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This book questions notions of a print-based public sphere in seventeenth century. It is based on contemporary tracts on newspapers, the court culture, and letter-writers, as well as news correspondences and other archive material from archives in the Baltic Sea Region and beyond.
This book questions notions of a print-based public sphere in seventeenth century. It is based on contemporary tracts on newspapers, the court culture, and letter-writers, as well as news correspondences and other archive material from archives in the Baltic Sea Region and beyond.
While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography.
While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography.
This book evolved from a symposium "Sculpture Collecting and Display, 1600-2000," organized by the Center for the History of Collecting, that was held at The Frick Collection on May 19 and 20, 2017. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation.
The book is published in association with The Frick Collection.