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Muqarnas 32

Gazing Otherwise: Modalities of Seeing In and Beyond the Lands of Islam

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Edited by Gülru Necipoğlu, Karen Leal, Olga Bush and Avinoam Shalem

Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

Muqarnas 32, subtitled “Gazing Otherwise: Modalities of Seeing In and Beyond the Lands of Islam” and guest edited by Olga Bush and Avinoam Shalem, is the outcome of a two-day conference (“Gazing Otherwise: Modalities of Seeing”) held at the Kunsthistorisches Institut in Florence in October 2012. Along with introductions by each of the guest editors, the volume contains ten articles that examine the gaze and the aesthetic experience of the beholder as they are constructed, depicted, and theorized within the culture-specific frameworks pertinent to the field of Islamic studies, through approaches developed in the fields of art history, visual culture, and anthropology.

Authors include Samer Akkach, Olga Bush, Holly Edwards, Emine Fetvacı, Laura U. Marks, Gülru Necipoğlu, D. Fairchild Ruggles, Matthew D. Saba, Avinoam Shalem, and Eva-Maria Troelenberg.

Series:

Edited by Gülru Necipoğlu and Karen Leal

Muqarnas 33 contains articles that range chronologically and geographically from a study of architectural innovations in the early mosque under the Umayyads to an analysis of archaeological finds in medieval Armenia, the book culture of Bijapur, and a discussion of a nineteenth-century Muslim cemetery in Malta. Readers will also discover essays on, respectively, the influence of a Tabrizi workshop on Cairene architecture in the fourteenth century, and the brilliant ceramic tiles of the fifteenth-century Uzun Hasan Mosque in Tabriz, as well as the latest research on the coffeehouses of Safavid Isfahan and on the architectural patronage of Shah ʿAbbas. A study of a Timurid pilgrimage scroll in the Museum of Islamic Art in Doha and an essay on Bihari calligraphy round out the volume. The Notes and Sources section features a never-before-published treatise on the Sultan Ahmed Mosque in Istanbul. Muqarnas 33 includes articles by Heba Mostafa, Diana Isaac Bakhoum, Sandra Aube, David Roxburgh and Mounia Abudaya-Chehkhab, Eloïse Brac de la Perrière, Keelan Overton, Charles Melville, Farshid Emami, Conrad Thake, Ünver Rüstem, and Hans Barnard, Sneha Shah, Gregory E. Areshian, and Kym F. Faull.

Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.


Series:

Edited by Gülru Necipoğlu and Maria J. Metzler

Muqarnas 34 features articles ranging from monumental architecture in seventh-century Jerusalem to modern Arab painting in Syria. It includes an archaeological study of the Agdal in Marrakesh, one of the few surviving medieval Islamic estates; as well as a fresh assessment of Ilkhanid polychrome stucco decoration in the Pir-i Bakran mausoleum. The volume contains several articles on interactions between Islamic and Christian societies as attested in architectural landscapes from the early modern period. One piece interprets an inscribed Renaissance gate at a Crimean palace; another provides a fascinating micro-history of Venetian merchants in Aleppo, who lived in commercial khans. Other highlights include an article exploring the impact of Shirazi poets and their tombs on the famous traveler, Pietro della Valle; and an investigation of the forgotten Galata New Mosque in Istanbul, built by the queen mother in 1698 to replace a prominent Catholic convent church following Ottoman military defeats.

The Notes and Sources section introduces several new texts, including a Neo-Latin poem that challenges recent modifications to the Alhambra’s iconic Fountain of Lions, and a hitherto undeciphered Persian chronogram poem, which sheds valuable light on the production sites of luster-painted ceramics in the Safavid period. Also featured is a sixteenth-century Arabic chronicle describing Ottoman construction projects in Mecca within the context of diplomatic relations between Istanbul and Gujarat.