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In
Assessing the Landscape of Taiwan and Korean Studies in Comparison, the chapters offer a reflection on the state of the field of Taiwan and Korea Studies. For the editors, the volume’s purpose was to identify not just their similarities, but also a reflection on their differences. Both have national identities formed in a colonial period. The surrender of Japan in 1945 ignited the light of independence for Korea, but this would be ideologically split within five years. For Taiwan, that end forced it into a born-again form of nationalism with the arrival of the Chinese Nationalists.
Taiwan and South Korea’s economic development illustrate a progressive transition and key to understanding this is the relationship between ‘modernization’ and ‘democracy’. By looking at Korea and Taiwan, the chapters in the volume broaden an understanding of the interconnectivity of the region.
Taiwan and South Korea’s economic development illustrate a progressive transition and key to understanding this is the relationship between ‘modernization’ and ‘democracy’. By looking at Korea and Taiwan, the chapters in the volume broaden an understanding of the interconnectivity of the region.
In
Assessing the Landscape of Taiwan and Korean Studies in Comparison, the chapters offer a reflection on the state of the field of Taiwan and Korea Studies. For the editors, the volume’s purpose was to identify not just their similarities, but also a reflection on their differences. Both have national identities formed in a colonial period. The surrender of Japan in 1945 ignited the light of independence for Korea, but this would be ideologically split within five years. For Taiwan, that end forced it into a born-again form of nationalism with the arrival of the Chinese Nationalists.
Taiwan and South Korea’s economic development illustrate a progressive transition and key to understanding this is the relationship between ‘modernization’ and ‘democracy’. By looking at Korea and Taiwan, the chapters in the volume broaden an understanding of the interconnectivity of the region.
Taiwan and South Korea’s economic development illustrate a progressive transition and key to understanding this is the relationship between ‘modernization’ and ‘democracy’. By looking at Korea and Taiwan, the chapters in the volume broaden an understanding of the interconnectivity of the region.
An Introduction
Editor:
Elisa Levi Sabattini
Zhu Guangqian’s Life and Philosophy: An Introduction is Mario Sabattini’s last uncompleted work dedicated to the work of Zhu Guangqian, one of the most representative figures of contemporary Chinese aesthetics. Since the '30s, Zhu Guangqian had an active role in China both on the literary and philosophical scenes, and, through his writings, he exerted an important influence in the moulding of numerous generations of intellectuals. Some of his works have been widely read, and they still provoke considerable interest in China, on the mainland as well as in Taiwan and Hong Kong.
An Introduction
Editor:
Elisa Levi Sabattini
Zhu Guangqian’s Life and Philosophy: An Introduction is Mario Sabattini’s last uncompleted work dedicated to the work of Zhu Guangqian, one of the most representative figures of contemporary Chinese aesthetics. Since the '30s, Zhu Guangqian had an active role in China both on the literary and philosophical scenes, and, through his writings, he exerted an important influence in the moulding of numerous generations of intellectuals. Some of his works have been widely read, and they still provoke considerable interest in China, on the mainland as well as in Taiwan and Hong Kong.
Embodying the Goddess-clan
Series:
Numen Book Series, Volume: 166
In previous studies of South Asian Tantric ritual, scholars tend to focus on one region or context. For the first time,
Tantra, Ritual Performance and Politics in Nepal and Kerala: Embodying the Goddess-clan offers a comparative approach to Tantric mediumship as observed in two locales:
Navadurgā rituals in Bhaktapur, Nepal, and
Teyyāṭṭam in North Kerala. In this book, Matthew Martin advances a new theory of ritual, which spotlights the way dancer-mediums embody medieval goddess-clans and ancestor deities, through offerings of food and sacrifice, that synchronize their denizens with the land in spiralling web-like ritual networks. Uniquely interdisciplinary in style, this study synthesizes cultural history, ethnography, and theory to explore the continuities – historical, societal, and political – that characterize these ritual traditions across the subcontinent.
Embodying the Goddess-clan
Series:
Numen Book Series, Volume: 166
In previous studies of South Asian Tantric ritual, scholars tend to focus on one region or context. For the first time,
Tantra, Ritual Performance and Politics in Nepal and Kerala: Embodying the Goddess-clan offers a comparative approach to Tantric mediumship as observed in two locales:
Navadurgā rituals in Bhaktapur, Nepal, and
Teyyāṭṭam in North Kerala. In this book, Matthew Martin advances a new theory of ritual, which spotlights the way dancer-mediums embody medieval goddess-clans and ancestor deities, through offerings of food and sacrifice, that synchronize their denizens with the land in spiralling web-like ritual networks. Uniquely interdisciplinary in style, this study synthesizes cultural history, ethnography, and theory to explore the continuities – historical, societal, and political – that characterize these ritual traditions across the subcontinent.
The Movement and its Centennial Legacy
Read an
interview with Carlos Yu-Kai Lin.
Remembering May Fourth: The Movement and its Centennial Legacy is a collective work of thirteen scholars who reflect on the question of how to remember the May Fourth Movement, one of the most iconic socio-political events in the history of modern China. The book discusses a wide range of issues concerning the relations between politics and memory, between writing and ritualizing, between fiction and reality, and between theory and practice. Remembering May Fourth thus calls into question the ways in which the movement is remembered, while at the same time calling for the need to create new memories of the movement.
Remembering May Fourth: The Movement and its Centennial Legacy is a collective work of thirteen scholars who reflect on the question of how to remember the May Fourth Movement, one of the most iconic socio-political events in the history of modern China. The book discusses a wide range of issues concerning the relations between politics and memory, between writing and ritualizing, between fiction and reality, and between theory and practice. Remembering May Fourth thus calls into question the ways in which the movement is remembered, while at the same time calling for the need to create new memories of the movement.
The Movement and its Centennial Legacy
Read an
interview with Carlos Yu-Kai Lin.
Remembering May Fourth: The Movement and its Centennial Legacy is a collective work of thirteen scholars who reflect on the question of how to remember the May Fourth Movement, one of the most iconic socio-political events in the history of modern China. The book discusses a wide range of issues concerning the relations between politics and memory, between writing and ritualizing, between fiction and reality, and between theory and practice. Remembering May Fourth thus calls into question the ways in which the movement is remembered, while at the same time calling for the need to create new memories of the movement.
Remembering May Fourth: The Movement and its Centennial Legacy is a collective work of thirteen scholars who reflect on the question of how to remember the May Fourth Movement, one of the most iconic socio-political events in the history of modern China. The book discusses a wide range of issues concerning the relations between politics and memory, between writing and ritualizing, between fiction and reality, and between theory and practice. Remembering May Fourth thus calls into question the ways in which the movement is remembered, while at the same time calling for the need to create new memories of the movement.
Chinese Medicine in the First Global Age
Volume Editor:
Harold J. Cook
During the first period of globalization medical ideas and practices originating in China became entangled in the medical activities of other places, sometimes at long distances. They produced effects through processes of alteration once known as
translatio, meaning movements in place, status, and meaning. The contributors to this volume examine occasions when intermediaries responded creatively to aspects of Chinese medicine, whether by trying to pass them on or to draw on them in furtherance of their own interests. Practitioners in Japan, at the imperial court, and in early and late Enlightenment Europe therefore responded to translations creatively, sometimes attempting to build bridges of understanding that often collapsed but left innovation in their wake.
Contributors are Marta Hanson, Gianna Pomata, Beatriz Puente-Ballesteros, Wei Yu Wayne Tan, Margaret Garber, Daniel Trambaiolo, and Motoichi Terada.
Contributors are Marta Hanson, Gianna Pomata, Beatriz Puente-Ballesteros, Wei Yu Wayne Tan, Margaret Garber, Daniel Trambaiolo, and Motoichi Terada.
Chinese Medicine in the First Global Age
Volume Editor:
Harold J. Cook
During the first period of globalization medical ideas and practices originating in China became entangled in the medical activities of other places, sometimes at long distances. They produced effects through processes of alteration once known as
translatio, meaning movements in place, status, and meaning. The contributors to this volume examine occasions when intermediaries responded creatively to aspects of Chinese medicine, whether by trying to pass them on or to draw on them in furtherance of their own interests. Practitioners in Japan, at the imperial court, and in early and late Enlightenment Europe therefore responded to translations creatively, sometimes attempting to build bridges of understanding that often collapsed but left innovation in their wake.
Contributors are Marta Hanson, Gianna Pomata, Beatriz Puente-Ballesteros, Wei Yu Wayne Tan, Margaret Garber, Daniel Trambaiolo, and Motoichi Terada.
Contributors are Marta Hanson, Gianna Pomata, Beatriz Puente-Ballesteros, Wei Yu Wayne Tan, Margaret Garber, Daniel Trambaiolo, and Motoichi Terada.
Gao Xingjian's Theatre of the Tragic
Series:
Sinica Leidensia, Volume: 147
In
Dionysus on the Other Shore, Letizia Fusini argues that throughout his early exile years (late 1980s-1990s), Gao Xingjian gradually moved away from Absurdist Drama to develop a dramaturgical system with tragic characteristics. Drawing on a range of contemporary theories of tragedy, this book reconfigures some of the key tropes of Gao’s post-1987 theater as varied articulations of the Dionysian
sparagmos mechanism. They are the dismemberment of the dramatic self, the usage of constricted spaces, the divisive nature of gender relations, and the agony of verbal language. Through a text-based analysis of seven plays, the author ultimately aims to show that in Gao’s theater, tragedy is an ongoing and mostly subtextual dynamism generated by an interplay of psychic forces concurrently cohesive and divisive.
Gao Xingjian's Theatre of the Tragic
Series:
Sinica Leidensia, Volume: 147
In
Dionysus on the Other Shore, Letizia Fusini argues that throughout his early exile years (late 1980s-1990s), Gao Xingjian gradually moved away from Absurdist Drama to develop a dramaturgical system with tragic characteristics. Drawing on a range of contemporary theories of tragedy, this book reconfigures some of the key tropes of Gao’s post-1987 theater as varied articulations of the Dionysian
sparagmos mechanism. They are the dismemberment of the dramatic self, the usage of constricted spaces, the divisive nature of gender relations, and the agony of verbal language. Through a text-based analysis of seven plays, the author ultimately aims to show that in Gao’s theater, tragedy is an ongoing and mostly subtextual dynamism generated by an interplay of psychic forces concurrently cohesive and divisive.
Children, Education and a New China, 1902-1915
Series:
East and West, Volume: 5
In
Fusion of East and West, Limin Bai presents a major work in the English language that focuses on Chinese textbooks and the education of children for a new China in a critical transitional period, 1902–1915. This study examines the life and work of Wang Hengtong (1868–1928), a Chinese Christian educator, and other Christian and secular writings through a historical and comparative lens and against the backdrop of the socio-political, ideological, and intellectual frameworks of the time. By doing so, it offers a fresh perspective on the significant connection between Christian education, Chinese Christian educators and the birth of a modern educational system. It unravels a cross-cultural process whereby missionary education and the Chinese education system were mutually re-shaped.
Children, Education and a New China, 1902-1915
Series:
East and West, Volume: 5
In
Fusion of East and West, Limin Bai presents a major work in the English language that focuses on Chinese textbooks and the education of children for a new China in a critical transitional period, 1902–1915. This study examines the life and work of Wang Hengtong (1868–1928), a Chinese Christian educator, and other Christian and secular writings through a historical and comparative lens and against the backdrop of the socio-political, ideological, and intellectual frameworks of the time. By doing so, it offers a fresh perspective on the significant connection between Christian education, Chinese Christian educators and the birth of a modern educational system. It unravels a cross-cultural process whereby missionary education and the Chinese education system were mutually re-shaped.
Agents of Vengeance
Series:
Metaforms, Volume: 16
Eric Dodson-Robinson’s
Revenge, Agency, and Identity from European Drama to Asian Film challenges critical readings of drama, film, and literature that downplay agency. From Attic tragedy, through Seneca and Shakespeare, and into Japanese and Korean film, the book pursues the agent of vengeance in her fury to reconstruct an identity shattered by trauma. Tragic revenge is an imaginary theater only partly encompassed by disciplines, institutions, and discourses. In this theater, violence becomes contagious and potentially transformative as performance gives birth to the agent of vengeance: a complex, emergent agent who is more than the sum of the actors, auteur, tradition, and audience, all of whom infiltrate, and strive to control, her will. The agent of vengeance, determined to outdo past exemplars, exacts traumatic excess, not equivalence.
Agents of Vengeance
Series:
Metaforms, Volume: 16
Eric Dodson-Robinson’s
Revenge, Agency, and Identity from European Drama to Asian Film challenges critical readings of drama, film, and literature that downplay agency. From Attic tragedy, through Seneca and Shakespeare, and into Japanese and Korean film, the book pursues the agent of vengeance in her fury to reconstruct an identity shattered by trauma. Tragic revenge is an imaginary theater only partly encompassed by disciplines, institutions, and discourses. In this theater, violence becomes contagious and potentially transformative as performance gives birth to the agent of vengeance: a complex, emergent agent who is more than the sum of the actors, auteur, tradition, and audience, all of whom infiltrate, and strive to control, her will. The agent of vengeance, determined to outdo past exemplars, exacts traumatic excess, not equivalence.
Representations of Early Modern Positional Warfare
Series:
History of Warfare, Volume: 126
The
World of the Siege examines relations between the conduct and representations of early modern sieges. The volume offers case studies from various regions in Europe (England, France, the Low Countries, Germany, the Balkans) and throughout the world (the Chinese, Ottoman and Mughal Empires), from the 15th century into the 18th. The international contributors analyse how siege narratives were created and disseminated, and how early modern actors as well as later historians made sense of these violent events in both textual and visual artefacts. . The volume's chronological and geographical breadth provides insight into similarities and differences of siege warfare and military culture across several cultures, countries and centuries, as well as its impact on both combatants and observers.
See inside the book.
See inside the book.
Representations of Early Modern Positional Warfare
Series:
History of Warfare, Volume: 126
The
World of the Siege examines relations between the conduct and representations of early modern sieges. The volume offers case studies from various regions in Europe (England, France, the Low Countries, Germany, the Balkans) and throughout the world (the Chinese, Ottoman and Mughal Empires), from the 15th century into the 18th. The international contributors analyse how siege narratives were created and disseminated, and how early modern actors as well as later historians made sense of these violent events in both textual and visual artefacts. . The volume's chronological and geographical breadth provides insight into similarities and differences of siege warfare and military culture across several cultures, countries and centuries, as well as its impact on both combatants and observers.
See inside the book.
See inside the book.
With a Translation of the Wenyi xinlixue 文艺心理学 (The Psychology of Art and Literature)
Editor / Translator:
Elisa Levi Sabattini
In
Zhu Guangqian and Benedetto Croce on Aesthetic Thought, Mario Sabattini analyses Croce’s influence on the aesthetic thought of Zhu Guangqian. Zhu Guangqian is one of the most representative figures of contemporary Chinese aesthetics. Since the '30s, he had an active role in China both on the literary and philosophical scenes, and, through his writings, he exerted an important influence in the moulding of numerous generations of intellectuals. Some of his works have been widely read, and they still provoke considerable interest in China, on the mainland as well as in Taiwan and Hong Kong. The volume also presents a revised translation of Zhu Guangqian’s
Wenyi xinlixue (Psychology of Art and Literature).
With a Translation of the Wenyi xinlixue 文艺心理学 (The Psychology of Art and Literature)
In
Zhu Guangqian and Benedetto Croce on Aesthetic Thought, Mario Sabattini analyses Croce’s influence on the aesthetic thought of Zhu Guangqian. Zhu Guangqian is one of the most representative figures of contemporary Chinese aesthetics. Since the '30s, he had an active role in China both on the literary and philosophical scenes, and, through his writings, he exerted an important influence in the moulding of numerous generations of intellectuals. Some of his works have been widely read, and they still provoke considerable interest in China, on the mainland as well as in Taiwan and Hong Kong. The volume also presents a revised translation of Zhu Guangqian’s
Wenyi xinlixue (Psychology of Art and Literature).
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