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In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which publishers and printers in early modern Europe gathered information about the Americas, constructed a narrative, and used it to further colonial ambitions in the Atlantic world (1500–1700). The essays examine the creative ways in which knowledge was manufactured in printing workshops. Collectively they bring to life the vivid print culture that determined the relationship between the Old World and the New in the Age of Encounters, and chart the genres that reflected and shaped the European imagination, and helped to legitimate ideologies of colonialism in the next two centuries.
Investigating Embodied Meaning, Indigenous Semiotics, and the Nahua Sense of Reality
Author: Isabel Laack
In her groundbreaking investigation from the perspective of the aesthetics of religion, Isabel Laack explores the religion and art of writing of the pre-Hispanic Aztecs of Mexico. Inspired by postcolonial approaches, she reveals Eurocentric biases in academic representations of Aztec cosmovision, ontology, epistemology, ritual, aesthetics, and the writing system to provide a powerful interpretation of the Nahua sense of reality.
Laack transcends the concept of “sacred scripture” traditionally employed in religions studies in order to reconstruct the Indigenous semiotic theory and to reveal how Aztec pictography can express complex aspects of embodied meaning. Her study offers an innovative approach to nonphonographic semiotic systems, as created in many world cultures, and expands our understanding of human recorded visual communication.
This book will be essential reading for scholars and readers interested in the history of religions, Mesoamerican studies, and the ancient civilizations of the Americas.

"This excellent book, written with intellectual courage and critical self-awareness, is a brilliant, multilayered thought experiment into the images and stories that made up the Nahua sense of reality as woven into their sensational ritual performances and colorful symbolic writing system." - Davíd Carrasco, Harvard University
New Scientific Approaches and Interpretations
Mesoamerican Manuscripts: New Scientific Approaches and Interpretations brings together a wide range of modern approaches to the study of pre-colonial and early colonial Mesoamerican manuscripts. This includes innovative studies of materiality through the application of non-invasive spectroscopy and imaging techniques, as well as new insights into the meaning of these manuscripts and related visual art, stemming from a post-colonial indigenous perspective.

This cross- and interdisciplinary work shows on the one hand the value of collaboration of specialists in different field, but also the multiple viewpoints that are possible when these types of complex cultural expressions are approached from varied cultural and scientific backgrounds.

Contributors are: Omar Aguilar Sánchez, Paul van den Akker, Maria Isabel Álvarez Icaza Longoria, Frances F. Berdan, David Buti, Laura Cartechini, Davide Domenici, Laura Filloy Nadal, Alessia Frassani, Francesca Gabrieli, Maarten E.R.G.N. Jansen, Rosemary A. Joyce, Jorge Gómez Tejada, Chiara Grazia, David Howell, Virginia M. Lladó-Buisán, Leonardo López Luján, Raul Macuil Martínez, Manuel May Castillo, Costanza Miliani, María Olvido Moreno Guzmán, Gabina Aurora Pérez Jiménez, Araceli Rojas, Aldo Romani, Francesca Rosi, Antonio Sgamellotti, Ludo Snijders, and Tim Zaman.
In: Envisioning Others: Race, Color, and the Visual in Iberia and Latin America