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Boris Vian, faiseur de hoax

Pour une démystification de l’Affaire Vernon Sullivan

Series:

Clara Sitbon

Boris Vian, faiseur de hoax : pour une démystification de l’Affaire Vernon Sullivan propose la première véritable théorie du canular, ou hoax littéraire : Qu’est-ce qu’un hoax littéraire ? Comment se manifeste-t-il ? Quelles en sont les conséquences sur la fonction de l’auteur ?
S’inspirant de grands théoriciens de la littérature tels Roland Barthes, Michel Foucault ou Jacques Derrida, Clara Sitbon applique sa toute nouvelle théorie des hoaxes littéraires à des exemples tirés des littératures française, britannique et australienne et, ce faisant, parvient à établir la première typologie des hoaxes. Plus précisément, à travers une analyse détaillée de l’Affaire Boris Vian/Vernon Sullivan (1946-1950) comme fil rouge, Clara Sitbon démontre habilement que le hoax littéraire peut être un outil d’analyse littéraire de qualité. Plus important encore, elle prouve que les auteurs pseudonymes, ces compagnons d’infortunes de leurs créateurs ont, eux aussi, une légitimité littéraire.

Boris Vian, faiseur de hoax : pour une démystification de l’Affaire Vernon Sullivan offers the first comprehensive theory of literary hoaxes: What are they? How can recognise them? How do they work? What are their consequences on the notion of authorship?
Drawing on literary theorists such as Roland Barthes, Michel Foucault and Jacques Derrida, Clara Sitbon applies her theory to a range of hoaxes in French, British and Australian literatures, thereby providing a detailed typology of hoaxes. More particularly, through detailed analysis of the Boris Vian/Vernon Sullivan Affair (France, 1946-1950) as a case study for her theory, Clara Sitbon cleverly demonstrates that the literary hoax can indeed be a useful analytical tool in literary criticism. More importantly, she proves that pseudonymous authors can indeed have a literary legitimacy.

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Nada Saab and Robert Myers

In Modern and Contemporary Political Theater from the Levant, A Critical Anthology, Robert Myers and Nada Saab provide a sense of the variety and complexity of political theater produced in and around the Levant from the 1960s to the present within a context of wider discussions about political theater and the histories and forms of performance from the Islamic and Arab worlds. Five major playwrights are studied, ʿIsam Mahfuz, from Lebanon; Muhammad al-Maghut and Saʿd Allah Wannus, from Syria; Jawad al-Asadi, from Iraq, Syria and Lebanon; and Raʾida Taha, from Palestine. The volume includes translations of their plays The Dictator, The Jester, The Rape, Baghdadi Bath and Where Would I Find Someone Like You, ʿAli?, respectively.

Series:

Clara Sitbon

Series:

Clara Sitbon