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Roberto Schwarz

Literary forms travel from core countries to the periphery of capitalism, where they are adopted under social conditions that differ from those in the countries of their origin. Besides being inevitable, the resulting maladjustments lead to new and original aesthetic problems, presenting to the reader the symptoms of the world’s complexity. When properly worked through, these allow for the rise of world-class art, as in the case of the great Brazilian novels by Machado de Assis.

First published in Portuguese in 1977 as Ao vencedor as batatas: Forma literária e processo social nos inícios do romance brasileiro by Duas Cidades/Editora 34, ISBN 978-85-7326-169-2, and presented here in a new English-language translation, To the Victor, the Potatoes! is a major work of one of the most significant Marxist literary critics of our time.

Art History as Social Praxis

The Collected Writings of David Craven

Series:

David Craven

Edited by Brian Winkenweder

Art History as Social Praxis: The Collected Writings of David Craven brings together more than thirty essays that chart the development of Craven’s voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of David Craven’s praxis as a ‘democratic socialist’ art historian who assessed the essential role the visual arts play in imagining more just and equitable societies. The essays collected here reveal Craven’s lifelong commitment to exposing interstices between western and non-western cultures by researching the reciprocating influences between First- and Third-World artists, critics and historians.