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This volume is part of the continuation of Felix Jacoby’s monumental collection of fragmentary Greek historiography. It contains new editions of the works On cities, On islands, Foundations, Names of peoples, Changes of names and Aitia. These works deal mainly with the early, often mythical, history of Greek cities and regions but also touch upon their later history. For the first time, all the texts have been provided with a translation and a comprehensive commentary, which contains many innovative interpretations. It also makes these difficult texts accessible to a non-specialist readership.
The Hero on Stage from the Enlightenment to the Early Twenty-First Century
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Hercules Performed explores the reception of the ancient Greek hero Herakles – the Roman Hercules – on the western stage from the sixteenth century to the present day, focusing on live theatre, including tragedy, comedy and musical drama. Each chapter considers a particular work or theme in detail, exploring the interplay between classical models and a wide variety of modern performance contexts. The volume is one of four to be published in the Metaforms series examining the extraordinarily persistent figuring of Herakles-Hercules in western culture, drawing together scholars from a range of disciplines to offer a unique insight into the hero’s perennial appeal.
Discourses of Pistis in the Graeco-Roman World
The notion of faith experienced a remarkable surge in popularity among early Christians, with Paul as its pioneer. Yet what was the wider cultural significance of the pistis word group? This comprehensive work contextualizes Paul’s faith language within Graeco-Roman cultural discourses, highlighting its semantic multifariousness and philosophical potential. Based on an innovative combination of cognitive linguistics and discourse analysis, it explores ‘faith’ within social, political, religious, ethical, and cognitive contexts. While challenging modern individualist and irrational conceptualizations, this book shows how Paul uses pistis to creatively configure philosophical narratives of his age and propose Christ as its ultimate embodiment.
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The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire’s final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times.
Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
Newly edited with a transcription faithful to the original manuscript and provided with an Introduction
This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
(Continued as The Language of Classical Literature)
Amsterdam Studies in Classical Philology will continue as The Language of Classical Literature.

The Language of Classical Literature is a peer-reviewed series of studies on Greek and Latin language and literature that are informed by modern literary or linguistic theory (e.g. discourse linguistics, narratology, intertextuality, metapoetics). The series is open to monographs, edited volumes, and conference proceedings (provided they have a clear thematic coherence).
The acclaimed Groningen commentary to Apuleius' Metamorphoses was published as a multi-volume book series between 1977 and 2021 by the Groningen Commentaries on Apuleius group. It includes the text itself, a commentary and a translation. The complete series is now available as a 10 volumes print set, including the recently published commentary on Book III of the Metamorphoses by Leonardo Costantini (2021). The complete Groningen commentary is also available as an integrated online database on Brill's acclaimed platform Scholarly Editions, including texts and commentaries of Pro Se De Magia and Florida. Visit Apuleius Online for more information.
This series is no longer published by Brill

Die Echtheit der dritten Arianerrede steht seit einiger Zeit zur Debate. Der Verfasser versucht zu zeigen, dass kein Anlass besteht, an der Echtheit zu zweifeln, und benutzt diese Rede als Bezugsrahmen zur Darstellung der theologischen Gedankenwelt des Athanasius. Den in Migne abgedruckten Text verwendend bietet er eine Übersetzung und einen Kommentar, meistens zu jedem Satz, sonst zu Abschnitten. Die Studie schliesst mit einer kurzen Betrachtung zur theologischen Bedeutung der von Athanasius immer wieder vollzogenen Unterscheidung zwischen der Erzeugung und der Erschaffung.
Brill’s Plutarch Text Editions publishes critical text editions of Plutarch’s work, or parts thereof, including commentaries. The series is a response to the renewed scholarly interest in the encyclopedic writer of Chaeronea, whose influence on Western culture and thought has been enormous. Brill’s Plutarch Text editions is a subseries to Brill’s Plutarch Studies and has the same editorial board.