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This volume celebrates and extends the extraordinary and transformative work of Ian Doyle on medieval manuscripts and their legacies. Eighteen original contributions by eminent international scholars of manuscript studies and history of the book present new research on textual issues, manuscript preservation and circulation, manuscripts and print, and the afterlives of manuscripts. Essays adopt the multi-faceted and nuanced approaches to manuscript studies and history of the book characteristic of Ian Doyle’s work, taking up topics to which his research has drawn attention, extending his studies of particular manuscripts, scribes and networks, and exploring his remarkable contributions to the field.

Contributors are: Ralph Hanna, Susan Powell, Julia Boffey, David Rundle, James Willoughby, Carol Meale, Martha Driver, William Marx, Veronica O'Mara, Richard Gameson, Kathleen Scott, Margaret Connolly, Richard Beadle, A. S. G. Edwards, Elizabeth Rainey, Pamela Robinson, Toshi Takamiya, Linne Mooney, and Derek Pearsall.
Comparative and Interdisciplinary Perspectives
This volume explores social practices of framing, building and enacting community in urban-rural relations across medieval Eurasia. Introducing fresh comparative perspectives on practices and visions of community, it offers a thorough source-based examination of medieval communal life in its sociocultural complexity and diversity in Central and Southeast Europe, South Arabia and Tibet. As multi-layered social phenomena, communities constantly formed, restructured and negotiated internal allegiances, while sharing a topographic living space and joint notions of belonging. The volume challenges disciplinary paradigms and proposes an interdisciplinary set of low-threshold categories and tools for cross-cultural comparison of urban and rural communities in the Global Middle Ages.

Contributors are Maaike van Berkel, Hubert Feiglstorfer, Andre Gingrich, Károly Goda, Elisabeth Gruber, Johann Heiss, Kateřina Horníčková, Eirik Hovden, Christian Jahoda, Christane Kalantari, Odile Kommer, Fabian Kümmeler, Christina Lutter, Judit Majorossy, Ermanno Orlando, and Noha Sadek.
Papers in Honour of Elizabeth Coatsworth
Volume Editors: Gale Owen-Crocker and Maren Clegg Hyer
A monastic artist with an unusual enthusiasm of male buttocks and genitalia; a nun bringing her spinning equipment from her home in the south to her new convent in the north; the riddle of a carved archer bearing a book instead of arrows; a bishop’s ring hiding in its design symbols of the essential aspects of the Christian faith: these are some of the secrets of early medieval personal and public worship uncovered in this book.
In tribute to a scholar who is herself a polymath of early medieval studies, these chapters explore approaches which have particularly engaged her: stone sculpture; text; textiles; manuscript art; metalwork; and archaeology. With a brief foreword by Professor Dame Rosemary Cramp.

Contributors are Richard N. Bailey, Michelle P. Brown, Peter Furniss, Jane Hawkes, David A. Hinton, Maren Clegg Hyer, Catherine E. Karkov, Alexandra Lester-Makin, Christina Lee, Donncha MacGabhann, Éamonn Ó Carragáin, Gale R. Owen-Crocker, Frances Pritchard, and Penelope Walton Rogers.
Author: Noël Carroll
For over thirty years, Arthur Danto was the most important art critic and philosopher of art and aesthetics in the English-speaking world. Arthur Danto's Philosophy of Art: Essays provides a comprehensive and systematic view of his philosophy and criticism by Noël Carroll, Distinguished Professor of the Philosophy of Art, CUNY and himself a former journalist specializing in arts criticism. Danto's writings attracted and still attracts diverse audiences, including aestheticians, artists, art critics, historians, and art lovers. In this book they will find his major themes not only analyzed in depth but also discussions of his political significance, views on history, cinema and more.
Emotions, Art, and Christianity in the Transatlantic World, 1450–1800 is a collection of studies variously exploring the role of visual and material culture in shaping early modern emotional experiences. The volume’s transatlantic framework moves from The Netherlands, Spain, and Italy to Mexico, Peru, Ecuador, and the Philippines, and centers on visual culture as a means to explore how emotions differ in their local and global “contexts” amidst the many shifts occurring c. 1450–1800. These themes are examined through the lens of art informed by religious ideas, especially Catholicism, with each essay probing how religiously inflected art stimulated, molded, and encoded emotions.

Contributors include: Elena FitzPatrick Sifford, Alison C. Fleming, Natalia Keller, Walter S. Melion, Olaya Sanfuentes, Patricia Simons, Dario Velandia Onofre, and Charles M. Rosenberg.
Editor: Marion Romberg
The book analyzes the evolving interaction between court and media from various perspectives. Eight case studies focus on different European Empress consorts and Queen regnants from the 17th to the 20th centuries, using a unique, comparative, cross-media, and cross-period approach. The volume raises a multitude of issues, ranging from how female figures were achieved public prominence through their portraits; how their faces and bodies were moulded and rearticulated to fit varying expectations in multiple public spheres; and the degree to which they, as female subjects, engaged with or had agency within the processes of production and reception. In particular, two types of female rulership are contrasted, their relationship to diverse media explored, and lesser-known and under-researched dynastic women are spotlighted.

Contributors include: Christine Engelke, Anna Fabiankowitsch, Inga Lena Ångström Grandien, Titia Hensel, Andrea Mayr, Alison McQueen, Marion Romberg, and Alison Rowley.
The ingenious and ambitious Campani brothers—Matteo, Pier Tommaso, and Giuseppe—were at the core of thriving activity of technological and scientific innovation that involved popes, the Sun King, and other rulers of baroque Europe. Especially Giuseppe’s outstanding production of innovating clocks, telescopes, and microscopes, attracted the attention of the most important scientific characters and experimental academies of the time. This posthumous book by Silvio Bedini is the result of a fifty-year-long study that will serve not just as a reference work for scholars interested in seventeenth-century clockmaking, practical optics, astronomy, and science and technology in general, but it also will provide you with unique insights into the scientific and technological landscape of baroque Rome and its links to a broader European scene. The author's narrative style and the many illustrations which accompany the story, make this book also for non-specialists an enjoyable read.
In Kids Those Days, Lahney Preston-Matto and Mary Valante have organized a collection of interdisciplinary research into childhood throughout the Middle Ages. Contributors to the volume investigate childhood from Greece to the “Celtic-Fringe,” looking at how children lived, suffered, thrived, or died young. Scholars from myriad disciplines, from art and archaeology to history and literature, offer essays on abandonment and abuse, fosterage and guardianship, criminal behavior and child-rearing, child bishops and sainthood, disabilities and miracles, and a wide variety of other subjects related to medieval children. The volume focuses especially on children in the realms of religion, law, and vulnerabilities.
Contributors are Paul A. Broyles, Sarah Croix, Gavin Fort, Sophia Germanidou, Danielle Griego, Máire Johnson, Daniel T. Kline, Jenni Kuuliala, Lahney Preston-Matto, Melissa Raine, Eve Salisbury, Ruth Salter, Bridgette Slavin, and Mary A. Valante.