Es gilt die kulturkonstitutiven Potentiale der Zerstreuung zu erforschen, weil sie unser Orientierungswissen in Frage stellen und die ‚Ordnung des Diskurses‘ karnevalistisch subvertieren.
Ausgangspunkt des Bands Ästhetik und Politik der Zerstreuung ist die Annahme, dass die eigentlich produktive Instanz von Kultur ein anonymer Prozess diskursiver Zerstreuung und Zerstreutheit ist, dem als entgegengesetzte Operationen Formen von Sammlung und Konzentration entgegenwirken. Während letztere die Funktionen der Hierarchisierung, Totalisierung und Identifizierung übernehmen, also Ordnung stiften in Bereichen, die eigentlich vom Prinzip der Dispersion gekennzeichnet sind, interessieren sich die Beiträge des vorliegenden Bands für ebenjene Momente kultureller Produktion, in denen das Prinzip der Zerstreuung entfesselt wird, Schlupflöcher findet, Grenzen überwindet und Fluchtlinien eröffnet. Angeregt von Überlegungen der Dortmunder Literatur- und Kulturwissenschaftlerin Ute Gerhard widmen sie sich in exemplarischen Studien den Praktiken, Räumen, Dingen, Diskursen, Subjekten und Subjektivitäten der Zerstreuung und tragen so dazu bei, deren spezifische Ästhetik und Politik genauer zu konturieren.
This is the revised, updated and enlarged second edition of the first detailed descriptive grammar in English (indeed, in any language other than Japanese and more complete than even any grammar in Japanese) dedicated to the Western Old Japanese, which was spoken in the Kansai region of Japan during the seventh and eighth centuries. The grammar is divided into two volumes, with the first volume dealing with sources, script, phonology, lexicon, nominals and adjectives. The second volume focuses on verbs, adverbs, particles, conjunctions and interjections. In addition to descriptive data, the grammar also includes comparisons between Western Old Japanese and Eastern Old Japanese and Ryukyuan, occasionally with a critical analysis of various external parallels.
Die Beiträge des Bandes verstehen „Krise“ als einen zentralen Bestandteil kultureller und gesellschaftlicher Institutionen – und gleichermaßen als Ursprung und Effekt von Erzählungen: Einerseits müssen Krisenphänomene narrativ hergestellt, medien-, gattungs- und disziplinspezifisch in Szene gesetzt werden, andererseits dient die Kulturtechnik des Erzählens – nicht nur im engeren Sinne einer talking cure – der Überwindung von und dem Lernen aus Krisen. Dabei stellen Krisen in Erzählprozessen als Ereignis meist den Zeitpunkt unmittelbar vor einem Wendepunkt dar: Krisen erfordern Entscheidungen.
Every third year, the members of the
International Association for Neo-Latin Studies (IANLS) assemble for a week-long conference. Over the years, this event has evolved into the largest single conference in the field of Neo-Latin studies. The papers presented at these conferences offer, then, a general overview of the current status of Neo-Latin research; its current trends, popular topics, and methodologies. In 2018, the members of IANLS gathered for a conference in Albacete (Spain) on the theme of “Humanity and Nature: Arts and Sciences in Neo-Latin Literature”. This volume presents the conference’s papers which were submitted after the event and which have undergone a peer-review process. The papers deal with a broad range of fields, including literature, history, philology, and religious studies.
From Sībawayhi to ʾAḥmad Ḥasan al-Zayyāt: New Angles on the Arabic Linguistic Tradition, a volume edited by Beata Sheyhatovitch and Almog Kasher, brings together nine articles written by leading scholars of the Arabic linguistic tradition. These articles trace the development of the tradition, from Sībawayhi to modern Arabic language academies. The authors shed light on lesser-known aspects of this tradition, such as little-investigated grammatical structures, and problematic spots of the
ʿamal theory and the grammatical terminology. They explore the discipline’s relations with stylistics and logic, the Arab grammarians’ influence on Jewish Bible exegesis, and modern applications of the medieval Arabic grammatical theory. This volume showcases the richness of the medieval Arabic linguistic literature and the diversity of ideas found within it.
Logic of Narratives is a linguistic study of narrative discourse that contextualizes the ‘logical’ rather than the ‘stylistic’ aspect of narratives within the range of current issues in the interdisciplinary study of narratives being conducted in linguistics, philosophy, literature, cognitive science, and Artificial Intelligence. The book quantitatively analyzes naturally occurring narratives randomly selected from the British National Corpus (BNC) as well as James Joyce’s (1882-1941)
The Dead (1914) and Fredrik Backman’s (1981-)
A Man Called Ove (2012). Discourse Representation Theory (DRT) formalization (Kamp and Reyle, 1993) is employed and enriched with the representations and interpretations of perspective/point of view, genre differences, coherence relations, and episodes, which are called in the book Perspectival DRT (PDRT).
From the first Arabic grammar printed at Granada in 1505 to the Arabic editions of the Dutch scholar Thomas Erpenius (d.1624), some audacious scholars - supported by powerful patrons and inspired by several of the greatest minds of the Renaissance – introduced, for the first time, the study of Arabic language and letters to centres of learning across Europe. These pioneers formed collections of Arabic manuscripts, met Arabic-speaking visitors, studied and adapted the Islamic grammatical tradition, and printed editions of Arabic texts - most strikingly in the magnificent books published by the Medici Oriental Press at Rome in the 1590s. Robert Jones’ findings in the libraries of Florence, Leiden, Paris and Vienna, and his contribution to the history of grammar, are of enduring importance.
Mittani Palaeography, Zenobia Homan analyses cuneiform writing from the Late Bronze Age Mittani state, which was situated in the region between modern Aleppo, Erbil and Diyarbakır. The ancient communication network reveals a story of local scribal tradition blended with regional adaptation and international political change, reflecting the ways in which written knowledge travelled within the cuneiform culture of the Middle East.
Mittani signs, their forms, and variants, are described and defined in detail utilising a large digital database and discussed in relation to other regional corpora (Assyro-Mittanian, Middle Assyrian, Nuzi and Tigunanum among others). The collected data indicate that Mittanian was comparatively standardised – an innovation for the period – signifying the existence of a centralised system of scribal training.
Doing Humanities in Nineteenth-Century Germany, edited by Efraim Podoksik, is a collaborative project by leading scholars in German studies that examines the practices of theorising and researching in the humanities as pursued by German thinkers and scholars during the long nineteenth century, and the relevance of those practices for the humanities today.
Each chapter focuses on a particular branch of the humanities, such as philosophy, history, classical philology, theology, or history of art. The volume both offers a broad overview of the history of German humanities and examines an array of particular cases that illustrate their inner dilemmas, ranging from Ranke’s engagement with the world of poetry to Max Weber’s appropriation of the notion of causality.
This volume consists of revised versions of presentations given at a roundtable on “New Directions for Historical Linguistics: Impact and Synthesis, 50 Years Later” held at the 23rd International Conference on Historical Linguistics in San Antonio, Texas, in 2017, as well as an introduction by the editors. The roundtable discussed the evolution of historical linguistics since the 1966 symposium on “Directions for Historical Linguistics,” held in Austin, Texas. Six prominent scholars of historical linguistics and sociolinguistics contributed: William Labov (the only surviving author from the 1968 volume), Gillian Sankoff, Elizabeth Traugott, Brian Joseph, Sarah Thomason, and Paul Hopper (a graduate student assistant at the original symposium).