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EUHORMOS is an international book series intended for monographs and collective volumes on classical antiquity. Specifically, it welcomes manuscripts related to the concept of ‘anchoring innovation’ by classical scholars of all disciplines from all over the world. All books will be published in Open Access (online) as well as in print. The series publishes book-length studies (single-authored or edited) of ancient innovations and their societal perceptions and valuations, in particular in connection with their ‘anchoring’, the various ways in which ‘the new’ could (or could not) be connected to what was already familiar. ‘The new’ is not restricted to the technical or scientific domains, but can include the ‘new information’ imparted by speakers through linguistic means, literary innovation, political, social, cultural or economic innovation, and new developments in material culture. EUHORMOS is one of the results of the Dutch so-called Gravitation Grant (2017), awarded to a consortium of scholars from OIKOS, the National Research School in Classical Studies. See https://www.ru.nl/oikos/anchoring-innovation.
EUHORMOS is the Homeric term for a harbour ‘in which the anchoring is good’. Under this auspicious title, we aim to publish a book series striving to afford ‘good anchorage’ to studies contributing to a better understanding of ‘anchoring innovation’ in Greco-Roman Antiquity.
PART 1: Streets, Processions, Fora, Agorai, Macella, Shops. PART 2: Sites, Buildings, Dates
This book investigates the nature of 'public space' in Mediterranean cities, A.D. 284-650, meaning places where it was impossible to avoid meeting people from all parts of society, whether different religious confessions or social groups. The first volume considers the architectural form and everyday functions of streets, fora / agorai, market buildings, and shops, including a study of processions and everyday street life. The second volume analyses archaeological evidence for the construction, repair, use, and abandonment of these urban spaces, based on standardised principles of phasing and dating. The conclusions provide insights into the urban environment of Constantinople, an assessment of urban institutions and citizenship, and a consideration of the impact of Christianity on civic life at this time.
Few Roman emperors enjoy such fame as Flavius Claudius Iulianus – although he was sole ruler of the Roman Empire for only eighteen months (361-363). Since his early death he has been known as Julian the Apostate – the nephew of Constantine the Great who in vain tried to reverse the transformation of the Imperium Romanum into a Christian Empire. This companion synthesizes research on Julian conducted in many languages over the last decades and develops new perspectives. The authors scrutinize the voluminous and variegated sources for Julian's life and rule and reflect on the perceptions of modern research. Since Julian is the subject of scholarly discussion in various fields, this companion offers an interdisciplinary dialogue in which experts from many countries participate.

Contributors are Bruno Bleckmann, Scott Bradbury, Peter Heather, Arnaldo Marcone, Neil McLynn, Hans-Günther Nesselrath, Stefan Rebenich, Christoph Riedweg, Sebastian Schmidt-Hofner, Peter van Nuffelen, Konrad Vössing, Hans-Ulrich Wiemer.
A Study of the Evidence from Italy, North Africa and Palestine A.D. 285-700
In this book Sadi Maréchal examines the survival, transformation and eventual decline of Roman public baths and bathing habits in Italy, North Africa and Palestine during Late Antiquity. Through the analysis of archaeological remains, ancient literature, inscriptions and papyri, the continued importance of bathhouses as social hubs within the urban fabric is demonstrated, thus radically altering common misconceptions of their decline through the rise of Christianity and elite seclusion. Persistent ideas about health and hygiene, as well as perpetuating ideas of civic self-esteem, drove people to build, restore and praise these focal points of daily life when other classical buildings were left to crumble.
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: Public Baths and Bathing Habits in Late Antiquity
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
In: A Companion to Julian the Apostate
The book discusses the history and the archaeology of Jerusalem in the Roman period (70-400 CE) following a chronological order, from the establishment of the Tenth Roman Legion’s camp on the ruins of Jerusalem in 70 CE, through the foundation of Aelia Capitolina by Hadrian, in around 130 CE, and the Christianization of the population and the cityscape in the fourth century. Cemeteries around the city, the rural hinterland, and the imperial roads that led to and from Aelia Capitolina are discussed as well. Due to the paucity of historical sources, the book is based on archaeological remains, suggesting a reconstruction of the city's development and a discussion of the population’s identity.
This catalogue of the Coptic Textiles in the Collection of Mediterranean Antiquities at the Montreal Museum of Fine Arts provides a detailed analysis of 64 textiles from both historical and weaving practice points of view. This approach provides a fuller understanding of the cultural situation in which such textiles were produced and circulated. Dr. Landry’s experience of over 40 years of weaving and scholarship highlights the elements of knowledge and skill held and applied by weavers in Antiquity. This perspective complements and expands on the focus on imagery usually provided by art historians regarding textiles of this period. This catalogue shows how much more cultural information can be accessed when the technical, economic, and practical character of both production and use are adequately integrated into the study of material artefacts.
Interdisciplinary Dialogues in the Field
New Directions and Paradigms for the Study of Greek Architecture comprises 20 chapters by nearly three dozen scholars who describe recent discoveries, new theoretical frameworks, and applications of cutting-edge techniques in their architectural research. The contributions are united by several broad themes that represent the current directions of study in the field, i.e.: the organization and techniques used by ancient Greek builders and designers; the use and life history of Greek monuments over time; the communication of ancient monuments with their intended audiences together with their reception by later viewers; the mining of large sets of architectural data for socio-economic inference; and the recreation and simulation of audio-visual experiences of ancient monuments and sites by means of digital technologies.
The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a “national style". In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years, that was designated for, and reflected, a colonial and cosmopolitan culture of a few. Keren Zdafee illustrates how Egyptian foreign-local caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism, by adopting a theoretical, semiotic, and historical approach.