Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan.
These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath.
This publication presents a comprehensive review of the life and intellectual legacy of the Dutch Nobel Peace laureate and father of the Hague tradition of international law. It is the first research study based on a wealth of recently disclosed private and family files, and deepens and modifies all earlier evaluations. It enlarges on Asser’s achievements as legal practitioner, university don, pioneer of private international law, diplomat and arbitrator, and State Councillor. It discusses his durable impact as founder of international law bodies and institutions. It likewise highlights the impressive Asser family tradition that exemplifies 19th-century Jewish emancipation in Amsterdam, addresses Asser’s youth and student years, his role as family man and the impact of personal drama on his career.
The Jew in Czech and Slovak Imagination,1938-89 is the first critical inquiry into the nature of anti-Jewish prejudices in both main parts of former Czechoslovakia. The authors identify anti-Jewish prejudices over almost fifty years of the twentieth century, focusing primarily on the post-Munich period and the Second World War (1938–45), the post-war reconstruction (1945–48), as well as the Communist rule with both its thaws and returns to hardline rule (1948–89). It is a provocative examination of the construction of the image of ‘the Jew’ in the Czech and Slovak majority societies, the assigning of character and other traits – real or imaginary – to individuals or groups. The book analyses the impact of these constructed images on the attitudes of the majority societies towards the Jews, and on Holocaust memory in the country.
"This meticulously researched study covers the late 1930s to the 1960s in Czechoslovakia, then when Slovakia became a separate country under Nazi domination during WW II and much of the Czech Republic was a German 'protectorate.'...Summing Up: Highly recommended. Graduate students, faculty, professionals." - R.M. Seltzer,
emeritus, Hunter College, CUNY, in:
CHOICE 55.12 (2018)
The present study is the first of its kind to deal with Eastern European Karaite historical thought. It focuses on the social functions of Karaite historical narratives concerning the rise of Karaism from the Middle Ages to the nineteenth century. The book also deals with the image of Karaism created by Protestants, and with the perception of Karaism by some leaders of the Haskalah movement, especially the scholars of
Hokhmat Israel. In both cases, Karaism was seen as an orientalistic phenomenon whereby the “enlightened” European scholars romanticized the “indigenous” people, while the Karaites (themselves), adopted this romantic images, incorporating it into their own national discourse. Finally, the book sheds new light on several conventional notions that shaped the study of Karaism from the nineteenth century.
Akim Volynsky: A Hidden Russian-Jewish Prophet Helen Tolstoy goes far beyond the accepted image of Akim Volynsky as a controversial literary critic of the 1890s who ran the first journal of Russian Symbolists, promoted philosophic idealism and proposed the first modernist reading of Dostoevsky. This book, through the study of periodicals and archive materials, offers a new view of Volynsky as a champion of Symbolist theater, supporter of Jewish playwrights, an ardent partisan of Habima theater and finally, a theoretician of Jewish theater. Throughout his life, Volynsky was a seeker of a Jewish-Christian synthesis, both religious and moral. His grand universalist view made him the first to see the true value of leading Russian writers – his contemporaries Tolstoy and Dostoevsky.
Zeev Levin seeks to provide a comprehensive picture of government efforts to socialize the Jewish masses in Uzbekistan, a process in which the central Soviet government took part, together with the local, republican and regional administrations and Soviet Jewish activists. This research presents a chapter in the history of the Jews in Uzbekistan, as well as contributing to the study of the socialization process of the Jewish population in the USSR in general. It also contributes to the study of relations among political and government bodies and decision makers. The study is based on archival documents and provides a unique glance at the implementation of Soviet nationalities policy towards Bukharan Jews while comparing it to other national minority groups in Uzbekistan.