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Experiences of Philology and Replication
Volume Editor: Lucia Raggetti
Traces of Ink. Experiences of Philology and Replication is a collection of original papers exploring the textual and material aspects of inks and ink-making in a number of premodern cultures (Babylonia, the Graeco-Roman world, the Syriac milieu and the Arabo-Islamic tradition). The volume proposes a fresh and interdisciplinary approach to the study of technical traditions, in which new results can be achieved thanks to the close collaboration between philologists and scientists. Replication represents a crucial meeting point between these two parties: a properly edited text informs the experts in the laboratory who, in turn, may shed light on many aspects of the text by recreating the material reality behind it.
br/> Contributors are: Miriam Blanco Cesteros, Michele Cammarosano, Claudia Colini, Vincenzo Damiani, Sara Fani, Matteo Martelli, Ira Rabin, Lucia Raggetti, and Katja Weirauch.
This volume places the satirical works of the Middle Byzantine period in a wider political and socio-cultural context, exploring not only their various forms but also their functions and meanings. The volume is divided into four parts. The first part provides the backgrounds of the authors and texts discussed in the volume. The second concerns the manifold functions and appearances of Byzantine satirical texts. Part three offers detailed analyses of three largely unexplored texts (the Charidemos, the Philopatris, and the Anacharsis). The last section moves from the individual texts to the larger picture of satirical modes in Middle Byzantium.

Contributors are Baukje van den Berg, Floris Bernard, Stavroula Constantinou, Eric Cullhed, Janek Kucharski, Markéta Kulhánková, Paul Magdalino, Henry Maguire, Przemysław Marciniak, Charis Messis, Ingela Nilsson, Emilie van Opstall, Panagiotis Roilos, and Nikos Zagklas.
Studies in Communication on the Ancient Stage
This volume collects papers on pragmatic perspectives on ancient theatre. Scholars working on literature, linguistics, theatre will find interesting insights on verbal and non-verbal uses of language in ancient Greek and Roman Drama. Comedies and tragedies spanning from the 5th century B.C.E. to the 1st century C.E. are investigated in terms of im/politeness, theory of mind, interpersonal pragmatics, body language, to name some of the approaches which afford new interpretations of difficult textual passages or shed new light into nuances of characterisation, or possibilities of performance. Words, silence, gestures, do things, all the more so in dramatic dialogues on stage.
Author: Yair Neuman
The old practices of interpretation have been exhausted, and the humanities and social sciences are facing a crisis. Is there a way out of the labyrinth of reading? In this book, Professor Neuman presents a challenging approach to interpreting texts and reading literature through the spectacles of conceptual mathematics. This approach strives to avoid the simplicity of a quantitative approach to the analysis of literature as well as both the relativistic and the ideological dangers facing a qualitative reading of a text. The approach is introduced in a rigorous and accessible manner and woven with insights gained from various fields. Taking us on a challenging journey from Ovid’s Metamorphoses to Nick Cave’s The Death of Bunny Munro, the book shows how we may gain a deeper understanding of literature and the aesthetic experience of reading.
Pictorial and Literary Transformations in Various Media, 1400–1800
This volume explores early modern recreations of myths from Ovid’s immensely popular Metamorphoses, focusing on the creative ingenium of artists and writers and on the peculiarities of the various media that were applied. The contributors try to tease out what (pictorial) devices, perspectives, and interpretative markers were used that do not occur in the original text of the Metamorphoses, what aspects were brought to the fore or emphasized, and how these are to be explained. Expounding the whatabouts of these differences, the contributors discuss the underlying literary and artistic problems, challenges, principles and techniques, the requirements of the various literary and artistic media, and the role of the cultural, ideological, religious, and gendered contexts in which these recreations were produced.

Contributors are: Noam Andrews, Claudia Cieri Via, Daniel Dornhofer, Leonie Drees-Drylie, Karl A.E. Enenkel, Daniel Fulco, Barbara Hryszko, Gerlinde Huber-Rebenich, Jan L. de Jong, Andrea Lozano-Vásquez, Sabine Lütkemeyer, Morgan J. Macey, Kerstin Maria Pahl, Susanne Scholz, Robert Seidel, and Patricia Zalamea.
Volume I: Graeco-Syriaca and Arabica / Volume II: Islamic Philosophy / Volume III: From God´s Wisdom to Science: A. Islamic Theology and Sufism, B. History of Science / Volume IV: Islam, Europe and Beyond: A. Islam and the Middle Ages. B. Manuscripts, a B
Author: Hans Daiber
From the Greeks to the Arabs and Beyond written by Hans Daiber, is a six volume collection of Daiber’s scattered writings, journal articles, essays and encyclopaedia entries on Greek-Syriac-Arabic translations, Islamic theology and Sufism, the history of science, Islam in Europe, manuscripts and the history of oriental studies. The collection contains published (since 1967) and unpublished works in English, German, Arabic, Persian and Turkish, including editions of Arabic and Syriac texts. The publication mirrors the intercultural character of Islamic thought and sheds new light on many aspects ranging from the Greek pre-Socratics to the Malaysian philosopher Naquib al-Attas. A main concern is the interpretation of texts in print or in manuscripts, culminating in two catalogues (Vol. V and VI), which contain descriptions of newly discovered, mainly Arabic, manuscripts in all fields.
Vol. I: Graeco-Syriaca and Arabica.
Vol. II: Islamic Philosophy.
Vol. III: From God’s Wisdom to Science: A. Islamic Theology and Sufism; B. History of Science.
Vol. IV: Islam, Europe and Beyond: A. Islam and Middle Ages; B. Manuscripts – a Basis of Knowledge and Science; C. History of the Discipline; D. Obituaries; E. Indexes.
Vol. V: Unknown Arabic Manuscripts from Eight Centuries – Including one Hebrew and Two Ethiopian Manuscripts: Daiber Collection III.
Vol. VI: Arabic, Syriac, Persian and Latin Manuscripts on Philosophy, Theology, Science and Literature. Films and Offprints: Daiber Collection IV.
Metaphrasis: A Byzantine Concept of Rewriting and Its Hagiographical Products represents a first and authoritative discussion of rewriting in Byzantium. It brings together a rich variety of articles that treat the topic of hagiographical rewriting from various angles.The contributors discuss and comment on different kinds of texts in Greek and other languages, including Apophthegmata Patrum, Passions, Saints’ Lives, Enkomia, Miracle Collections, Synaxaria, and Menologia which date from late antiquity to late Byzantium. The volume offers a series of case studies examining how the same legends evolved through time by the process of rewriting. It is shown that the main driving force behind such rewriting was adaptation to different audiences and contexts. This work argues that rewriting is central to Christian cultures in the Middle Ages.

Contributors are Andria Andreou, Anne Alwis, Stavroula Constantinou, Koen de Temmerman, Kristoffel Demoen, Marina Detoraki, Bernard Flusin, Laura Franco, Martin Hinterberger, Christian Høgel, Daria D. Resh, Klazina Staat, Julie van Pelt, Robert Wiśniewski, and † John Wortley.