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SENSORIVM: The Senses in Roman Polytheism explores how a range of cults and rituals were perceived and experienced by participants through one or more senses.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.
SENSORIVM: The Senses in Roman Polytheism explores how a range of cults and rituals were perceived and experienced by participants through one or more senses.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.
The Jews of Hispania in Late Antiquity and the Early Middle Ages through Their Material Remains
In
Hispanojewish Archaeology, Alexander Bar-Magen Numhauser provides the first book-length archaeological exploration of the Jewish presence in late antique and early medieval
Hispania. Using epigraphic, numismatic, architectural, and other archaeological remains, this volume describes the multiple cultural expressions of a vibrant Jewish community that emerged as part of the Mediterranean Diaspora, becoming part of the wider Hispanian society. Part of this review includes a detailed examination of the
Ilici (Elche, Spain) basilical building, interpreted by previous scholars as both a church and a synagogue, using published and hitherto unpublished material of its decades-long excavation. From the archaeological remains of this Hispanojewish presence a new picture emerges, challenging the traditional premises of the archaeological research on the late antique western Mediterranean.
The Jews of Hispania in Late Antiquity and the Early Middle Ages through Their Material Remains
In
Hispanojewish Archaeology, Alexander Bar-Magen Numhauser provides the first book-length archaeological exploration of the Jewish presence in late antique and early medieval
Hispania. Using epigraphic, numismatic, architectural, and other archaeological remains, this volume describes the multiple cultural expressions of a vibrant Jewish community that emerged as part of the Mediterranean Diaspora, becoming part of the wider Hispanian society. Part of this review includes a detailed examination of the
Ilici (Elche, Spain) basilical building, interpreted by previous scholars as both a church and a synagogue, using published and hitherto unpublished material of its decades-long excavation. From the archaeological remains of this Hispanojewish presence a new picture emerges, challenging the traditional premises of the archaeological research on the late antique western Mediterranean.
Consumption, Trade and Economy in Ancient Italy
Eastern Wines on Western Tables: Consumption, Trade and Economy in Ancient Italy is an interdisciplinary and multifaceted study concerning wine commerce and the Roman economy during Classical antiquity. Wine was one of the main consumption goods in the Mediterranean during antiquity, and the average Roman adult male probably consumed between 0,5 - 1 litre of it per day. It is therefore clear that the production and trading of wine was essential for the Roman economy. This book demonstrates that wines from the Eastern Mediterranean and the Aegean region in particular, played a crucial part in wine commerce. Moreover, it sheds new light on economic dilemmas that have long puzzled scholars, such as growth and market integration during antiquity.
Consumption, Trade and Economy in Ancient Italy
Eastern Wines on Western Tables: Consumption, Trade and Economy in Ancient Italy is an interdisciplinary and multifaceted study concerning wine commerce and the Roman economy during Classical antiquity. Wine was one of the main consumption goods in the Mediterranean during antiquity, and the average Roman adult male probably consumed between 0,5 - 1 litre of it per day. It is therefore clear that the production and trading of wine was essential for the Roman economy. This book demonstrates that wines from the Eastern Mediterranean and the Aegean region in particular, played a crucial part in wine commerce. Moreover, it sheds new light on economic dilemmas that have long puzzled scholars, such as growth and market integration during antiquity.
Papers in Memory of Sara B. Aleshire from the Second North American Congress of Greek and Latin Epigraphy
In
Greek Epigraphy and Religion Emily Mackil and Nikolaos Papazarkadas bring together a series of papers first presented at a special session of the Second North American Congress of Greek and Latin Epigraphy (Berkeley 2016). That session was dedicated to the memory of Sara B. Aleshire, one of the leading Greek epigraphists of the twentieth century. The volume at hand includes a combination of previously unpublished inscriptions, overlooked epigraphical documents, and well known inscribed texts that are reexamined with fresh eyes and approaches. The relevant documents cover a wide geographical range, including Athens and Attica, the Peloponnese, Epirus, Thessaly, the Aegean islands, and Egypt. This collection ultimately explores the insights provided by epigraphical texts into the religious beliefs and practices of the ancient Greeks, but also revisits critically some entrenched doctrines in the field of Greek religion.
Papers in Memory of Sara B. Aleshire from the Second North American Congress of Greek and Latin Epigraphy
In
Greek Epigraphy and Religion Emily Mackil and Nikolaos Papazarkadas bring together a series of papers first presented at a special session of the Second North American Congress of Greek and Latin Epigraphy (Berkeley 2016). That session was dedicated to the memory of Sara B. Aleshire, one of the leading Greek epigraphists of the twentieth century. The volume at hand includes a combination of previously unpublished inscriptions, overlooked epigraphical documents, and well known inscribed texts that are reexamined with fresh eyes and approaches. The relevant documents cover a wide geographical range, including Athens and Attica, the Peloponnese, Epirus, Thessaly, the Aegean islands, and Egypt. This collection ultimately explores the insights provided by epigraphical texts into the religious beliefs and practices of the ancient Greeks, but also revisits critically some entrenched doctrines in the field of Greek religion.
21st-Century Methods and Classical Antiquity
Editor:
Catherine Cooper
New Approaches to Ancient Material Culture in the Greek & Roman World is about Classical Archaeology at its broadest and is important reading to all Classicists. As part of a recent movement to highlight the rich diversity of the subject it overcomes traditional disciplinary boundaries to show the variety of current approaches to the study of Classical Antiquity from the Late Bronze Age to the Late Antique period. The multi-disciplinary papers deal with archaeology and art history, museum objects and fieldwork data, ancient texts and material culture, archaeological theory and historiography, and technical and literary analysis. The international contributors discuss a selection of methodologies currently used to study ancient material, and illustrate their relevance through case studies which span the Greek and Roman world.
21st-Century Methods and Classical Antiquity
Editor:
Catherine Cooper
New Approaches to Ancient Material Culture in the Greek & Roman World is about Classical Archaeology at its broadest and is important reading to all Classicists. As part of a recent movement to highlight the rich diversity of the subject it overcomes traditional disciplinary boundaries to show the variety of current approaches to the study of Classical Antiquity from the Late Bronze Age to the Late Antique period. The multi-disciplinary papers deal with archaeology and art history, museum objects and fieldwork data, ancient texts and material culture, archaeological theory and historiography, and technical and literary analysis. The international contributors discuss a selection of methodologies currently used to study ancient material, and illustrate their relevance through case studies which span the Greek and Roman world.
EUHORMOS is an international book series intended for monographs and collective volumes on classical antiquity. Specifically, it welcomes manuscripts related to the concept of ‘anchoring innovation’ by classical scholars of all disciplines from all over the world. All books will be published in Open Access (online) as well as in print.
The series publishes book-length studies (single-authored or edited) of ancient innovations and their societal perceptions and valuations, in particular in connection with their ‘anchoring’, the various ways in which ‘the new’ could (or could not) be connected to what was already familiar. ‘The new’ is not restricted to the technical or scientific domains, but can include the ‘new information’ imparted by speakers through linguistic means, literary innovation, political, social, cultural or economic innovation, and new developments in material culture.
EUHORMOS is one of the results of the Dutch so-called Gravitation Grant (2017), awarded to a consortium of scholars from OIKOS, the National Research School in Classical Studies. See https://www.ru.nl/oikos/anchoring-innovation.
EUHORMOS is the Homeric term for a harbour ‘in which the anchoring is good’. Under this auspicious title, we aim to publish a book series striving to afford ‘good anchorage’ to studies contributing to a better understanding of ‘anchoring innovation’ in Greco-Roman Antiquity.
For sending your proposal or submitting manuscripts for the series, please contact Brill’s Assistant Editor for Classical Studies, Giulia Moriconi.
The series publishes book-length studies (single-authored or edited) of ancient innovations and their societal perceptions and valuations, in particular in connection with their ‘anchoring’, the various ways in which ‘the new’ could (or could not) be connected to what was already familiar. ‘The new’ is not restricted to the technical or scientific domains, but can include the ‘new information’ imparted by speakers through linguistic means, literary innovation, political, social, cultural or economic innovation, and new developments in material culture.
EUHORMOS is one of the results of the Dutch so-called Gravitation Grant (2017), awarded to a consortium of scholars from OIKOS, the National Research School in Classical Studies. See https://www.ru.nl/oikos/anchoring-innovation.
EUHORMOS is the Homeric term for a harbour ‘in which the anchoring is good’. Under this auspicious title, we aim to publish a book series striving to afford ‘good anchorage’ to studies contributing to a better understanding of ‘anchoring innovation’ in Greco-Roman Antiquity.
For sending your proposal or submitting manuscripts for the series, please contact Brill’s Assistant Editor for Classical Studies, Giulia Moriconi.
In
Pilgrimage and Economy in the Ancient Mediterranean, Anna Collar and Troels Myrup Kristensen bring together diverse scholarship to explore the socioeconomic dynamics of ancient Mediterranean pilgrimage from archaic Greece to Late Antiquity, the Greek mainland to Egypt and the Near East. This broad chronological and geographical canvas demonstrates how our modern concepts of religion and economy were entangled in the ancient world. By taking material culture as a starting point, the volume examines the ways that landscapes, architecture, and objects shaped the pilgrim’s experiences, and the manifold ways in which economy, belief and ritual behaviour intertwined, specifically through the processes and practices that were part of ancient Mediterranean pilgrimage over the course of more than 1,500 years.
In
Pilgrimage and Economy in the Ancient Mediterranean, Anna Collar and Troels Myrup Kristensen bring together diverse scholarship to explore the socioeconomic dynamics of ancient Mediterranean pilgrimage from archaic Greece to Late Antiquity, the Greek mainland to Egypt and the Near East. This broad chronological and geographical canvas demonstrates how our modern concepts of religion and economy were entangled in the ancient world. By taking material culture as a starting point, the volume examines the ways that landscapes, architecture, and objects shaped the pilgrim’s experiences, and the manifold ways in which economy, belief and ritual behaviour intertwined, specifically through the processes and practices that were part of ancient Mediterranean pilgrimage over the course of more than 1,500 years.
The essays in
New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, cultural and museological issues raised by one of two surviving intact statues of the Roman emperor Caligula (r. 37-41 C.E.). Contributions focus on the creation of a 3D-digital model of the statue and the search for traces of its original polychromy; the history of the statue from its creation to the present, including its rediscovery at a Julio-Claudian sanctuary at Bovillae; aspects of Caligula’s literary and visual portrayal in antiquity and modern historiography (including questions concerning the destruction of his portraits and the implications of Jewish sources for the study of Caligula); and the emperor’s image in popular culture.
The essays in
New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, cultural and museological issues raised by one of two surviving intact statues of the Roman emperor Caligula (r. 37-41 C.E.). Contributions focus on the creation of a 3D-digital model of the statue and the search for traces of its original polychromy; the history of the statue from its creation to the present, including its rediscovery at a Julio-Claudian sanctuary at Bovillae; aspects of Caligula’s literary and visual portrayal in antiquity and modern historiography (including questions concerning the destruction of his portraits and the implications of Jewish sources for the study of Caligula); and the emperor’s image in popular culture.
Few Roman emperors enjoy such fame as Flavius Claudius Iulianus – although he was sole ruler of the Roman Empire for only eighteen months (361-363). Since his early death he has been known as Julian the Apostate – the nephew of Constantine the Great who in vain tried to reverse the transformation of the Imperium Romanum into a Christian Empire. This companion synthesizes research on Julian conducted in many languages over the last decades and develops new perspectives. The authors scrutinize the voluminous and variegated sources for Julian's life and rule and reflect on the perceptions of modern research. Since Julian is the subject of scholarly discussion in various fields, this companion offers an interdisciplinary dialogue in which experts from many countries participate.
Contributors are Bruno Bleckmann, Scott Bradbury, Peter Heather, Arnaldo Marcone, Neil McLynn, Heinz-Günther Nesselrath, Stefan Rebenich, Christoph Riedweg, Sebastian Schmidt-Hofner, Peter van Nuffelen, Konrad Vössing, Hans-Ulrich Wiemer.
Contributors are Bruno Bleckmann, Scott Bradbury, Peter Heather, Arnaldo Marcone, Neil McLynn, Heinz-Günther Nesselrath, Stefan Rebenich, Christoph Riedweg, Sebastian Schmidt-Hofner, Peter van Nuffelen, Konrad Vössing, Hans-Ulrich Wiemer.
Few Roman emperors enjoy such fame as Flavius Claudius Iulianus – although he was sole ruler of the Roman Empire for only eighteen months (361-363). Since his early death he has been known as Julian the Apostate – the nephew of Constantine the Great who in vain tried to reverse the transformation of the Imperium Romanum into a Christian Empire. This companion synthesizes research on Julian conducted in many languages over the last decades and develops new perspectives. The authors scrutinize the voluminous and variegated sources for Julian's life and rule and reflect on the perceptions of modern research. Since Julian is the subject of scholarly discussion in various fields, this companion offers an interdisciplinary dialogue in which experts from many countries participate.
Contributors are Bruno Bleckmann, Scott Bradbury, Peter Heather, Arnaldo Marcone, Neil McLynn, Heinz-Günther Nesselrath, Stefan Rebenich, Christoph Riedweg, Sebastian Schmidt-Hofner, Peter van Nuffelen, Konrad Vössing, Hans-Ulrich Wiemer.
Contributors are Bruno Bleckmann, Scott Bradbury, Peter Heather, Arnaldo Marcone, Neil McLynn, Heinz-Günther Nesselrath, Stefan Rebenich, Christoph Riedweg, Sebastian Schmidt-Hofner, Peter van Nuffelen, Konrad Vössing, Hans-Ulrich Wiemer.