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- Continental Philosophy x
Edited by Lucilla Guidi and Thomas Rentsch
Camus among the Philosophers
Edited by Matthew Sharpe, Maciej Kałuża and Peter Francev
Edited by Michael J. Thompson
This work will of special interest to social, moral and political philosophers as well as those who study critical theory, social theory and Marxism. It is also of interest to those working within the area of social ontology.
Contributors include: Mario Duayer, Andreas Giesbert, Christoph Henning, Antonino Infranca, Reha Kadakal, Endre Kiss, Michael Morris, Michalis Skomvoulis, Matthew J. Smetona, Titus Stahl, Thomas Telios, Michael J. Thompson, Murillo van der Laan, Miguel Vedda, Claudius Vellay.
Edited by Jochen Sattler
Der Band enthält Beiträge zu Fragen der Erkenntnistheorie und der Ethik in der Phänomenologie; ferner werden Beckers wissenschaftstheoretische und -historische Arbeiten zu den Grundlagen der Mathematik untersucht. Aus dem Nachlass des Philosophen wird eine Mitschrift der Freiburger Vorlesung „Grundfragen der Phänomenologie“ aus dem Wintersemester 1924/25 veröffentlicht.
Daniel Andrés López
In Lukács: Praxis and the Absolute, Daniel Andrés López radicalises Lukács’s famous return to Hegel by reassembling his 1920s philosophy as a conceptual-historical totality. This speculative reading defends Lukács while proposing an unprecedented, immanent critique. While Lukács’s concept of praxis approaches the shape of Hegel’s Absolute, it tragically fails to bear its weight. However, as López argues, Lukács’s failure was productive: it raises crucial political, methodological and philosophical questions for Marxism, offering to redeem a lost century.
This essay follows the assumption that the first principle of classical metaphysics has its counterpart in political sovereignty as suprema potestas. Therefore, both can be equally described as arché. Their epitome is the God of so-called ontotheology, who thus proves to be what I call the Ur-Arché. In contrast to current post-metaphysical approaches, however, I suggest overcoming ontotheology through a different metaphysics, which emphasizes the self-transcending surplus character of being. I regard early Christian martyrdom as an eminent way in which the surplus of being is manifested. This has two interwoven aspects, one ontological and one political, both arising from the excessive idea of the Christ event, or the notion that there is life beyond life unto death. I will analyse the mechanism allowing early Christian martyrs to counteract Roman imperial sovereignty. Finally, I will relate this to contemporary life systems in which sovereignty has become anonymous biopower.
Violence, Radical Theology, and Crisis
Jason W. Alvis and Jeffrey W. Robbins
The aim of this paper is to develop a conception of God that works with the identification of being-before-the-law and being-with-God. In addition, it argues that developing a rethinking of God along such lines necessitates, equally, the development of the concomitant political theology and philosophical anthropology that such a repositioning of God envisages. Processes of subject creation have to be thought in relation to any philosophical engagement with the law.
With the upsurge in various forms of religion, especially dogmatic forms that kill in the name of good versus evil, there is an urgent need for intellectuals to acknowledge and analyze the role of religion in contemporary culture and politics. If there is to be any hope for peace, we need to understand how and why religion becomes the justification for violence. In a world where religious intolerance is growing, and the divide between the secular and the religious seems to be expanding, Julia Kristeva’s writings bridge the gap and once again provide a path where others have seen only an impasse. Her approach is unique in its insistent attempt to understand the violence both contained and unleashed by religion. Moreover, she rearticulates a notion of the sacred apart from religious dogmatism, a sense of the sacred that is precisely lacking in fundamentalism.
Derrida’s “Question” and the Meta-ontological Origins of Philosophy and Violence
Despite Jürgen Habermas’ famous suggestion that the violence of history might be mitigated by “the liquidation of unconditional claims,” the issue of whether monotheistic religions and the metaphysical rationality they engender are indeed the hidden source of such violence remains an open one. This essay explores how Derrida with his project “deconstruction” sought to deal in a manner unique to philosophy with the question of the relationship between violence, the unconditional, and the ontological. It proposes that Derrida’s “Jew-Greek” dilemma, which encapsulates the problem of the “violence” of metaphysics, is resolved through Levinas’ project of disrupting Husserlian phenomenology with an alterity that is not simply a heteron that disintermediates the logic of predication, but one that challenges what is normally meant by philosophy itself.
Thoughts on religio and the History of Human Mortality
This essay draws attention to the question how a strong notion of unconditional responsibility in the face of the other’s mortality (as it was claimed by Emmanuel Levinas) is related to the historical experience of a disastrous violence that seems to annihilate not only numerous bodies, lives, identities and histories but, rather, any responsible religio to the other – whether living or dead. It is well known, that Levinas claimed that human responsibility demands not to let the other alone in his death. But if the other is already dead – like numerous others who share the same fate – keeps human responsibility silent, then? And how is this religio of human responsibility related to forms of disastrous violence which seem to deny it?
A Radical Theology of Culture
John D. Caputo
I distinguish between the deep culture and the manifest culture, the relationship between the two constituting a circle, which constitutes the circulation of a radical theology of culture. The deep culture surfaces in the manifest, and the manifest draws upon the depths; neither one without the other. My hypothesis is that religion is an expression of the deep culture and for that reason, religion is not accidentally violent; religion is violent in virtue of something essential to religion. Religion is playing with the fire of the concealed depths, of the unconditional, of the impossible, of the undeconstructible. Religion is the best way to save the world, but it also the best way to burn it down. It is both of these things and in virtue of the same property. This is not to say that religion is structurally violent, always and necessarily violent. It is structurally ambiguous, dangerous, on the verge of violence, whipsawing between radical violence and radical non-violence, between martyrdom and murder. Religious beliefs are not the cause of the violence but often a façade for deeper, visceral nationalism or ethnic hatred, The reaction of Christian right to the contemporary world is naive and simplistic but not superficial; it reflects a visceral fear of the postmodern world. Religion is a matter of being claimed by something unconditional, which means it should have the good sense not to lay claim to it. We should never trust anything that has not passes through that apophasis. Before any claims we make, we are laid claim to in advance by the unconditional, the undeconstructible, which Schelling calls the prius, the “un-pre-thinkable” (das Unvordenkliche). The unconditional in the optimal sense is love, which is an expenditure made without the expectation of a return, like loving one’s enemies, which is impossible, the impossible. But love does not get a pass. What would we not do for love? In that question is concentrated all the ambiguity of love, all the courage of the martyr, but no less the violence of the suicide bomber.
David W. Johnson
One of the hallmarks of the Japanese psychiatrist and philosopher Kimura Bin’s (b. 1931) philosophical approach is the conversion of ordinary words into philosophical concepts. Here we focus on the way he appropriates the Japanese words onozukara and mizukara, ordinary terms associated, respectively, with things that occur naturally, spontaneously, or by themselves, and those that come from oneself. This re-reading of these terms as philosophical concepts furnishes an interpretive frame that brings together and makes sense of large and important concepts in philosophy and psychology such as self and nature, perception and sensation, collective subjectivity and individual subject, schizophrenia and self-realization. His appropriation of these two Japanese terms also uncovers a general and impersonal form of subjectivity that underlies our experience of ourselves as individuated subjects and stands at the center of his philosophical and psychological investigations into these phenomena.
An Essay on the Powers of Thinking
Jason M. Wirth
Continental philosophy, beginning with Kant, has found itself exposed to the abyss of reason. This crisis makes it a more ready dialogue partner with some of the Zen tradition. I explore this opening by bringing Eihei Dōgen (1200–1253) into an encounter with Continental thought, broadly construed. Rather than demonstrate how Dōgen already fits within Continental thought or re-engineering the latter so that he can fit, I argue that this encounter, already precipitated by Continental philosophy’s own acknowledgement of the felix culpa of Western philosophy’s otherwise indefensible overreach, transforms and expands the manners in which thinking counts as philosophical. This is no less than to recover a sense of philosophy as genetic and creative, rather than a shopworn tool kit of universal insights.
Eric S. Nelson
Heidegger’s “Evening Conversation: In a Prisoner of War Camp in Russia, between a Younger and an Older Man” (1945), one of three dialogues composed by Heidegger after the defeat of National Socialist Germany published in Country Path Conversations (Feldweg-Gespräche) explores the being-historical situation and fate of the German people by turning to the early Daoist text of the Zhuangzi. My article traces how Heidegger interprets fundamental concepts from the Zhuangzi, mediated by way of Richard Wilhelm’s translation Das wahre Buch vom südlichen Blütenland (1912), such as naturalness, letting/releasement (Gelassenheit/wuwei), the unnecessary (wuyong zhi wei yong) and the useless (wuyong zhi yong) in the context of his hermeneutical and political situation. I consider to what extent this dialogue, along with his other discussions of the Zhuangzi and intensive engagement with the Daodejing from 1943 to 1950, constitute a “Daoist turn” in Heidegger’s thinking that helped shape his Postwar thought.
Re-imagining and Re-placing the Elemental
This essay considers the relation between two fundamentally different notions of place—the Greek concept of χώρα and the Japanese concept of basho 場所—in an effort to address the question of a possible “other beginning” to philosophy by rethinking the relation between nature and the elemental. Taking up a cross-cultural comparative approach, ancient through contemporary Eastern and Western sources are considered. Central to this endeavor is reflection on the concept of the between through an engagement between, on the one hand, Plato, Martin Heidegger, Jacques Derrida, Edward Casey, and John Sallis, and on the other, Eihei Dōgen, Nishida Kitarō, and Watsuji Tetsurō.
Toward a Versatile Perspectivism with Nietzsche, Heidegger, Zhuangzi and Zen
Bret W. Davis
This essay is about “knowing limits,” both in the sense of acknowledging the inevitable perspectival limits of our knowledge, and in the sense in which the act of knowing delimits the parameters of that which is known. Moreover, it aims to cultivate a versatile perspectivism that is ethically oriented by a capacity for ecstatic empathy rather than an egocentric will to power. The essay begins with an examination of the mind/body problem as a paradigmatic case of perspectival ambiguity, making reference to a wide range of authors. The focus of the central sections of the essay is on Nietzsche and Heidegger, while the final sections are devoted to developing a phenomenological reading of Zhuangzi and Zen. At issue throughout is the articulation of a versatile perspectivism responsive to both the demarcative and disclosive senses of knowing limits.
Paul Ricoeur’s Theory of the Interanimation of Discourses for Phenomenology of Religion
This study considers Paul Ricoeur’s theory of discourses within the context of a phenomenology of religion. I focus on the eighth study of La métaphore vive, wherein Ricoeur explores the possibility of interanimation between speculative and poetic discourses. While Ricoeur is willing to consider the interactions between religious and philosophical discourse in a number of essays, he does not develop the further possibility of the interanimation between religious and speculative thought. I take up this unexplored possibility by suggesting that metaphors are capable of slipping between discourses and animating speculative and religious discourses. Specifically, I use Jean-Louis Chrétien’s metaphor of “wounding” as a case study wherein the phenomenal form of paradox defines one meaning of wounding, while another meaning is connected to a poetic expression that refers to our belonging in the world. Together, the two meanings of the metaphor enliven Chrétien’s phenomenology of religion.
Joseph D. Kuzma
Alejandro A. Vallega
Jason M. Wirth
Understanding Liberatory Thought Out of the Movement of Effected Historical Consciousness in Hans-Georg Gadamer
Alejandro A. Vallega
Liberatory thought in Latin American philosophy leads to the question of the reinterpretation of historical time consciousness. In the following pages I first introduce the challenge as articulated out of Latin American thought, particularly with reference to Enrique Dussel and Aníbal Quijano, and then I develop a reinterpretation of historical time consciousness in its happening as understood through Hans-Georg Gadamer’s discussion of effected historical consciousness (Wirkungsgeschichtliches Bewußtsein) in Truth and Method. As already marked by this trajectory, this essay is not comparative, but, through a dialogue with these thinkers, seeks to rethink the temporalizing-historical movement that is historical consciousness as a possible path to engaging in and understanding liberatory philosophy.
Christopher D. Merwin
Gadamer on Celan and the Poetic Word
Daniel L. Tate
Gadamer’s question “Are Poets Falling Silent?” is motivated by the “linguistic need” (Sprachnot) of modern lyric indicative of the “forgetfulness of language” (Sprachvergessenheit) that prevails today. In Paul Celan’s late work, Gadamer finds poetry that, bordering on the cryptic, stands on the verge of silence. Nevertheless, he insists that these poems do speak and that the title of Celan’s poem series, Breath-crystal, figures the truth of the poetic word. From this standpoint the paper discusses Gadamer’s hermeneutic understanding of the poetic word treating the constitutive elements of the poetic word as an event of language, the way this conception of the poetic word both embraces and yet departs from the usual understanding of the radical turn to language in modern lyric, and the meaning of Gadamer’s claim regarding the truth of the poetic word that fulfills the original saying power of language.
Spinoza in Jean-Luc Nancy’s Deconstruction of Christianity
In this article, I examine the presence of Spinoza within Jean-Luc Nancy’s deconstruction of Christianity project. Although the debt Nancy owes to other philosophers such as Derrida and Heidegger has been recognized, less well known is his reliance on a Spinozist frame of reference throughout his writings on Christianity. Analyzing Nancy’s reading of key moments within the deconstruction of Christianity—the doctrines of creation ex nihilo and the incarnation—I explore how the coupling of transcendence and immanence in a Heideggerian ontological mode can be enlightened by Spinoza’s philosophy. What takes shape is a profoundly embodied and affective relationality that I argue is the central resource Nancy wishes to expose at the heart of both Christianity and the secular West.
Husserl and Henry on Empathy and Shared Life
The purpose of this paper is threefold: (1) To show the basic contours of transcendental subjectivity in the later work of Edmund Husserl, especially the Cartesian Meditations and the Crisis, and in the strictly phenomenological work of Michel Henry, especially Material Phenomenology; (2) to highlight Henry’s radical critique of Husserlian intersubjectivity and show that such critique, while valuable in its intention, is ultimately misguided because it neglects the important contribution Husserl’s complicated vocabulary of lifeworld makes to the study of intersubjectivity; and (3) to point toward a phenomenological conception of intersubjective practice we may call the realm of we-synthesis that prioritizes the first-person perspective rooted in empathy, which enables meaningful engagement with the second-person perspective. Working in conjunction with Husserl and Henry on the phenomenological conception of shared life enables the recuperation of the fragile line between subjectivity and intersubjectivity.
Dennis J. Schmidt
Edited by Vitali I. Betaneli and Peter R. Weisensel
Critical Readings on Art, Consciousness, Social Theory and Performance
Edited by Norman Roessler and Anthony Squiers
Contributors: Kevin S. Amidon, José María Durán, Felix J. Fuch, Philip Glahn, Jim Grilli, Wolfgang Fritz Haug, Norman Roessler, Jeremy Spencer, Anthony Squiers, Peter Zazzali.
Nancy and Blanchot in Dialogue
Does “community” contain an ineradicable memory of “communion,” and thereby inevitably have conceptual ties to Christianity, if not to fascism? Or can the word, rather, indicate a new way of being in common, one that became briefly visible in the communist experiment, understood first as the appearing of the truth of democracy before it collapsed under the weight of ideology and militarism? While Jean-Luc Nancy identifies motifs from Maurice Blanchot’s early right-wing political commitments in his later left-wing thought, this essay addresses and critiques another of Nancy’s claims: that despite Blanchot’s affirmation of a community unregulated by a reference to unity, he is, in fact, committed to the Christian notion of communion. However, Blanchot distanced his notion of inter-subjectivity from any conception of God, proposing, instead, a “dissymmetric” rather than asymmetric relation, grounded in the encounter of the Other’s death rather than in some trace of the divine.
Translator Sarah Horton
Phenomenology must begin to acknowledge the organic, animal nature of the body instead of focusing only on the pure subjectivity of the flesh. Mediating between Descartes’s extended body (a mere object that is entirely distinct from the self) and Husserl’s lived body (the flesh that is the self), the spread body is the organic body that I have, that is not simply myself and yet is mine. This essay reveals the steep cost of phenomenology’s neglect of the body, which produces a discarnation, or dissolution of the flesh itself. The “flesh without body” vanishes into transparency, exemplified by Descartes’ “madmen” who lose all connection to their organic bodies, to the point of supposing that their bodies are glass. Because organicity is in fact proper to us, denying or rejecting its import can lead only to madness.
Between Word and Touch
A precarious balance exists between remaining faithful to one’s own language and history while also maintaining an ethical attentiveness to the Other. The danger in the former is the penchant for colonizing and violently reducing the Other. The danger of the later is a supine servility and inability to offer a linguistic home for welcoming the Other. To navigate these two extremes, the conditional hospitality of Ricoeur’s hermeneutics is brought into dialogue with the unconditional hospitality of Derrida’s deconstruction. What is needed is the more embodied approach of a carnal hospitality that assists in discerning the right ways of touching and not touching, of uniting word and body, teaching us how to incarnate the impossible possibility of reconciliation and forgiveness with the stranger.
John Panteleimon Manoussakis, Brian W. Becker and Matthew Clemente
A Review of Religion in Contemporary European Cinema: the Postsecular Constellation
William J. Hendel
For Broadening Contemporary Philosophical Study of Religious Experience
Christina M. Gschwandtner
This paper highlights several problems in the contemporary phenomenological analysis of religious experience in Continental philosophy of religion, especially in its French iteration, as manifested in such thinkers as Jean-Luc Marion, Michel Henry, Jean-Yves Lacoste, Jean-Louis Chrétien, Emmanuel Falque, and others. After laying out the main issues, the paper proposes a fuller investigation of religious practices, such as liturgy or ritual, as a fruitful way to address some of the identified limitations. The final section of the paper assesses what questions remain and how one might draw on existing resources in these thinkers to push a phenomenological analysis of religious practices further in ways that broaden phenomenology of religion beyond its current somewhat narrow strictures and commitments.
A Review of Raoul Moati’s Levinas and the Night of Being
Translator Brian W. Becker
This essay traces the phenomenon of revelation beginning with the humblest (sports), to the most personal (love), to the most exalted (religion). Through this analysis, we discover several qualities of revelation: it reveals itself from itself, reveals a new world to me, and reveals another me to myself and to others. Turning to divine Revelation, a further set of concepts is uncovered: the witness who encounters a Revelation without understanding it, a resistance to the testimony of the witness, and a paradox that provokes this resistance by exceeding expectations. These qualities make Revelation both more intelligible and meaningful. For, while holding an exceptional privilege, divine Revelation nonetheless remains in continuity with phenomenality in general and, in arriving from elsewhere by its own initiative, it opens my eyes to the unfolding of its unseen reserves.
Comparisons between Heidegger and Merleau-Ponty’s writings on the body tend to focus on the earlier works of these philosophers, i.e. on Merleau-Ponty’s Phenomenology of Perception, and Heidegger’s Zollikon Seminars in the context of Being and Time. This paper focuses on their later works in order to show how each philosopher respectively opens venues to think the human body non-subjectively and as emerging from being, where being includes the being also of other bodies, things, or events. This thinking of bodies “from being” articulates them in terms of spatio-temporal events. The article shows that in thinking from being, both Heidegger’s and Merleau-Ponty’s accounts harbor a sense of being with a unifying force, which is tied to meaning or sense. The article ends by questioning the possibility of accounts of bodies as spatio-temporal events not bound by a unifying force of being, bodies that may carry both sense and non-sense.
Jason W. Alvis
Although Eugen Fink often reflected upon the role religion, these reflections are yet to be addressed in secondary literature in any substantive sense. For Fink, religion is to be understood in relation to “play,” which is a metaphor for how the world presents itself. Religion is a non-repetitive, and entirely creative endeavor or “symbol” that is not achieved through work and toil, or through evaluation or power, but rather, through his idea of play and “cult” as the imaginative distanciation from a predictable lifeworld. This paper describes Fink’s understanding of religion and its most relevant aspects found in Spiel als Weltsymbol. The paper is organized into five sections—1: An introduction to his phenomenological approach in general, and description of the role of “play”; 2: investigations into the relation between play and world; 3: a description of his phenomenology of religion; 4: engagements in the idea of cult-play and the sacred sphere, and 5: reflection on his idea of the play of God.
After Kant on Genius
The project of this paper is present a specific engagement with Kant’s account of genius in the Critique of the Power of Judgment. Genius is a theory of production. Moreover, once genius is linked to production (and not to a personified agent) the philosophical moves way from the centrality of both the given and the subject and thus towards the produced. Such a possibility locates Kant’s engagement with genius at the threshold between aesthetics and a philosophy of art. The latter only emerges when centrality is attributed to the object: the object as the locus of presentation. This necessitates a move beyond the cognitive. Kant on genius is therefore at that threshold, on the other side of which is Hegel.
Eric R. Severson
This essay examines the recent critical debate on the hermeneutics of hospitality. It explores the philosophical and ethical implications of Paul Ricoeur’s notion of linguistic hospitality as a translation between host and guest, enemy and friend, and compares it to Derrida’s notion of impossible hospitality.
Towards an Ontological Concept of the Materiality of the Earth in the Age of Global Warming
If the world in which we are intentionally involved is threatened by climate change, this raises the question about our place on Earth. In this article, we argue that the ecological crisis we face today draws our attention to the Earth as ontic-ontological condition of our being-in-the-world. Because the Earth is often reflected upon in relation to human existence, living systems or material entities in the philosophical tradition, we argue for an ontological concept of the materiality of the Earth as un-correlated being in this article. We develop five principles of the materiality of the Earth: the conativity, non-identity, responsiveness, performativity and eventuality of the Earth. We will argue that it is this notion of Earth that matters to us in the age of global warming.
The article takes up the question of the “truth” of images by means of a somewhat playful reflection upon our human kinship with canine life and by considering the (perhaps surprisingly) recurrent images of dogs of all shapes and sizes within the philosophical tradition. Here there is occasion to consider both Socrates and Confucius, who had a special fondness for dogs and who were at times compared to dogs themselves. The paper begins with a reading of Kant’s schematism in the First Critique, as an operation that would establish a mediating relation between the concepts of the understanding and sensible intuitions, and ends with a meditation upon the dog-themed painting, “Dark Room,” by the contemporary artist, Alan Loehle. Kant accounts for our ability to grasp that we see a dog (his example!) by introducing a mysterious distortional skewing or Verzeichnung, which as a power of the imagination is able to freely sketch what appears for it within the sensible. The sense of this Kantian skewing or sketching thereby anticipates what Heidegger names the essential Verunstaltung belonging originally to the event of truth. The last half of the paper turns to Jean-Luc Nancy’s difficult but provocative work on the abysmal ground of images and attempts to show in this way how our human kinship with canine life exposes us to what Nancy would think, following Heidegger, as the elemental strife between earth and sky.
Bret W. Davis
Edited by Alan Kim
Studies in Economy and Dialectics (Dialectics, Deontology and Democracy, Vol. I)
Edited by Lisbet Rosenfeldt Svanøe
Studies in Philosophy, Struggle, and Endurance
Essays on Philosophy in the Eighteenth-Century Dutch Republic
Wiep van Bunge
Tradition, Rezeption, Transformation, Aktualität
Edited by Saša Josifović and Jörg Noller
Edited by Antonio Cimino and Cees Leijenhorst
Essays on Hegel and Dialectics
Edited by Evgeni Pavlov
The Interaction-Recognition-Antinomy Thesis
Edited by Franklin Dmitryev
Social Facts and the Ontology of Objects, Things, and Monsters
Mark P. Worrell
Mark J. Thomas
The success of the early music movement raises questions about performing historical works: Should musicians perform on period instruments and try to reconstruct the original style? If a historically “authentic” performance is impossible or undesirable, what should be the goal of the early music movement? I turn to Gadamer to answer these questions by constructing the outlines of a hermeneutics of early music performance. In the first half of the paper, I examine Gadamer’s critique of historical reconstruction and argue that this critique sheds light on mistaken tendencies and misunderstandings within the early music movement, but it does not discredit the movement as such. In the second half of the paper, I attempt to show how Gadamer’s dialogical account of historical consciousness provides a framework for understanding what historically informed performance is seeking to accomplish, as well as its advantage over a Nietzschean approach.
On Color and Sound in Art (James Turrell, Morton Feldman)
This paper is on matter and on art. Based on the assumption that the everyday attitude toward the world is a kind of materialistic realism and that philosophers, from the beginning of philosophy on, have objected to the plausibility of epistemological reliance on matter, I make attempts to investigate what matter is. I suggest doing this in reference to art. In particular I discuss works of art representing kinds of matter so extraordinary that their material character even could be doubted: light and sound. An installation by James Turrell and a piece of music composed by Morton Feldman, Rothko Chapel, function as paradigms to demonstrate the material character of light and sound and also the affinity of matter to space. Having qualities, matter proves to be different from space; being amorphous, however, matter as such has no distinct appearance, but, like space, enables appearance.
From Antiquity to the Age of Digital Reproducibility
This essay foregrounds “covers” of popular recorded songs as well as male and female desire, in addition to Nietzsche’s interest in composition, together with his rhythmic analysis of Ancient Greek as the basis of what he called the “spirit of music” with respect to tragedy. The language of “sonic branding” allows a discussion of what Günther Anders described as the self-creation of mass consumer but also the ghostly time-space of music in the broadcast world. A brief allusion to Rilke complements a similarly brief reference to Jankelevitch’s “ineffable.”
Memory plays an integral role in music listening and music performance. But what specific memory structures do we employ when we engage with music? Taking Aristotle’s De memoria et reminiscentia as principle guide, I aim to press upon a matter of central interest to the phenomenologist of music, focusing on the relation between memory proper [µνήµη] and recollection [ἀνάµνησις]. Drawing upon Physics IV and De anima III, I clarify a two-fold temporal structure—a structure comprised of sensation and flowing continuity—at work in the experience of remembering. Finally, I claim that music, through the ordered expression of its successive sensations, pertains directly to ἀνάµνησις but supports access to µνήµη, as well.
This essay considers the work of Jean-Luc Nancy on touch as a model for a conception of the musical body. More than a re-emphasizing of the tactile, though, it is possible to show that Nancy’s work enables an understanding of music as touch. The significance of this re-thinking lies in the counterweight it provides to the degradation of music entailed in its digitalized de-materialization. Hegel is seen to be complicit in this degradation.
Marcia Sá Cavalcante Schuback
The present article proposes a reflection on the relation between music and language setting out from the experience of listening to words and listening to music. It relies to a certain extent upon an existential-phenomenological approach and develops the distinction between the sounding of sounds (sounding words) and the sound of sounding (musical sounds). From this distinction, a redefinition of rhythm is suggested based on the experience of listening and on the close listening to some pieces of music.
Heidegger’s (Re)Turn to Aristotle
Francisco J. Gonzalez
The “destructive” appropriation of the Aristotelian concepts of δύναµις and ἐνέργεια played a central role in Martin Heidegger’s own reflection on the meaning of being. While this has been generally known for some time, it is only now that we can understand the full scope, complexity and evolving character of this appropriation. One reason is the fairly recent publication (in 2012, Gesamtausgabe 83) of notes and protocols for seminars Heidegger led on Aristotle as late as the 1940s and 1950s. Another is the existence of student transcripts in the Special Collections Department of Stanford University for a number of unpublished seminars on Aristotle that Heidegger led during the 1920s. Considering all of this material enables us to see both the significance of Heidegger’s interpretation of the δύναµις/ἐνέργιεα pair as well as how this interpretation evolved along with his own “Kehre”: from a “pandynamic” conception of being to being as “Ereignis.”
An Essay on Symbolisation
Kant's Concept of Cosmological Freedom in Historical and Systematic Perspective
Edited by Christian H. Krijnen
A Compulsion to Ethics
Peter Durno Murray
Perspektiven seiner Philosophie nach 200 Jahren
Edited by Matteo Vincenzo d'Alfonso
Beitragende sind Frederick Beiser, Daniel Breazeale, Matteo Vincenzo d’Alfonso, Mário Jorge De Carvalho, Carla De Pascale, Erich Fuchs, Andres Höntsch, Marco Ivaldo, Christian Klotz, Douglas Moggach, Peter L. Oesterreich, Ives Radrizzani, Klaus Ries, Jacinto Rivera de Rosales Chacón, Friedrike Schick, Andreas Schmidt, Hartmut Traub, Klaus Vieweg, Hans Georg von Manz und Günter Zöller.
Kunst, Religion und Philosophie innerhalb und außerhalb von Gesellschaft und Geschichte
Edited by Thomas Oehl and Arthur Kok
Challenging Hegelianism’s current tendency to reduce absolute spirit to objective spirit, the editors have invited a large number of highly-esteemed Hegel scholars to reflect about the domains of absolute spirit (art, religion and philosophy) and their relation to society and history, thereby addressing the universal issue about whether there are cultural phenomena which transcend society and history anew from a Hegelian perspective.
Edited by Fuat Gursozlu
Contributors are: Amin Asfari, Edward Demenchonok, Andrew Fiala, William Gay, Fuat Gursozlu, Joshua M. Hall , Ron Hirschbein, Todd Jones, Sanjay Lal, Alessandro Rovati, Laleye Solomon Akinyemi, David Speetzen, and Lloyd Steffen.
Hegel's Internal Critique and Reconstruction of Kant's Critical Philosophy
Edited by Christopher Elson and Garry Sherbert
Ancient Problematizations of Life and Contemporary Thought
Vladislav Suvák, Lívia Flachbartová and Pavol Sucharek
Taking care of the self ( epimeleia heautou) is not just one of a great many topics associated with ancient ethics. Echoing Michel Foucault, we could say that the care of the self applies to all problematizations of life.
Essai de philosophie phénoménologique
Intentionality — the mind’s directedness towards the world — is currently one of the most debated issues in the area of the philosophy of mind. In Apparaître: Essai de philosophie phénoménologique, Denis Seron aims to show that the phenomenological approach can contribute positively to this debate. He proposes to understand the notion of intentionality as a basic phenomenological notion and thus to define it in terms of appearances. On the basis of this, he then sketches a theory of appearance which he suggests is best suited to address a range of other issues such as the unity of consciousness, the unconscious, etc.
An Interdisciplinary Proposal
Timothy T.N. Lim
"Dr Lim examines philosophical recognition theory, group social psychology and political recognition theory to analyse the non-theological impasses confronting the whole ecumenical movement." - Rev Dr Trevor Hoggard, Director English-speaking Ministries, Methodist Church of New Zealand.
"Lim masterfully argues for the viability of an interdisciplinary approach to ecumenical recognition within communities, among churches, and in their common pastoral mission.” - Fr. and Professor Radu Bordeianu, Duquesne University, and Orthodox theologian, Representative of the Greek Orthodox Metropolis of Pittsburgh, and Assistant Priest of Holy Trinity Greek Orthodox Church in Pittsburgh.
“This book makes an important contribution to ecumenical ecclesiology.” - Rev. Dr and Professor Sandra Beardsall, St Andrew’s College, Canada and United Church of Canada Ordained Minister.
“I find Dr. Lim's work a solid and necessary contribution to ecumenical work around the world.” - Rev. Dr. and Professor Dominick D. Hanckle, Regent University, and priest of the Communion of Evangelical Episcopal Churches.
“With penetrating analysis and creative suggestions, this monograph takes the talk about ecumenical recognition in a new level.” - Professor Veli-Matti Kärkkäinen, University of Helsinki.
Anchored in secular humanism as well as within the existentialist tradition, yet recognizing their limitations, Secular Grace seeks to protrude them by means of dialogue with their other: Christianity. Inspired by a variety of intellectual roots from ancient Greece to post modernist thinkers - chiefly the deliberations of Buber and Levinas in the encounter with the other, and notions of gift and friendship – it offers a rich concept of Secular Grace. It furthermore examines the possibilities of grace towards the dead, self-grace and secular salvation.
Edited by Matteo Vincenzo d'Alfonso, Carla De Pascale, Erich Fuchs and Marco Ivaldo
A Unified Approach to Moral Self-Consciousness
Exercises in Philosophical Anthropology
Philosophical Influences and Contemporary Applications
Plants have been (and still are) seen as closer to static objects than to living, moving beings. Making use of examples from film and literature, Janet Janzen demonstrates a shift in the perception of plants-as-objects to plants-as-living-beings that can be attributed to new technology and also to the return of Romantic and Vitalistic discourses on nature.
A Diachronic Interpretation of Prison Notebooks
English translation of Il ritmo del pensiero: per una lettura diacronica dei «Quaderni del carcere» di Gramsci published by Bibliopolis, Naples (2011).
Religion, Politics and Philosophy
Edited by Agon Hamza
Althusser and Theology intends not so much to fill a gap in Althusser scholarship as to make an important contribution to the contemporary radical left movement. In this regard, Althusser and Theology is of significant importance in the current debates on the Left concerning its relation to theology. It will also contribute to the ongoing debate on Althusser, as well as opening up a new perspective on his philosophical project.
Contributors are: Roland Boer, Stanislas Breton, Isa Blumi, Geoff Pfeifer, Agon Hamza, Warren Montag, Vittorio Morfino, Knox Peden, Panagiotis Sotiris, Ted Stolze, Jana Tsoneva, and Gabriel Tupinambá.
Edited by Ryan Crawford and Erik Vogt
Assembled here for the first time in English is a wide-ranging collection of essays on the seminal significance of the concept of genocide for Adorno’s thought, as well as the enduring relevance of that thought for our own time.
Contributors include: Babette Babich, Ryan Crawford, Tom Huhn, Osman Nemli, Ulrich Plass, Erik M. Vogt, James R. Watson, Markus Zöchmeister
Edited by Annabelle Dufourcq
With texts by G. Chernavin, A. Coignard, A. Dufourcq, I. Fazakas, A. Gléonec, A. Hervy, U. Idziak-Smoczyńska, A. Koubova, C. Lapierre, Y. Murakami, F. Pignarre, D. Popa, E. de Saint Aubert, J. Sallis, A. Schnell, R. Steinmetz et J.J. Wunenburger.
Querelles, disputes et controverses au siècle des Lumières
Jean-Jacques Rousseau écrivain polémique focuses on the ways in which Rousseau’s career was constructed in a constant engagement with the practice of polemics and refutation in the fields of politics, religion, and philosophy. Known throughout Europe for his highly controversial writings and for the intense polemics to which they gave rise in the realm of public opinion, Jean-Jacques Rousseau became in his lifetime the object of unprecedented public interest and scrutiny. The very public quarrels and controversies that accompanied the publication and reception of his works were instrumental in establishing a new role for the writer, making Rousseau an ideal case study for this major shift in the relationship between writers and a rapidly changing and newly dynamic public sphere.