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The series Basic Texts of Islamic Mysticism intends to publish important texts of Islamic mysticism both from the early and classical periods, as well as from more recent times. The texts will be presented in translation with scholarly commentaries.
ما وراء الحكاية: دراسات أخلاقية في القصة القرآنية
Volume Editor:
Behind the Story: Ethical Readings of Qurʾānic Narratives is a pivotal work that presents groundbreaking research on the Qurʾānic narrative as a literary genre with profound moral significance. It underscores the genre's integral role in shaping Islamic moral thought, as manifested in areas like Islamic law, theology, Sufism, politics, and art. The book offers insightful interpretations of various Qurʾānic narratives, delving into their ethical dimensions and challenges. It also examines their historical reception and influence across both Muslim and non-Muslim scholarship, covering diverse disciplines such as mysticism, art, and applied ethics. This volume stands as an invaluable resource for scholars and students seeking a deeper understanding of the Qurʾānic narrative and its multifarious interpretations in the context of Islamic Studies and beyond.

Contributors
Taira Amin, Halla Attallah, Bilal Badat, Fatih Ermiş, Mohammad Fadel, Hannelies Koloska, Samer Rashwani, Emmanuelle Stefanidis, and Devin Stewart.

ما وراء الحكاية: دراسات أخلاقية في القصة القرآنية، يعالج هذا الكتاب القَصص القرآني من حيث هو نوعٌ أدبي ذو مضمون أخلاقي في المقام الأول، الأمر الذي لم يَحظَ بالنظر العلمي والمنهجي من قبل؛ على الرغم من تأثيره العميق في حقول الفقه والكلام والتصوف والسياسة والأخلاق والفن، وغيرها. يقدم القسم الأول قراءات تأويلية تسعى للكشف عن المفاهيم والمبادئ والأسئلة الأخلاقية التي يثيرها القصص القرآني، بينما يكشف القسم الثاني عن تاريخ تلقيها وتأثيرها في فنون عديدة تشمل التصوف والأدب والعمارة والأخلاق التطبيقية. هذا الكتاب لبنة جديدة في منهج دراسة القصص القرآني، ويطمح إلى أن يكون مرجعاً لا غنى عنه للباحثين والطلاب المشتغلين في حقول الدراسات القرآنية، والأخلاق النظرية والتطبيقية، والتصوف، والفنون، والدراسات الإسلامية عمومًا.

المساهمون
فاتح إرمش، وطاهرة أمين، وبلال بادات، وسامر رشواني، وإيمانويلا ستيفانيديس، وديفين ستيوارت، وهالة عطاء الله، ومحمد فاضل، وهانيليس كولوسكا.
The Handbook of Sufi Studies (HSUF) series is a new sub series of the renowned Handbook of Oriental Studies. Section 1 The Near and Middle East. It serves as the principal reference tool for the field of Sufi studies and an essential forum for theoretically and methodologically sophisticated discussions of the major themes and research methods related to this field.

The goal of HSUF is not just to describe and summarize the findings of the previous scholarship on Sufism but also to engage critically with it and to offer new ways to approach it. Special attention is paid to the applicability to Sufi studies of methodological tools developed by sociology, cultural anthropology, subaltern and gender studies, religious studies, literary theory and discourse analysis.

Each volume of the series consists of a general introduction by the editor(s) followed by several general analytic essays on the topics at hand. Each analytical essay, in its turn, introduces several sub-chapters focusing on a particular issue within the overall thematic scope of the chapter. Written by major experts on Sufism, the Handbook of Sufi Studies (HSUF) series is meant to be a standard reference for both specialists in Islamic and religious studies and non-specialists interested in a balanced and academically rigorous discussion of Sufism.
Winner of the 2021 Sheikh Hamad Award for Translation and International Understanding (category: translation from Arabic into English)

This is an unabridged, annotated, translation of the great Damascene savant and saint Ibn Qayyim al-Jawziyya’s (d. 751/1350) Madārij al-Sālikīn. Conceived as a critical commentary on an earlier Sufi classic by the great Hanbalite scholar Abū Ismāʿīl of Herat, Madārij aims to rejuvenate Sufism’s Qurʾanic foundations. The original work was a key text for the Sufi initiates, composed in terse, rhyming prose as a master’s instruction to the aspiring seeker on the path to God, in a journey of a hundred stations whose ultimate purpose was to be lost to one’s self (fanāʾ) and subsist (baqāʾ) in God. The translator, Ovamir (ʿUwaymir) Anjum, provides an extensive introduction and annotation to this English-Arabic face-to-face presentation of this masterpiece of Islamic psychology.
Author:
In a context of rigidification of religious boundaries, especially between Hinduism and Islam, the book argues that many physical and non-physical sites of religious encountering are still at work, both in Pakistan and in India. In India, the Hindu Sindhis worshipped a god, Jhulelal, who is also venerated in Pakistan as a saint. In Sehwan Sharif, in the Islamic Republic of Pakistan, there are Hindu Sufi masters who initiate Muslims to Sufism.
This study is the first to involve both Muslim and Hindu communities in a comparative perspective, and to underscore that the process of constructing communities in South Asia follow the same social pattern, the patrilineal lineage (baradari or khandan).
The study is based on an array of sources collected in three continents, such as manuscripts, printed and oral sources, as well as artefacts from material cultures, most of which was never published before.
كتاب الأنوار القدسية في بيان آداب العبودية هو نسخة من النص العربي للمتصوف المصري عبد الوهاب الشعراني الذي يعود إلى القرن السادس عشر. يعتبر النص من نواحٍ عديدة مقدمة للعديد من الموضوعات المركزية لآراء الشعراني ومدرسته الصوفية الكبيرة، حول موضوعات مثل النظرية الشرعية، والعلاقة بين الشرع والتصوف، وعلاقة المريد بالشيخ، وأخلاق كل منهما، وما إلى ذلك. فهو يوضح لنا تطور أفكار الشعراني في وقت مبكر نسبيًا، قبل أن يتم التوسع فيها في أعمال لاحقة.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.


Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya is an edition of the Arabic text of an early work of the sixteenth century Egyptian Sufi ʿAbd al-Wahhāb al-Shaʿrānī (d. 973 H/1565 CE). The text can be considered as an introduction to many of the central themes of his large corpus on subjects like legal theory, the relationship between law and Sufism, the master-shaykh relationship, and ethics. It shows us the development of al-Shaʿrānī's ideas in his early careeer, before building on them in later works.
The editor has discovered another manuscript that provides a more correct reading of the text, resolving a number of problems in the previously published versions. Using this new manuscript as the base text along with other existing witnesses, this critical edition provides the first comprehensive and complete version of this important text.
Pouvoir, société et lieux de sacralité (Xe-XVe s.)
Author:
In Saints hommes de Chiraz et du Fārs. Pouvoir, société et lieux de sacralité (Xe-XVe s.), Denise Aigle studies the spiritual role, but also the political one, played by the Sufi shaykhs. From the tenth century, Fārs was a a land of holiness with Shaykh Kabīr in Shiraz and Murshid al-Dīn Abū Isḥāq in Kāzarūn. This research is based on hagiographic sources, historical chronicles, literary sources and archival documents. The author shows how the pre-Islamic history of Fārs was integrated into spiritual Islam thanks to the mystical speculations of the Sufi shaykhs. The particular interest of this research is its contribution to the history of Lāristān, a region that has long remained terra incognita. Thanks to handwritten hagiographic documents preserved in several private libraries, we discover the existence and the role of spiritual masters until now totally unknown.
Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
Analyse d’une contribution à l’islamologie
À la faveur d’éléments historiques et biographiques inédits, cet ouvrage offre une analyse approfondie de l’œuvre consacrée par Louis Massignon (1883-1962) à la mystique musulmane. Il souligne l’importance de certaines découvertes de l’islamologue pour les études islamiques concernant la période formative du soufisme. Plus encore, ce livre sonde le regard porté par Massignon sur les vocations mystiques en islam et examine à la lumière des travaux récents sa vision de la « sainteté » et de la figure d’al-Ḥallāj (mort en 309/922). Par suite, ce travail fait émerger la question de la posture du chercheur en sciences des religions ainsi que celle des précautions à adopter afin que sa subjectivité ne reconstruise pas le réel, mais l’éclaire et le révèle.

This book provides an extensive analysis of the work of Louis Massignon (1883-1962) on Muslim mysticism, based on previously unpublished historical and biographical elements. It highlights the importance for Islamic Studies of certain discoveries made by the Islamicist concerning the formative period of Sufism. More than that, this book probes Massignon’s view of mystical vocations in Islam and examines, in the light of recent work, his vision of "holiness" and the figure of al-Ḥallāj (d. 309/922). This work opens, more broadly, the question of the posture of the researcher in the study of religion and the precautions to be adopted so that their subjectivity does not reconstruct reality, but illuminates and reveals it.