USD $110.00
Browse results
Series:
Sinica Leidensia, Volume: 158
Author:
After the strikingly beautiful Peony Pavilion, how could one write about love and the ideal of emotional authenticity (qing) in the chuanqi genre?
This book presents a group of creative dramatists who confronted this challenge by giving the romantic theme of chuanqi their unique comic twists. This book demonstrates how their comic articulations bring the qing ideal down to the mundane world of family obligations, political ambitions, commercial interests, and gender frustrations.
By highlighting the crucial but understudied role that the comic plays, this book enriches our understanding of the intellectual depth and critical scope of the chuanqi genre.
This book presents a group of creative dramatists who confronted this challenge by giving the romantic theme of chuanqi their unique comic twists. This book demonstrates how their comic articulations bring the qing ideal down to the mundane world of family obligations, political ambitions, commercial interests, and gender frustrations.
By highlighting the crucial but understudied role that the comic plays, this book enriches our understanding of the intellectual depth and critical scope of the chuanqi genre.
Series:
Sinica Leidensia, Volume: 158
Author:
After the strikingly beautiful Peony Pavilion, how could one write about love and the ideal of emotional authenticity (qing) in the chuanqi genre?
This book presents a group of creative dramatists who confronted this challenge by giving the romantic theme of chuanqi their unique comic twists. This book demonstrates how their comic articulations bring the qing ideal down to the mundane world of family obligations, political ambitions, commercial interests, and gender frustrations.
By highlighting the crucial but understudied role that the comic plays, this book enriches our understanding of the intellectual depth and critical scope of the chuanqi genre.
This book presents a group of creative dramatists who confronted this challenge by giving the romantic theme of chuanqi their unique comic twists. This book demonstrates how their comic articulations bring the qing ideal down to the mundane world of family obligations, political ambitions, commercial interests, and gender frustrations.
By highlighting the crucial but understudied role that the comic plays, this book enriches our understanding of the intellectual depth and critical scope of the chuanqi genre.
Veiled Friends of God
Author:
In Sufi Women of South Asia. Veiled Friends of God, the first biographical compendium of hundred and forty-one women, from the eleventh to the twentieth century, Tahera Aftab fills a serious gap in the existing scholarship regarding the historical presence of women in Islam and brings women to the centre of the expanding literature on Sufism. The book’s translated excerpts from the original Farsi and Urdu sources that were never put together create a much-needed English-language source base on Sufism and Muslim women. The book questions the spurious religious and cultural traditions that patronise gender inequalities in Muslim societies and convincingly proves that these pious women were exemplars of Islamic piety who as true spiritual masters avoided its public display.
Veiled Friends of God
Author:
In Sufi Women of South Asia. Veiled Friends of God, the first biographical compendium of hundred and forty-one women, from the eleventh to the twentieth century, Tahera Aftab fills a serious gap in the existing scholarship regarding the historical presence of women in Islam and brings women to the centre of the expanding literature on Sufism. The book’s translated excerpts from the original Farsi and Urdu sources that were never put together create a much-needed English-language source base on Sufism and Muslim women. The book questions the spurious religious and cultural traditions that patronise gender inequalities in Muslim societies and convincingly proves that these pious women were exemplars of Islamic piety who as true spiritual masters avoided its public display.
Author:
Examining the experiences of the wartime rape survivors of Bangladesh from the perspective of social theory of trauma, this book reads the testimonies of war heroines as documented by Neelima Ibrahim (1921-2002) and argues that, even though their trauma was not represented in a manner to invoke collective recognition and proper commemoration, these women defied to be branded as ‘victims.’ They fought back to regain their lost honor and managed to cope with trauma, and in the process, learned to stand up as brave heroes, resisting all odds.
With this book, I am honoring my debt to the women warriors, who wrote and rode a nation’s trauma in/through their bodies.
With this book, I am honoring my debt to the women warriors, who wrote and rode a nation’s trauma in/through their bodies.
Author:
Examining the experiences of the wartime rape survivors of Bangladesh from the perspective of social theory of trauma, this book reads the testimonies of war heroines as documented by Neelima Ibrahim (1921-2002) and argues that, even though their trauma was not represented in a manner to invoke collective recognition and proper commemoration, these women defied to be branded as ‘victims.’ They fought back to regain their lost honor and managed to cope with trauma, and in the process, learned to stand up as brave heroes, resisting all odds.
With this book, I am honoring my debt to the women warriors, who wrote and rode a nation’s trauma in/through their bodies.
With this book, I am honoring my debt to the women warriors, who wrote and rode a nation’s trauma in/through their bodies.
Women’s Speculative Fiction in Contemporary Japan
Author:
Contemporary Japanese female speculative fiction writers of novels and manga employ the perspectives of aliens, cyborgs, and bioengineered entities to critique the social realities of women, particularly with respect to reproduction, which they also re-imagine in radical ways. Harada examines the various meanings of (re)production in light of feminist and queer studies and offers close readings of works by novelists Murata Sayaka, Ōhara Mariko, Ueda Sayuri and manga artists Hagio Moto and Shirai Yumiko. Scholarship of SF in Japanese studies has primarily focused on male authors, but this book shows not only how women writers have created a space in SF and speculative fiction but how their work can be seen as a response to particular social norms and government policies.
Women’s Speculative Fiction in Contemporary Japan
Author:
Contemporary Japanese female speculative fiction writers of novels and manga employ the perspectives of aliens, cyborgs, and bioengineered entities to critique the social realities of women, particularly with respect to reproduction, which they also re-imagine in radical ways. Harada examines the various meanings of (re)production in light of feminist and queer studies and offers close readings of works by novelists Murata Sayaka, Ōhara Mariko, Ueda Sayuri and manga artists Hagio Moto and Shirai Yumiko. Scholarship of SF in Japanese studies has primarily focused on male authors, but this book shows not only how women writers have created a space in SF and speculative fiction but how their work can be seen as a response to particular social norms and government policies.
Asian Canadians—whether immigrant, international students, naturalized, native-born, or other—are hampered in their exploration and articulation of self by the dearth of critical writing both for them, and by them. Despite the influx of Asian students and their inflated tuition rates to Canadian postsecondary institutions, they are strikingly underrepresented in the literature of the academy. Critical theory focusing on Asian identity, anti-Asian racism, and the Asian-Canadian experience is limited, or presented as an artifact of the past.
Across the globe—but particularly in the English-speaking West—the internationalization of higher education continues its upward trend. 2017 data from the Canadian Bureau for International Education positioned Canada as the fourth-leading destination for international students seeking post-secondary education. The fact that the vast majority of international students at Canadian colleges and universities come from Asia has been well documented in domestic media, but the lived experiences and perspectives of these transnational individuals have not. This edited collection provides much-needed theorizing of Asian-Canadian lived experiences, focusing on such themes as: multiculturalism, diversity, race, culture, agency, education, community activism, citizenship, identity, model minority myths, gender, colonization, neoliberalism, and others.
Contributors include: Sarah Alam, Syed Fahad Ali, Wallis Caldoza, Valerie G. Damasco, Grace Garlow, Allison Lam, Kailan Leung, Juanna Nguyen, Dionisio Nyaga, Jasmine Pham, Vania Soepriatna, Tika Ram Thapa and Rose Ann Torres.
Across the globe—but particularly in the English-speaking West—the internationalization of higher education continues its upward trend. 2017 data from the Canadian Bureau for International Education positioned Canada as the fourth-leading destination for international students seeking post-secondary education. The fact that the vast majority of international students at Canadian colleges and universities come from Asia has been well documented in domestic media, but the lived experiences and perspectives of these transnational individuals have not. This edited collection provides much-needed theorizing of Asian-Canadian lived experiences, focusing on such themes as: multiculturalism, diversity, race, culture, agency, education, community activism, citizenship, identity, model minority myths, gender, colonization, neoliberalism, and others.
Contributors include: Sarah Alam, Syed Fahad Ali, Wallis Caldoza, Valerie G. Damasco, Grace Garlow, Allison Lam, Kailan Leung, Juanna Nguyen, Dionisio Nyaga, Jasmine Pham, Vania Soepriatna, Tika Ram Thapa and Rose Ann Torres.
Asian Canadians—whether immigrant, international students, naturalized, native-born, or other—are hampered in their exploration and articulation of self by the dearth of critical writing both for them, and by them. Despite the influx of Asian students and their inflated tuition rates to Canadian postsecondary institutions, they are strikingly underrepresented in the literature of the academy. Critical theory focusing on Asian identity, anti-Asian racism, and the Asian-Canadian experience is limited, or presented as an artifact of the past.
Across the globe—but particularly in the English-speaking West—the internationalization of higher education continues its upward trend. 2017 data from the Canadian Bureau for International Education positioned Canada as the fourth-leading destination for international students seeking post-secondary education. The fact that the vast majority of international students at Canadian colleges and universities come from Asia has been well documented in domestic media, but the lived experiences and perspectives of these transnational individuals have not. This edited collection provides much-needed theorizing of Asian-Canadian lived experiences, focusing on such themes as: multiculturalism, diversity, race, culture, agency, education, community activism, citizenship, identity, model minority myths, gender, colonization, neoliberalism, and others.
Contributors include: Sarah Alam, Syed Fahad Ali, Wallis Caldoza, Valerie G. Damasco, Grace Garlow, Allison Lam, Kailan Leung, Juanna Nguyen, Dionisio Nyaga, Jasmine Pham, Vania Soepriatna, Tika Ram Thapa and Rose Ann Torres.
Across the globe—but particularly in the English-speaking West—the internationalization of higher education continues its upward trend. 2017 data from the Canadian Bureau for International Education positioned Canada as the fourth-leading destination for international students seeking post-secondary education. The fact that the vast majority of international students at Canadian colleges and universities come from Asia has been well documented in domestic media, but the lived experiences and perspectives of these transnational individuals have not. This edited collection provides much-needed theorizing of Asian-Canadian lived experiences, focusing on such themes as: multiculturalism, diversity, race, culture, agency, education, community activism, citizenship, identity, model minority myths, gender, colonization, neoliberalism, and others.
Contributors include: Sarah Alam, Syed Fahad Ali, Wallis Caldoza, Valerie G. Damasco, Grace Garlow, Allison Lam, Kailan Leung, Juanna Nguyen, Dionisio Nyaga, Jasmine Pham, Vania Soepriatna, Tika Ram Thapa and Rose Ann Torres.
Her Role in the Spread of Tibetan Buddhism in Taiwan
Author:
Through the biography of an unusual Manchu Chinese female devotee who contributed to the spread of Tibetan Buddhism in Taiwan, the book provides a new angle at looking at Sino-Tibetan relations by bringing issues of gender, power, self-representation, and globalization. Gongga Laoren’s life, actions and achievements show the fundamental elements behind the successful implementation of Tibetan Buddhism in a Han cultural environment and highlights a process that has created new expectations within communities, either Tibetan or Taiwanese, working in political, economic, religious and social contexts that have evolved from martial law in the 1960s to democratic rule today.
Her Role in the Spread of Tibetan Buddhism in Taiwan
Author:
Through the biography of an unusual Manchu Chinese female devotee who contributed to the spread of Tibetan Buddhism in Taiwan, the book provides a new angle at looking at Sino-Tibetan relations by bringing issues of gender, power, self-representation, and globalization. Gongga Laoren’s life, actions and achievements show the fundamental elements behind the successful implementation of Tibetan Buddhism in a Han cultural environment and highlights a process that has created new expectations within communities, either Tibetan or Taiwanese, working in political, economic, religious and social contexts that have evolved from martial law in the 1960s to democratic rule today.
Author:
Women, Islam and Familial Intimacy in Colonial South Asia highlights the rich tradition of protest and defiance among the Muslim women of colonial India. Bringing together a range of archival material including novels, pamphlets, commentaries and journalistic essays, it narrates a history of Muslim feminism conversing with, and confronting the dominant and influential narratives of didactic social reform. The book reveals how discussion about marriage and family evoked claims of women’s freedom and rights in a highly charged literary and cultural landscape where lesser-known female intellectuals jostled for public space alongside well-known male social reformers. Definitions of Islamic ethics remained central to these debates, and the book illustrates how claims of social obligation, religious duty and freedom balanced and negotiated each other in a period of nationalism and reform. By doing so, it also illuminates a story of Muslim politics that goes beyond the well-established accounts of Muslim separatism and the Pakistan movement.
Author:
Women, Islam and Familial Intimacy in Colonial South Asia highlights the rich tradition of protest and defiance among the Muslim women of colonial India. Bringing together a range of archival material including novels, pamphlets, commentaries and journalistic essays, it narrates a history of Muslim feminism conversing with, and confronting the dominant and influential narratives of didactic social reform. The book reveals how discussion about marriage and family evoked claims of women’s freedom and rights in a highly charged literary and cultural landscape where lesser-known female intellectuals jostled for public space alongside well-known male social reformers. Definitions of Islamic ethics remained central to these debates, and the book illustrates how claims of social obligation, religious duty and freedom balanced and negotiated each other in a period of nationalism and reform. By doing so, it also illuminates a story of Muslim politics that goes beyond the well-established accounts of Muslim separatism and the Pakistan movement.
Author:
Dorothy Fujita-Rony’s The Memorykeepers: Gendered Knowledges, Empires, and Indonesian American History examines the importance of women's memorykeeping for two Toba Batak women whose twentieth-century histories span Indonesia and the United States, H.L.Tobing and Minar T. Rony. This book addresses the meanings of family stories and artifacts within a gendered and interimperial context, and demonstrates how these knowledges can produce alternate cartographies of memory and belonging within the diaspora. It thus explores how women’s memorykeeping forges integrative possibility, not only physically across islands, oceans, and continents, but also temporally, across decades, empires, and generations. Thirty-five years in the making, The Memorykeepers is the first book on Indonesian Americans written within the fields of US history, American Studies, and Asian American Studies.
See inside the book.
See inside the book.
Author:
Dorothy Fujita-Rony’s The Memorykeepers: Gendered Knowledges, Empires, and Indonesian American History examines the importance of women's memorykeeping for two Toba Batak women whose twentieth-century histories span Indonesia and the United States, H.L.Tobing and Minar T. Rony. This book addresses the meanings of family stories and artifacts within a gendered and interimperial context, and demonstrates how these knowledges can produce alternate cartographies of memory and belonging within the diaspora. It thus explores how women’s memorykeeping forges integrative possibility, not only physically across islands, oceans, and continents, but also temporally, across decades, empires, and generations. Thirty-five years in the making, The Memorykeepers is the first book on Indonesian Americans written within the fields of US history, American Studies, and Asian American Studies.
See inside the book.
See inside the book.
Domestic Space and Genre in Qing Vernacular Literature
Author:
In Woman Rules Within: Domestic Space and Genre in Qing Vernacular Literature, Jessica Dvorak Moyer compares depictions of household space and women’s networks in texts across a range of genres from about 1600 to 1800 C.E. Analyzing vernacular transformations of classical source texts as well as vernacular stories and novels, Moyer shows that vernacular genres use expansive detail about architectural space and the everyday domestic world to navigate a variety of ideological tensions, particularly that between qing (emotion) and li (ritual propriety), and to flesh out characters whose actions challenge the norms of gendered spatial practice even as they ultimately uphold the gender order. Woman Rules Within contributes a new understanding of the role of colloquial language in late imperial literature.
Domestic Space and Genre in Qing Vernacular Literature