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The book contains five chapters arranged chronologically, all based on original and innovative archival research, and traces the economic aspects of the relationship in both a qualitative and quantitative context. It draws upon a number of unique incidents to detail the variety and extent of commercial and diplomatic connections that became of primary importance for the welfare and success of both nations over the century.
The book contains five chapters arranged chronologically, all based on original and innovative archival research, and traces the economic aspects of the relationship in both a qualitative and quantitative context. It draws upon a number of unique incidents to detail the variety and extent of commercial and diplomatic connections that became of primary importance for the welfare and success of both nations over the century.
Memory studies, consolidated as a field of research over the past few decades, remains a vibrant intellectual and political project, particularly since broadening its conceptual and contextual horizons beyond the received paradigms of nation, region, and culture. Responding to this development, the editors of this series are particularly interested in projects that adopt a comparative approach, bringing postcolonial, migration, transregional, social movement, and performance studies into dialogue with memory studies. In this vein, we welcome scholarly work which explores memory in relation to postcoloniality, transculturality, and intersectionality, as well as projects that interrogate how memories can be a resource for the future which they inevitably shape.
Authors are cordially invited to submit proposals for manuscripts to the publisher at BRILL, Masja Horn.
Please advise our Guidelines for a Book Proposal.
The editors welcome contributions relating to any aspect of the field of German-speaking exile in Great Britain, not limited to the refugees from Hitler in the mid-twentieth century.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Alessandra Giliberto.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Global migration history is political history; imperial formations from antiquity up to the modern period depended on the (voluntary and involuntary) circulation of people ranging from administrative and military elites to deportees and slaves. Migrants change statewide history by withdrawing their capabilities from one unsatisfactory polity and adding it to another. They seek options to invest their human capital. Global migration history is also economic history – the mercantile entanglements across ancient and medieval Afro-Eurasia, the 17th- and 18th-century world system, the plantation belt and extractive industries in particular, and 20th and 21st century global capitalism would not have existed without forced migration of slaves and the voluntary migrations of merchants, laborers, and the owners of capital. States militarily sustained this order. In the present, whole states are dependent on migrants’ remittances, other societies on the caregiving labor of migrants. Furthermore, economic and political regimes shape and are shaped by gendered conceptions of mobile people in ways that have produced different experiences for women and men. Migration is and has been global, macro-regional, and micro-regional – the levels interact across continents. Migrants’ lives and the societies they change or, even, create, are transcultural.
The peer-reviewed book series Studies in Global Migration History emphasizes research that addresses migrants’ agency that neither begins nor ends in only one location. It intends to replace traditional centeredness on Europe by perspectives including all macro-regions of the world and movements between them. It also aims to expand the common focus of migration history beyond the modern period with studies targeting earlier centuries and millennia across the globe. The series privileges interdisciplinary approaches and studies of uneven developments of societies and regions.
Authors are cordially invited to submit proposals and/or full manuscripts to either one of the series editors Johannes Preiser-Kapeller, Roland Wenzlhuemer or Elizabeth A. Zanoni, or the publisher at BRILL, Alessandra Giliberto.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
This is a subseries of Studies in Global Social History.
« He came as a cousin and left as a gendarme. » This anecdote expresses the identity paradox in the Comoros and the ‘migration’ drama that has been happening in the Archipelago since the arbitrary introduction of the Balladur Visa in 1995. Mayotte that is ‘officially’ French has been labelled “the biggest marine graveyard in the world”. How can works of imagination on “migration” from Anjouan to Mayotte constitute a kind of collective social therapy and social intervention? This book answers this question (among others) by studying 18 works, and combining literary studies with anthropology, sociology, history and international law.
« He came as a cousin and left as a gendarme. » This anecdote expresses the identity paradox in the Comoros and the ‘migration’ drama that has been happening in the Archipelago since the arbitrary introduction of the Balladur Visa in 1995. Mayotte that is ‘officially’ French has been labelled “the biggest marine graveyard in the world”. How can works of imagination on “migration” from Anjouan to Mayotte constitute a kind of collective social therapy and social intervention? This book answers this question (among others) by studying 18 works, and combining literary studies with anthropology, sociology, history and international law.
These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his ‘exile opera’ Beatrice Cenci. Studies of Mischa Spoliansky’s music for the movie Mr. Emmanuel(1944) and Franz Reizenstein’s radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars.
These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his ‘exile opera’ Beatrice Cenci. Studies of Mischa Spoliansky’s music for the movie Mr. Emmanuel(1944) and Franz Reizenstein’s radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars.