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A Companion to Late Antique and Medieval Islamic Cordoba cover the history and culture of Roman, late antique, Visigoth and al-Andalus Cordoba in nineteen contributions, from the foundation of the city in the 169/168 B.C. by the praetor Marcus Claudius Marcellus to the end of the Muslim period in 1236 B.C., when the city fell into the hands of Ferdinand III the Saint, King of Castile.

Making use of archaeological data and historical sources, combined with the latest research on the various fields under study, its authors give a compelling account of Cordoba’s most important archaeological, urban, political, legal, social, cultural and religious facets throughout the most exciting fifteen centuries of the city.
Author:
The introduction of writing enables new forms of literature, but these can be invisible in works that survive as manuscripts. Through looking at inscriptions of poetry on garbage and as graffiti, we can glimpse how literature spread along with writing.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
Editor-in-Chief:
Monumenta Graeca et Romana (MGR) is a peer-reviewed series concerned with the study of material and visual culture of the Greek and Roman world, chronologically ranging from later prehistory to Late Antiquity – i.e. from the middle of the second millennium BCE to the late first millennium CE. Geographically, the series covers Western Europe to the Near East, from the Black Sea to North Africa. The series publishes monographs and anthologies, as well as analytical catalogues raisonés of material in the collections of museums and other public institutions. It also publishes monographs or edited volumes that offer cohesive surveys of specific objects, types of monuments, or regions in Mediterranean and classical archaeology (in the widest possible sense). The survey format is flexible but authors should aim to be as inclusive as possible in their coverage and approaches, designing each volume to be a useful starting point for scholars and students into a new area of research. Additionally, a new subseries, MGR New Directions in Mediterranean Archaeology, is established in 2023 and will publish volumes with an explicit theoretical or methodological agenda. All MGR volumes may be published in all Open Access formats that Brill offers. All volumes, whether traditionally published or in Open Access, can be accompanied by additional data or documentation available on an online repository hosted by Brill. The language of MGR and its subseries is English.
This series offers art-historical and interdisciplinary approaches to how art was conceived, produced, and received across Europe, from the early medieval to the early modern. It pays particular attention to the social, cultural, religious, and political history of the period as seen through contemporary visual and material culture.

The series is interested in all areas of European artistic life in the Middle Ages and Renaissance. Work in the series explores art forms such as painting, sculpture, architecture, textiles, glass, metalwork, ceramics, ephemera, spatial strategies, and more. Themes of study may include emotions, the senses, devotional practices, the environment, animals, bodies, otherness, religious and social changes, literacy (written and visual), protest, and issues of class, race, and gender, to name only a few. Interdisciplinary, multidisciplinary, and comparative work is also warmly welcomed. The series publishes monographs, edited thematic collections, and reference works.

Authors are cordially invited to submit proposals and/or full manuscripts to either the series editors, Professor Sarah Blick and Professor Laura D. Gelfand or the Publisher at Brill, Dr Kate Hammond.

Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Burial Assemblages at the National Museum of Denmark Gate of the Priests Series Volume 2
Previously unpublished, the Danish Lot of antiquities from the Tomb of the Priests of Amun (Bab el-Gasus) is thoroughly examined in this book. The in-depth analysis of the objects is followed by an assessment of how these objects were crafted, designed, used and recycled in the Theban necropolis, a procedure that not only reveals to be instrumental in the dating of the objects, as it sheds light into the extraordinary dynamics of funerary workshops during the 21st Dynasty.
The volume also examines the arrival of the Lot and its reception in Denmark.
Author:
This book offers the first comprehensive study of Byzantine influence on the art and iconography of East Central Europe. Petr Balcárek focuses on the Byzantine cultural and religious legacy in the Czech lands, thereby bringing to light rarely seen images and presenting fresh hypotheses based on newly-explored theological interpretations and historical evidence.

Including a discussion of the Czech and Slovak historiography on Byzantine studies, the work analyses significant artistic and iconographical artefacts in light of the intricate historical and political relationships that shaped Byzantine presence in these territories, comparing them with similar objects from other areas of Byzantine influence in order to draw wide-reaching conclusions.
Lifecycles, Landscapes, and Settlements, Essays in Honor of T.B. Barry
Volume Editors: and
This volume brings together scholarship from many disciplines, including history, heritage studies, archaeology, geography, and political science to provide a nuanced view of life in medieval Ireland and after.
Primarily contributing to the fields of settlement and landscape studies, each essay considers the influence of Terence B. Barry of Trinity College Dublin within Ireland and internationally. Barry’s long career changed the direction of castle studies and brought the archaeology of medieval Ireland to wider knowledge. These essays, authored by an international team of fifteen scholars, develop many of his original research questions to provide timely and insightful reappraisals of material culture and the built and natural environments.
Contributors (in order of appearance) are Robin Glasscock, Kieran O’Conor, Thomas Finan, James G. Schryver, Oliver Creighton, Robert Higham, Mary A. Valante, Margaret Murphy, John Soderberg, Conleth Manning, Victoria McAlister, Jennifer L. Immich, Calder Walton, Christiaan Corlett, Stephen H. Harrison, and Raghnall Ó Floinn.
[Ancient Architecture in Syria: Djebel Simʿân]
Editor / Translator:
يستعرض كتاب العمارة القديمة في سوريا (جبل سمعان)، من تأليف هوارد كروسبي باتلر وترجمة عائشة موسى، 24 موقعًا أثريًا في شمال سوريا. ويُسلِّط كل موقعٍ منها الضوء على اكتشافات جديدة تقف شاهدةً على عظمة الحضارات التي امتزجت بين جنباتها، مخلفةً وراءها إرثًا سرمديًا لا ينسى.
وتأتي قلعة القديس سمعان العمودي في طليعة هذه المواقع وتعد أكثرها شهرة، وبقيت في صدارة العمارة الكاتدرائية حتى بناء آيا صوفيا، كما بشَّرت بالتطور العمراني الديني اللاحق في كل من القسطنطينية وأوروبا.
وثمة مخططات ومقاطع عرضية وصور توضح جميع هذه المعالم، وتعمل على توثيق أبنيتها وتفاصيلها وتخليد هذا الكنز الذي لا يقدَّر بثمن للأجيال القادمة.
The Ancient Architecture in Syria (Djebel Simʿân), written by Howard C. Butler and translated by Aisha Moussa, covers 24 ancient sites in Northern Syria. Each site sparks new revelations about the great civilizations mingled there, leaving behind an unforgettable, everlasting legacy.
The first and most notable site is the citadel of St Simeon Stylets, which was not surpassed by any cathedral till Hagia Sophia and heralded the subsequent religious architectural development in Constantinople and Europe.
Each monument is illustrated by plans, cross-sections and photographs documenting its structure and details and preserving this invaluable treasure for endless generations to come.
This book solves the long-standing mystery of a Christian monastery near Samarkand, seen and described by two Arab travellers in the tenth century. Despite several attempts made since the 1890s, its precise location had never been established. The first part covers the quest, the find, and the archaeological excavations’ results. Then the author proceeds to search for a mediaeval Christian enclave near modern Tashkent, which appears to have been washed away by a river that changed its course over centuries.
Apart from the Christians, the book also touches upon the Manichaeans, Buddhists, Zoroastrians and other Sogdians, their languages, faiths, and material remnants.