The Asian Yearbook of Human Rights and Humanitarian Law aims to publish peer-reviewed scholarly articles and reviews as well as significant developments in human rights and humanitarian law. It examines international human rights and humanitarian law with a global reach, though its particular focus is on the Asian region.

The focused theme of Volume 4 is Law, Culture and Human Rights in Asia and the Middle East.
Transregional Perspectives on Development Cooperation, Social Mobility and Cultural Change
African-Asian interactions contribute to the emergence of a decentred, multi-polar world in which different actors need to redefine themselves and their relations to each other. Afrasian Transformations explores these changes to map out several arenas where these transformations have already produced startling results: development politics, South-South cooperation, cultural memory, mobile lifeworlds and transcultural connectivity. The contributions in this volume neither celebrate these shifting dynamics as felicitous proof of a new age of South-South solidarity, nor do they debunk them as yet another instance of burgeoning geopolitical hegemony. Instead, they seek to come to terms with the ambivalences, contradictions and potential benefits entailed in these transformations – that are also altering our understanding of (trans)area in an increasingly globalized world.

Contributors include: Seifudein Adem, Nafeesah Allen, Hanna Getachew Amare, Tom De Bruyn, Casper Hendrik Claassen, Astrid Erll, John Njenga Karugia, Guive Khan-Mohammad, Vinay Lal, Pavan Kumar Malreddy, Jamie Monson, Diderot Nguepjouo, Satwinder Rehal, Ute Röschenthaler, Alexandra Samokhvalova, and Sophia Thubauville.
Rupture and Continuity in Modern Chinese Detective Fiction (1896–1949)
Author: Yan Wei
In Detecting Chinese Modernities: Rupture and Continuity in Modern Chinese Detective Fiction (1896–1949), Yan Wei historicizes the two stages in the development of Chinese detective fiction and discusses the rupture and continuity in the cultural transactions, mediation, and appropriation that occurred when the genre of detective fiction traveled to China during the first half of the twentieth century. Wei identifies two divergent, or even opposite strategies for appropriating Western detective fiction during the late Qing and the Republican periods. She further argues that these two periods in the domestication of detective fiction were also connected by shared emotions. Both periods expressed ambivalent and sometimes contradictory views regarding Chinese tradition and Western modernity.
In: Detecting Chinese Modernities
In: Detecting Chinese Modernities
In: Detecting Chinese Modernities
In: Detecting Chinese Modernities
In: Detecting Chinese Modernities
In: Detecting Chinese Modernities
In: Detecting Chinese Modernities