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Volume Editors: Tamara Nair and Maria Inês Amaro
Citizenship is one of the most important legacies of human development. It raises the human status from a biological condition into a cultural, moral, political and rationalistic one. It is a constantly evolving process, which at each new turn, adds complexity to human existence.
After the breakthroughs of the eighteenth century, with the first steps in recognition of civil and political rights, and of the twentieth century with the advancement of social rights and the emergence of cultural and environmental rights, one could conclude that the twenty-first century would see an enlargement of citizenship ideas and ideals. Has this indeed happened? Where are we now when it comes to identifying ourselves as citizens?
This book was written while some of the most significant events of the last few years were happening. Varying across several disciplines, this volume addresses the complexities of citizenship and our attempts to make sense of them.
U.S. and Soviet Cultural Diplomacy, 1945–1990
In Cold War in Universities: U.S. and Soviet Cultural Diplomacy, 1945–1990 Natalia Tsvetkova recounts how the United States and the Soviet Union aspired to transform overseas academic institutions according to their political aims during the Cold War.
The book depicts how U.S. and Soviet attempts to impose certain values, disciplines, teaching models, structures, statutes, and personnel at universities in divided Germany, Afghanistan, Ethiopia, both Vietnams, and Cuba as well as Guatemala were foiled by sabotage, ignorance, and resistance on the part of the local academic elite, particularly professors.
Often at odds with local academic communities, U.S. and Soviet university policies endured unexpected frustrations as their efforts toward Americanization and Sovietization faced developmental setbacks, grassroots resistance, and even political fear.
Conversations with Jewish Refugees from Germany and Austria
In Émigré Voices Lewkowicz and Grenville present twelve oral history interviews with men and women who came to Britain as Jewish refugees from Germany and Austria in the late 1930s. Many of the interviewees rose to great prominence in their chosen career, such as the author and illustrator Judith Kerr, the actor Andrew Sachs, the photographer and cameraman Wolf Suschitzky, the violinist Norbert Brainin, and the publisher Elly Miller. The narratives of the interviewees tell of their common struggles as child or young adult refugees who had to forge new lives in a foreign country and they illuminate how each interviewee dealt with the challenges of forced emigration and the Holocaust. The voices of the twelve interviewees provide the reader with a unique and original source, which gives direct access to the lived multifaceted experience of the interviewees and their contributions to British culture.
Author: Fred Orton
Fred Orton’s teaching and writing has always combined theoretical and formal – which to say structural - analysis with historical research and reflection. This collection of essays – rewritten studies of Paul Cézanne, Jasper Johns, the American cultural critic Harold Rosenberg and a new essay on Marx and Engels’ notion of ideology – brings together some of his most decisive contributions to thinking about fine art practice and rethinking the theory and methods of the social history of art. More than an anthology, it offers a vivid demonstration of how theory can work to generate new interpretations and unsettle old ones.
International Studies in Maritime Sociology disseminates peer-reviewed research on maritime topics including but not limited to maritime labor, the culture of maritime spaces, marine environmental issues and society, the sociology of the use of marine resources (e.g., fisheries and extractive industries), maritime migration routes, maritime policies, and marine and maritime tourism. The volumes in the International Studies in Maritime Sociology series assemble perspectives from various social science disciplines on the aforementioned topics in order to facilitate an interdisciplinary understanding of the relationship between the sea and society.

Manuscripts should be at least 80,000 words in length (including footnotes and bibliography). Manuscripts may also include illustrations and other visual material. The editors will consider proposals for original monographs, edited collections, translations, and critical primary source editions.

Authors are cordially invited to submit proposals and/or full manuscripts by email to the publisher Jason Prevost. Please direct all other correspondence to Associate Editor Jennifer Obdam.

Authors will find general proposal guidelines at the Brill Author Gateway.