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Chinese Contemporary Art in the Post-Mao Era
Author: Jane DeBevoise
Between State and Market: Chinese Contemporary Art in the Post-Mao Era examines the shift in the system of support for contemporary art in China between 1979 and 1993, from state patronage to the introduction of the market, and the hybrid space that developed in between. Today, soaring prices for contemporary art have triggered a debate about the deleterious effect of the market on art. Yet Jane DeBevoise argues that, in the post-Mao period, the imaginary of the marketplace was liberating, offering artists an alternative framework of legitimacy and support. Based on primary research, DeBevoise explores the entangled role of the state and the market, and how experimental artists and their champions in China negotiated to find a creative space between the two systems to produce and promote their work.
Editor-in-Chief: Stéphane Pradines
Journal of Material Cultures in the Muslim World (MCMW) aims to be a new reference for field archaeologists, (art) historians, anthropologists, curators, and scholars and students of the (art) history, archaeology, architecture, anthropology & ethnography of the Muslim world. This readership represents a new broader definition of material culture that includes not only artefacts, architectural structures and monuments, but also crafts. The journal also aims to inform (other) disciplines and historiographies, by including (unreviewed) archaeological field surveys for example.
The journal focuses on un(der)explored Muslim regions outside of the Middle East and Nord Africa: sub-Saharan Africa, the Indian Ocean, Central Asia, India, South-East Asia and Europe.
The journal accepts submissions in English, French, German and Spanish and short reports in Arabic, Persian and Turkish with an English abstract.
Submissions should be sent to the Editor-in-Chief, Stéphane Pradines, at Stephane.Pradines@aku.edu
Frequency: 1 volume per year, 2 issues per volume
Expected date of publication of the inaugural double issue: October 2020.

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