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Author: Andrew Milner
Editor: J.R. Burgmann
Again, Dangerous Visions: Essays in Cultural Materialism brings together twenty-six essays charting the development of Andrew Milner’s distinctively Orwellian version of cultural materialism between 1981 and 2015. The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies. They are bookended by two conversations between Milner and his editor J.R. Burgmann, the first looking back retrospectively on the development of Milner’s thought, the second looking forward prospectively towards the future of academia, the political left and science fiction.
The present age of omnipresent terrorism is also an era of ever-expanding policing. What is the meaning — and the consequences — of this situation for literature and literary criticism? Policing Literary Theory attempts to answer these questions presenting intriguing and critical analyses of the interplays between police/policing and literature/literary criticism in a variety of linguistic milieus and literary traditions: American, English, French, German, Japanese, Korean, Russian, and others. The volume explores the mechanisms of formulation of knowledge about literature, theory, or culture in general in the post-Foucauldian surveillance society. Topics include North Korean dictatorship, spy narratives, censorship in literature and scholarship, Russian and Soviet authoritarianism, Eastern European cultures during communism, and Kafka’s work.

Contributors: Vladimir Biti, Reingard Nethersole, Călin-Andrei Mihăilescu, Sowon Park, Marko Juvan, Kyohei Norimatsu, Péter Hajdu, Norio Sakanaka, John Zilcosky, Yvonne Howell, and Takayuki Yokota-Murakami.
Volume Editors: Laura Crossley and Clara Sitbon
This volume was first published by Inter-Disciplinary Press in 2016.

We have entered a ‘post-truth era’, in which, Daniel J. Boorstin notes, ‘believability’ has become an acceptable substitute for ‘truth’, and ‘manifold deceptions of our culture’ are difficult to separate from ‘its few enduring truths’. In this era, communities and individuals may feel routinely duped, cheated or betrayed. Though truth may be considered intrinsically valuable, deception may sometimes be useful or necessary. Sometimes there is pleasure in the spectacle of deception. The essays in this volume address a variety of areas, coming from different disciplines and methodological approaches: what unites them is the notion of deception. Deception is not just one thing: it can be used for personal liberation and expression; it can be use as a tool of state oppression and sometimes it is purely entertainment. We encounter deception every day of our lives: these essays explore some the ways in which we do.
Author: Paula Morgan
This volume was first published by Inter-Disciplinary Press in 2015.

This volume explores the diversity of transnational catalysts of trauma and the interconnected nature of its global out workings. With reference to literary, filmic, visual and memorial representations, the volume reflects trauma as a multi-contextual impact emanating out of a macrocosmic and microcosmic social catalysts. The essays deal with broad issues of religious and political ideologies, imperial impulses, ethnic and national contestation and the myriad ways in which they drill down to the individual level - domestic violence and other violations, poverty and oppression, inequity, gnawing injustice and more. They also crisscross over domestic, national and global political frameworks. The essays speak to the imperative to represent painful collective pasts so as to alleviate its agony and acknowledge the right of its victims and perpetrators to give witness. By extension, it speaks to the practical and ideological imperative to engage issues of trauma, ethics and testimony.
In: Provocation and Negotiation
In: Provocation and Negotiation
In: Provocation and Negotiation
In: Provocation and Negotiation