweeten

China’s Old Churches, by Alan Sweeten, examines the history of Catholicism (1600 to the present) as reflected by the location, style, and details of sacred structures in three crucial north China areas. Examined are the most famous and important churches in the urban settings of Beijing and Tianjin as well as lesser-known ones in rural Hebei Province.
Missionaries built Western-looking churches to make a broad religious statement important to themselves and Chinese worshippers. Non-Catholics, however, tended to see churches as socio-politically foreign and invasive. The physical-visual impact of church structures is significant. Today, restored old and new churches are still mostly of Western style, serving a growing number of Catholics who actively support a Marian movement.

Holy Ground: Where Art and Text Meet

Studies in the Cultural History of India

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Hans T. Bakker

The 31 selected and revised articles in the volume Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together.
One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239–241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop.

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John T. P. Lai

Literary Representations of Christianity in Late Qing and Republican China contributes to the “literary turn” in the study of Chinese Christianity by foregrounding the importance of literary texts, including the major genres of Chinese Christian literature (novels, drama and poetry) of the late Qing and Republican periods. These multifarious types of texts demonstrated the multiple representations and dynamic scenes of Christianity, where Christian imageries and symbolism were transformed by linguistic manipulation into new contextualized forms which nurtured distinctive new fruits of literature and modernized the literary landscape of Chinese literature. The study of the composition and poetics of Chinese Christian literary works helps us rediscover the concerns, priorities, textual strategies of the Christian writers, the cross-cultural challenges involved, and the reception of the Bible.