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In African Somaesthetics: Cultures, Feminisms, Politics, Catherine F. Botha brings together original research on the body in African cultures, specifically interrogating the possibilities of the contribution of a somaesthetic approach in the context of colonization, decolonization, and globalization in Africa.

The eleven innovative contributions that consider the somaesthetic dimensions of experience in the context of Africa (centred broadly around the themes of politics, feminisms, and cultures) reflect a diversity of perspectives and positions. The book is a first of its kind in gathering together novel and focused analyses of the body as conceived of from an African perspective.
Author: Flavio Altamura


In this paper I discuss the potential of archival research (i.e. the reassessment of pictures and drawings) for the identification of hitherto overlooked fossil footprints. All of the most important sites of the Pleistocene sequence of Melka Kunture (Upper Awash Valley, Ethiopia) showed evidence of biogenic structures that had escaped attention during the archaeological investigations which started in the 1960s. The case studies described here show that fossil footprints at Melka Kunture occur more frequently than expected. This could encourage archaeologists to be more aware of the possible presence of bioturbated layers in other archaeological contexts and plan specific research accordingly, using Melka Kunture as a reference.

In: Journal of African Archaeology
Author: Israel J. Katz
Robert Lachmann’s letters to Henry George Farmer, from the years 1923-38, provide insightful glimpses into his life and his progressive research projects. From an historical perspective, they offer critical data concerning the development of comparative musicology as it evolved in Germany during the early decades of the twentieth century. The fact that Lachmann sought contact with Farmer can be explained from their mutual, yet diverse interests in Arab music, particularly as they were then considered to be the foremost European scholars in the field. During the 1932 Cairo International Congress on Arab Music, they were selected as presidents of their respective committees.
In: Robert Lachmann’s Letters to Henry George Farmer (from 1923 to 1938)
In: Robert Lachmann’s Letters to Henry George Farmer (from 1923 to 1938)