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Editors / Translators: Laura Hostetler and Xuemei Wu
Commissioned by the Qianlong emperor in 1751, the Qing Imperial Illustrations of Tributary Peoples (Huang Qing zhigong tu 皇清職貢圖), is a captivating work of art and ideological statement of universal rule. Best understood as a cultural cartography of empire, the captivating artwork paired with ethnographic texts helps us to understand the complexity of Chinese diplomatic relations as well the ideological force behind them which was rooted in both dynastic history and the specifics of Qing rule.
Author: Xinjiang Rong
Editor / Translator: Sally K Church. et al.
Volume Editors: Sally K Church and Imre Galambos
This first and only English translation of Rong Xinjiang’s The Silk Road and Cultural Exchanges Between East and West is a collection of 28 papers on the history of the Silk Road and the interactions among the peoples and cultures of East and Central Asia, including the so-called Western Regions in modern-day Xinjiang. Each paper is a masterly study that combines information obtained from historical records with excavated materials, such as manuscripts, inscriptions and artefacts. The new materials primarily come from north-western China, including sites in the regions of Dunhuang, Turfan, Kucha, and Khotan. The book contains a wealth of original insights into nearly every aspect of the complex history of this region.
Practices and Rituals, Visual and Material Transfer
Volume Editors: Yukiyo Kasai and Henrik H. Sørensen
The ERC-funded research project BuddhistRoad aims to create a new framework to enable understanding of the complexities in the dynamics of cultural encounter and religious transfer in pre-modern Eastern Central Asia. Buddhism was one major factor in this exchange: for the first time the multi-layered relationships between the trans-regional Buddhist traditions (Chinese, Indian, Tibetan) and those based on local Buddhist cultures (Khotanese, Uyghur, Tangut) will be explored in a systematic way. The second volume Buddhism in Central Asia II—Practice and Rituals, Visual and Materials Transfer based on the mid-project conference held on September 16th–18th, 2019, at CERES, Ruhr-Universität Bochum (Germany) focuses on two of the six thematic topics addressed by the project, namely on “practices and rituals”, exploring material culture in religious context such as mandalas and talismans, as well as “visual and material transfer”, including shared iconographies and the spread of ‘Khotanese’ themes.
Mit einer kritischen Edition des Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn des Aḥmad b. Maḥmūd b. Abī Bakr Nūr ad-Dīn aṣ-Ṣābūnī al-Ḥanafī al-Buḫārī (gest. 580/1184)
Nūr al-Dīn al-Ṣābūnī was a prominent jurist and theologian in Samarqand in the late 6th/12th century. His theological works are in the tradition of the Ḥanafite-Māturīdite current of Sunni kalām. In addition, al-Ṣābūnī’s argumentation reflects the increasing engagement of Māturīdite mutakallimūn with their wide intellectual-historical environment. His discussions with the famous scholar Faḫr al-Dīn al-Rāzī are attested.
In the present volume, Angelika Brodersen uses a text-critical edition of al-Ṣābūnī’s comprehensive theological work, the Kitāb al-Kifāya fī l-hidāya fī uṣūl al-dīn, to analyze, based on selected thematic examples, how both elements of Māturīdite theological tradition and transformation processes occur in al-Ṣābūnī’s work, which contributed to the consolidation of the Māturīdiyya as a Sunni school of thought.

Nūr ad-Dīn aṣ-Ṣābūnī war ein prominenter Jurist und Theologe im Samarkand des ausgehenden 6./12. Jahrhunderts. Seine theologischen Werke stehen einerseits in der Tradition der ḥanafitisch-māturīditischen Strömung des sunnitischen kalāms. Auf der anderen Seite spiegelt aṣ-Ṣābūnīs Argumentation die zunehmende Auseinandersetzung der māturīditischen mutakallimūn mit ihrem allgemeinen geistesgeschichtlichen Umfeld wider. Bezeugt sind seine Diskussionen mit dem berühmten Gelehrten Faḫr ad-Dīn ar-Rāzī.
Im vorliegenden Band untersucht Angelika Brodersen auf der Grundlage einer textkritischen Edition von aṣ-Ṣābūnīs theologischem Hauptwerk, dem Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn, anhand ausgewählter Themenbeispiele, wie sich im Werk aṣ-Ṣābūnīs sowohl Elemente māturīditischer theologischer Tradition als auch Transformationsprozesse verfolgen lassen, die zur Konsolidierung der Māturīdiyya als sunnitische Schulrichtung beigetragen haben.
Comparative Perspectives in the History and the Philosophy of Science
Editor: Giovanna Lelli
This book highlights the emergence of a new mathematical rationality and the beginning of the mathematisation of physics in Classical Islam. Exchanges between mathematics, physics, linguistics, arts and music were a factor of creativity and progress in the mathematical, the physical and the social sciences. Goods and ideas travelled on a world-scale, mainly through the trade routes connecting East and Southern Asia with the Near East, allowing the transmission of Greek-Arabic medicine to Yuan Muslim China. The development of science, first centred in the Near East, would gradually move to the Western side of the Mediterranean, as a result of Europe’s appropriation of the Arab and Hellenistic heritage. Contirbutors are Paul Buell, Anas Ghrab, Hossein Masoumi Hamedani, Zeinab Karimian, Giovanna Lelli, Marouane ben Miled, Patricia Radelet-de Grave, and Roshdi Rashed.
Author: Ulrich Marzolph
Mirzā ʿAli-Qoli Khoʾi is the unsurpassed master of the art of illustration in Persian lithographed books of the Qajar period, both in terms of quality and quantity of production. In the decade of documented activity, 1263–72/1846–55, the artist produced more than 2,300 single images in about 70 books, plus hundreds of minutely executed small images on the margins of several books and numerous illuminated chapter headings. Prepared by Ulrich Marzolph together with Roxana Zenhari, the present publication is a comprehensive assessment of the artist’s work and the first ever detailed discussion of an Iranian artist of the Qajar period. In addition, the book also serves as an introduction to Persian and Islamic art.
Editor: Charles Ramble
Proceedings of the Tenth Seminar of the International Association for Tibetan Studies, held in 2003.

12. Buddhism Beyond the Monastery, Edited by Sarah Jacoby and Antonio Terrone
11. Proceedings of the Tenth Seminar of the IATS, 2003, Volume 11: Tibetan Modernities, Edited by Robert Barnett and Ronald Schwartz
10. Proceedings of the Tenth Seminar of the IATS, 2003, Volume 10: Soundings in Tibetan Medicine, Edited by Mona Schrempf
9.Proceedings of the Tenth Seminar of the IATS, 2003, Volume 9: The Mongolia-Tibet Interface, Edited by Uradyn E. Bulag and Hildegard G.M. Diemberger
8. Proceedings of the Tenth Seminar of the IATS, 2003, Volume 8: Discoveries in Western Tibet and the Western Himalayas, Edited by Amy Heller and Giacomella Orofino
7.Proceedings of the Tenth Seminar of the IATS, 2003, Volume 7: Text, Image and Song in Transdisciplinary Dialogue, Edited by Deborah Klimburg-Salter, Kurt Tropper and Christian Jahoda
6. Proceedings of the Tenth Seminar of the IATS, 2003, Volume 6: Contemporary Tibetan Literary Studies, Edited by Steven J. Venturino
5. Proceedings of the Tenth Seminar of the IATS, 2003, Volume 5: Bhutan, Edited by John A. Ardussi and Françoise Pommaret
4.Proceedings of the Tenth Seminar of the IATS, 2003, Volume 4: Tibetan Buddhist Literature and Praxis, Edited by Ronald M. Davidson and Christian K. Wedemeyer
3. Proceedings of the Tenth Seminar of the IATS, 2003, Volume 3: Power, Politics, and the Reinvention of Tradition, Edited by Bryan J. Cuevas and Kurtis R. Schaeffer
2. Proceedings of the Tenth Seminar of the IATS, 2003, Volume 2: Tibetan Borderlands, Edited by P. Christiaan Klieger
1.Proceedings of the Tenth Seminar of the IATS, 2003, Volume 1: Medieval Tibeto-Burman Languages II, Edited by Christopher I. Beckwith
3. The Sun Rises, Stuart Blackburn
2. Himalayan Tribal Tales, Stuart Blackburn
1. Through the Eye of Time, Michael Aram Tarr and Stuart Blackburn