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While the last four years has seen a renewed interest in dress in biblical studies, much of this work focuses on dress as object—what it is, looks like, and who wears it. In consequence, the symbolic and rhetorical function of dress in metaphors is often reduced to its function in “real life.” In response, this study bridges the conversation from what dress is to what dress is doing. By focusing on dress as subject and a concept, this study identifies constellations that hold prophetic metaphors of the investiture/divestiture of dress together with respect to identity formation/deformation, suffering, and destruction.
While the last four years has seen a renewed interest in dress in biblical studies, much of this work focuses on dress as object—what it is, looks like, and who wears it. In consequence, the symbolic and rhetorical function of dress in metaphors is often reduced to its function in “real life.” In response, this study bridges the conversation from what dress is to what dress is doing. By focusing on dress as subject and a concept, this study identifies constellations that hold prophetic metaphors of the investiture/divestiture of dress together with respect to identity formation/deformation, suffering, and destruction.
Women, Sex, and Public Discourse
The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.
Women, Sex, and Public Discourse
The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.
Chronicles
Authoritative, Based on the Best Syriac Text, and Fully Annotated
The Bible of Edessa is an authoritative translation of the Peshitta, the Syriac version of the Hebrew Bible. It is named after the city of Edessa in upper Mesopotamia, the birthplace of the Peshitta and home to the form of Aramaic now called Syriac.
The Bible of Edessa is based on the oldest and best Syriac manuscripts, as made available in the Leiden–Amsterdam Peshitta edition. Its volumes also come with an introduction and extensive annotations. The Bible of Edessa is authorized by the International Organization for the Study of the Old Testament (IOSOT) and published by the Amsterdam Peshitta Institute under supervision of an international editorial board.
CHRONICLES– This is the first volume of this new series. It contains David Phillips’ annotated English translation of the Book of Chronicles according to the Peshitta.
The Bible of Edessa is an authoritative translation of the Peshitta, the Syriac version of the Hebrew Bible. It is named after the city of Edessa in upper Mesopotamia, the birthplace of the Peshitta and home to the form of Aramaic now called Syriac.
The Bible of Edessa is based on the oldest and best Syriac manuscripts, as made available in the Leiden–Amsterdam Peshitta edition. Its volumes also come with an introduction and extensive annotations. The Bible of Edessa is authorized by the International Organization for the Study of the Old Testament (IOSOT) and published by the Amsterdam Peshitta Institute under supervision of an international editorial board.
CHRONICLES– This is the first volume of this new series. It contains David Phillips’ annotated English translation of the Book of Chronicles according to the Peshitta.
Chronicles
Authoritative, Based on the Best Syriac Text, and Fully Annotated
The Bible of Edessa is an authoritative translation of the Peshitta, the Syriac version of the Hebrew Bible. It is named after the city of Edessa in upper Mesopotamia, the birthplace of the Peshitta and home to the form of Aramaic now called Syriac.
The Bible of Edessa is based on the oldest and best Syriac manuscripts, as made available in the Leiden–Amsterdam Peshitta edition. Its volumes also come with an introduction and extensive annotations. The Bible of Edessa is authorized by the International Organization for the Study of the Old Testament (IOSOT) and published by the Amsterdam Peshitta Institute under supervision of an international editorial board.
CHRONICLES– This is the first volume of this new series. It contains David Phillips’ annotated English translation of the Book of Chronicles according to the Peshitta.
The Bible of Edessa is an authoritative translation of the Peshitta, the Syriac version of the Hebrew Bible. It is named after the city of Edessa in upper Mesopotamia, the birthplace of the Peshitta and home to the form of Aramaic now called Syriac.
The Bible of Edessa is based on the oldest and best Syriac manuscripts, as made available in the Leiden–Amsterdam Peshitta edition. Its volumes also come with an introduction and extensive annotations. The Bible of Edessa is authorized by the International Organization for the Study of the Old Testament (IOSOT) and published by the Amsterdam Peshitta Institute under supervision of an international editorial board.
CHRONICLES– This is the first volume of this new series. It contains David Phillips’ annotated English translation of the Book of Chronicles according to the Peshitta.
Aḥob of Qatar and the Development of the East Syriac Exegetical Tradition
In The Heirs of Theodore Seth M. Stadel examines Aḥob of Qatar, a late 6th-century East Syriac biblical commentator, and his surviving Old Testament exegetical works. He further investigates what can be deduced of Aḥob’s influence on the later East Syriac exegetical tradition, and he details the originality of Aḥob’s exegesis, especially in comparison with earlier and contemporary Greek and Syriac sources. By presenting the first annotated edition, English translation, and study of Aḥob’s extant Old Testament exegetical works, Stadel is able to show that Aḥob represents a distinct voice within the East Syriac exegetical tradition.
Aḥob of Qatar and the Development of the East Syriac Exegetical Tradition
In The Heirs of Theodore Seth M. Stadel examines Aḥob of Qatar, a late 6th-century East Syriac biblical commentator, and his surviving Old Testament exegetical works. He further investigates what can be deduced of Aḥob’s influence on the later East Syriac exegetical tradition, and he details the originality of Aḥob’s exegesis, especially in comparison with earlier and contemporary Greek and Syriac sources. By presenting the first annotated edition, English translation, and study of Aḥob’s extant Old Testament exegetical works, Stadel is able to show that Aḥob represents a distinct voice within the East Syriac exegetical tradition.
A study of the plan of Ezekiel’s temple
Ezekiel’s temple is presented as a vision. It just had to be displayed as a sign of hope for the exiled people. Therefore the exiles were not instructed to build this temple. It will be built in a distant future, than the temple will never again be defiled and the Glory of the Lord will return to His house for ever. The architecture of Ezekiel’s temple resembles in many respects Solomon’s temple and the ancient Near East style of building. The plan and architecture of Solomon’s and Ezekiel’s temple had a major influence on western architecture and urban design.
A study of the plan of Ezekiel’s temple
Ezekiel’s temple is presented as a vision. It just had to be displayed as a sign of hope for the exiled people. Therefore the exiles were not instructed to build this temple. It will be built in a distant future, than the temple will never again be defiled and the Glory of the Lord will return to His house for ever. The architecture of Ezekiel’s temple resembles in many respects Solomon’s temple and the ancient Near East style of building. The plan and architecture of Solomon’s and Ezekiel’s temple had a major influence on western architecture and urban design.