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Byzantium in Eastern European Visual Culture in the Late Middle Ages, edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe. The regions of the Balkan Peninsula, the Carpathian Mountains, and early modern Russia have been treated in scholarship within limited frameworks or excluded altogether from art historical conversations. This volume encourages different readings of the artistic landscapes of Eastern Europe during the late medieval period, highlighting the cultural and artistic productions of individual centers. These ought to be considered individually and as part of larger networks, thus revealing their shared heritage and indebtedness to artistic and cultural models adopted from elsewhere, and especially from Byzantium.
In History of the Pauline Corpus in Texts, Transmissions, and Trajectories , Chris S. Stevens examines the Greek manuscripts of the Pauline texts from P46 to Claromontanus. Previous research is often hindered by the lack of a systematic analysis and an indelicate linguistic methodology. This book offers an entirely new analysis of the early life of the Pauline corpus. Departing from traditional approaches, this text-critical work is the first to use Systemic Functional Linguistics, which enables both the comparison and ranking of textual differences across multiple manuscripts. Furthermore, the analysis is synchronically oriented, so it is non-evaluative. The results indicate a highly uniform textual transmission during the early centuries. The systematic analysis challenges previous research regarding text types, Christological scribal alterations, and textual trajectories.
Readers of Eastern Christianity and Late Antique Philosophy will find a collection of authoritative papers from across the Neoplatonic and Eastern Christian traditions. It is only recently that scholars have started to take notice of the Eastern Christian engagement with late antique philosophical texts. This volume builds upon this new interest in order to show the dynamic nature of Neoplatonism and Eastern Christianity at a time when both faced a variety of challenges. The legacy of Greek philosophy in the Christian East fills the gap between the schools of Alexandria and Baghdad and brings into focus the intellectual history of the period. The aim of the volume is to stimulate interest in late antique philosophy and its reception in the Christian East.
In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
In: The Cross in the Visual Culture of Late Antique Egypt
In: The Cross in the Visual Culture of Late Antique Egypt
In: The Cross in the Visual Culture of Late Antique Egypt
In: The Cross in the Visual Culture of Late Antique Egypt
In: The Cross in the Visual Culture of Late Antique Egypt
In: The Cross in the Visual Culture of Late Antique Egypt