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This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
[Ancient Architecture in Syria: The ͑Alā and Ḳaṣr Ibn Wardân]
Editor / Translator:
العلا وقصر ابن وردان من تأليف باتلر وترجمة عائشة موسى يسلط الضوء على (19) موقعًا أثريًا في المنطقة الشمالية من وسط سوريا. ويعد قصر ابن وردان تحفة عمرانية منقطعة النظير تنفرد بين جميع المواقع الأثرية في شمال سوريا بجمالها الأخَّاذ وتنوعها المذهل. وقد بدت مساقطه الأفقية وطرز عمارته ومواد بنائه مماثلة إلى حدٍ كبير لتلك المتَّبعة في تشييد الصروح الإمبراطورية التي اشتهرت في القسطنطينية خلال عهد الإمبراطور جاستينيان.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
The ͑Alā and Ḳaṣr Ibn Wardân, written by Butler and translated by Aisha Moussa, covers (19) ancient sites in Northern Central Syria. Ḳaṣr Ibn Wardân is the most prominent architectural masterpiece which is unmatched in beauty and diversity of style among all ancient ruins in Northern Syria. It was built on a ground plan, in a style, and of material similar to those employed in the imperial edifices of Constantinople during the reign of Justinian.
The whole area boasts its great body of buildings representing every variety of architecture, in a style which is peculiar to the country. No where else are there such abundant remains of the religious, military, domestic and funerary architecture open for study and research activities.
[Ancient Architecture in Syria: The ͑Alā and Ḳaṣr Ibn Wardân]
العلا وقصر ابن وردان من تأليف باتلر وترجمة عائشة موسى يسلط الضوء على (19) موقعًا أثريًا في المنطقة الشمالية من وسط سوريا. ويعد قصر ابن وردان تحفة عمرانية منقطعة النظير تنفرد بين جميع المواقع الأثرية في شمال سوريا بجمالها الأخَّاذ وتنوعها المذهل. وقد بدت مساقطه الأفقية وطرز عمارته ومواد بنائه مماثلة إلى حدٍ كبير لتلك المتَّبعة في تشييد الصروح الإمبراطورية التي اشتهرت في القسطنطينية خلال عهد الإمبراطور جاستينيان.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
The ͑Alā and Ḳaṣr Ibn Wardân, written by Butler and translated by Aisha Moussa, covers (19) ancient sites in Northern Central Syria. Ḳaṣr Ibn Wardân is the most prominent architectural masterpiece which is unmatched in beauty and diversity of style among all ancient ruins in Northern Syria. It was built on a ground plan, in a style, and of material similar to those employed in the imperial edifices of Constantinople during the reign of Justinian.
The whole area boasts its great body of buildings representing every variety of architecture, in a style which is peculiar to the country. No where else are there such abundant remains of the religious, military, domestic and funerary architecture open for study and research activities.
The Syrian Space under the Late Umayyads and Early Abbasids (c. 72-193/692-809)
Editor / Translator:
Between Memory and Power intends to demonstrate that a robust culture of historical writing existed in 2nd/8th century Syria, and to offer new methodological approaches to access this now lost history, torn between memory and oblivion. By studying the making of Umayyad heroes or Abbasid origins-myths, this book aims to reveal the successive meanings granted to Syrian history, and to identify the various layers of historical writing and rewriting during the first centuries of Islam. Taken together, these elements make possible a history of meanings of the very space of Syria, articulated around power and its expression, which grants a clear coherence to the period, extending well beyond the dynastic caesura of 132/750.
The Syrian Space under the Late Umayyads and Early Abbasids (c. 72-193/692-809)
Between Memory and Power intends to demonstrate that a robust culture of historical writing existed in 2nd/8th century Syria, and to offer new methodological approaches to access this now lost history, torn between memory and oblivion. By studying the making of Umayyad heroes or Abbasid origins-myths, this book aims to reveal the successive meanings granted to Syrian history, and to identify the various layers of historical writing and rewriting during the first centuries of Islam. Taken together, these elements make possible a history of meanings of the very space of Syria, articulated around power and its expression, which grants a clear coherence to the period, extending well beyond the dynastic caesura of 132/750.
History, Language, Religion and Culture.
Susa and Elam II: History, Language, Religion and Culture presents 16 contributions on various topics, all related to the history of Susa and Elam, both situated in the southwest of modern-day Iran. More specifically, the volume is the proceedings of an international conference held at the Université catholique de Louvain (Louvain-la-Neuve, Belgium) from 6 to 9 July 2015. There are four main sections (history, language, religion, and culture) containing articles by Belgian and internationally renowned researchers, as well as some young scholars, specialized in Susian and Elamite studies. The contributions cover various themes such as royal names, diplomatic history, Elamite weights, and socio-environmental history among others.
History, Language, Religion and Culture.
Susa and Elam II: History, Language, Religion and Culture presents 16 contributions on various topics, all related to the history of Susa and Elam, both situated in the southwest of modern-day Iran. More specifically, the volume is the proceedings of an international conference held at the Université catholique de Louvain (Louvain-la-Neuve, Belgium) from 6 to 9 July 2015. There are four main sections (history, language, religion, and culture) containing articles by Belgian and internationally renowned researchers, as well as some young scholars, specialized in Susian and Elamite studies. The contributions cover various themes such as royal names, diplomatic history, Elamite weights, and socio-environmental history among others.
[From Tripolitania to Tripoli: The Settlement Landscape during the Early Medieval Period between Continuity and Change]
Series:
Libya Islamica, Volume: 1
ضمن كتاب من تريبوليتانيا إلى أطرابلس، يتناول حافظ عبدولي مسألة انتقال إقليم/كورة طرابلس الغرب من الفترة القديمة المتأخرة إلى الفترة الإسلامية المبكّرة. وذلك وفق مقاربة منهجية تقوم من جهة على مقارعة المعطيات التي توفّرها مختلف المصادر الأدبيّة مع نظيرتها الطوبونيميّة والأونومستكية والأثرية ومن جهة أخرى تعتمد تشبيك المناهج المتنوّعة.
وقد خلص باعتماد هذا المنهج إلى نتائج مجدّدة تستند إلى براهين علميّة تؤكّد – على خلاف ما كان شائعا – أنّ المرور من تريبوليتانيا اللاتينية-المسيحيّة إلى أطرابلس العربية-الإسلامية لم يكن بصفة فجائية عبر إحداث قطيعة فوريّة وهوّة فاصلة بين الفترتين القديمة والوسيطة، بل كان كما الحال في بقيّة مجالات بلاد المغرب تدريجيّا وبطيئا في كل المستويات الحضارية. وقد كانت المسائل المتعلّقة بتفسير كيفية حدوث هذا الانتقال والآليات التي حكمته وانعكاس ذلك على تشكّل المشهد التعميري خلال العصر الوسيط المتقدّم، من أهمّ الهواجس المعرفية التي حاول الكتاب الإجابة عنها.
وقد خلص باعتماد هذا المنهج إلى نتائج مجدّدة تستند إلى براهين علميّة تؤكّد – على خلاف ما كان شائعا – أنّ المرور من تريبوليتانيا اللاتينية-المسيحيّة إلى أطرابلس العربية-الإسلامية لم يكن بصفة فجائية عبر إحداث قطيعة فوريّة وهوّة فاصلة بين الفترتين القديمة والوسيطة، بل كان كما الحال في بقيّة مجالات بلاد المغرب تدريجيّا وبطيئا في كل المستويات الحضارية. وقد كانت المسائل المتعلّقة بتفسير كيفية حدوث هذا الانتقال والآليات التي حكمته وانعكاس ذلك على تشكّل المشهد التعميري خلال العصر الوسيط المتقدّم، من أهمّ الهواجس المعرفية التي حاول الكتاب الإجابة عنها.
In From Tripolitania to Tripoli, Hafed Abdouli deals with the transition of Tripolitania from late Antiquity to the early Islamic period. He compares a detailed analysis of all the literary sources with the evaluation of the archaeological, onomastic and toponymic findings. For this purpose, he makes use of various research methodologies.
This approach brings about new results. It confirms that — contrary to what has been so far commonly assumed — the transition from the Latin-Christian Tripolitania to the Arabic-Islamic Tripoli was not sudden. There was no rigorous break that seperated the ancient from the medieval period. On the contrary, as was also the case in the rest of the Maghreb, the transition was progressive and slow at all levels of civilization. The interpretation of how this transition occurred, the mechanisms that determined it, and its reflection on the urban landscape during the early medieval period, are among the most important epistemological concerns that this book tries to answer.
[From Tripolitania to Tripoli: The Settlement Landscape during the Early Medieval Period between Continuity and Change]
Series:
Libya Islamica, Volume: 1
ضمن كتاب من تريبوليتانيا إلى أطرابلس، يتناول حافظ عبدولي مسألة انتقال إقليم/كورة طرابلس الغرب من الفترة القديمة المتأخرة إلى الفترة الإسلامية المبكّرة. وذلك وفق مقاربة منهجية تقوم من جهة على مقارعة المعطيات التي توفّرها مختلف المصادر الأدبيّة مع نظيرتها الطوبونيميّة والأونومستكية والأثرية ومن جهة أخرى تعتمد تشبيك المناهج المتنوّعة.
وقد خلص باعتماد هذا المنهج إلى نتائج مجدّدة تستند إلى براهين علميّة تؤكّد – على خلاف ما كان شائعا – أنّ المرور من تريبوليتانيا اللاتينية-المسيحيّة إلى أطرابلس العربية-الإسلامية لم يكن بصفة فجائية عبر إحداث قطيعة فوريّة وهوّة فاصلة بين الفترتين القديمة والوسيطة، بل كان كما الحال في بقيّة مجالات بلاد المغرب تدريجيّا وبطيئا في كل المستويات الحضارية. وقد كانت المسائل المتعلّقة بتفسير كيفية حدوث هذا الانتقال والآليات التي حكمته وانعكاس ذلك على تشكّل المشهد التعميري خلال العصر الوسيط المتقدّم، من أهمّ الهواجس المعرفية التي حاول الكتاب الإجابة عنها.
وقد خلص باعتماد هذا المنهج إلى نتائج مجدّدة تستند إلى براهين علميّة تؤكّد – على خلاف ما كان شائعا – أنّ المرور من تريبوليتانيا اللاتينية-المسيحيّة إلى أطرابلس العربية-الإسلامية لم يكن بصفة فجائية عبر إحداث قطيعة فوريّة وهوّة فاصلة بين الفترتين القديمة والوسيطة، بل كان كما الحال في بقيّة مجالات بلاد المغرب تدريجيّا وبطيئا في كل المستويات الحضارية. وقد كانت المسائل المتعلّقة بتفسير كيفية حدوث هذا الانتقال والآليات التي حكمته وانعكاس ذلك على تشكّل المشهد التعميري خلال العصر الوسيط المتقدّم، من أهمّ الهواجس المعرفية التي حاول الكتاب الإجابة عنها.
In From Tripolitania to Tripoli, Hafed Abdouli deals with the transition of Tripolitania from late Antiquity to the early Islamic period. He compares a detailed analysis of all the literary sources with the evaluation of the archaeological, onomastic and toponymic findings. For this purpose, he makes use of various research methodologies.
This approach brings about new results. It confirms that — contrary to what has been so far commonly assumed — the transition from the Latin-Christian Tripolitania to the Arabic-Islamic Tripoli was not sudden. There was no rigorous break that seperated the ancient from the medieval period. On the contrary, as was also the case in the rest of the Maghreb, the transition was progressive and slow at all levels of civilization. The interpretation of how this transition occurred, the mechanisms that determined it, and its reflection on the urban landscape during the early medieval period, are among the most important epistemological concerns that this book tries to answer.
Studies in Visual Cultures and Artistic Transfers from Late Antiquity to the Modern Period
Mediterranean Art Histories (MAH) offers a platform in the emerging field of Mediterranean studies which enhances the dialogue between Byzantine, Islamic, Jewish and Western art history and archaeology. In contrast to the claim for a global art history based on comparative models, the study of the Mediterranean iconosphere is primarily concerned with the connectivity of cultures, seen in a permanent process of transformation. By focusing on networks and liquid spaces, the series understands the Mediterranean as a model and test case for trans-regional research, transcending geographical boundaries. Among the topics which could be addressed by MAH are multi-ethnic and multi-religious hubs; the migration of people and artifacts, the role of collecting, uses of spolia and attitudes towards the past; the construction of centers; the visual transmission and construction of knowledge. MAH is particularly interested in studies which investigate the historical dynamics of contact zones (harbor cities; shared and contested religious topographies etc.); all forms of artistic exchange and interaction within the Mediterranean as well as with other areas; the formation and transformation of aesthetic languages; the dynamics of ornaments and the concepts of images; the agency of artifacts in religious, political, social and economic contexts. The series wishes to include works which investigate the historical conceptualization of the Mediterranean space (for example in cartography) and of the distinction of nature and culture. And finally, MAH welcomes monographs and collective works which address methodological and historiographical concerns which could also regard the musealization of the Mediterranean. If you are working on a book that would be suitable for this series, please do not hesitate to contact BRILL Editor Teddi Dols (Dols@brill.com).
An Annual on the Visual Cultures of the Islamic World
Editor:
Founded by Oleg Grabar in 1983, Muqarnas is the first academic journal devoted to art, architectural history, archaeology, as well as all aspects of Islamic visual and material cultures, historical and contemporary. Full-length articles are accompanied by shorter submissions grouped under a separate section titled “Notes and Sources,” for which we particularly welcome studies that introduce textual and visual primary sources. Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.
The first two volumes of Muqarnas were published by Yale University Press. For more information, see https://archnet.org/collections/43/publications/4420
Related series: Muqarnas, Supplements.
The series published an average of 1,5 volumes per year over the last 5 years.
Submissions and Submission Guidelines:
Manuscripts should be submitted by email to the Managing Editor of Muqarnas at muqarnas@fas.harvard.edu.The deadline is March 1 for publication in November of the following year. A complete submission includes five elements:
1. Microsoft Word document of the main text file. Submissions should be double-spaced throughout in 12-point typeface. Use endnotes rather than footnotes; no bibliography is required. Articles should be no longer than 50 pages (not including endnotes).
2. Images. All submissions must be accompanied by images, with an upper limit of approximately 30. Low-resolution images are acceptable for initial consideration, with the expectation that authors will provide high-resolution TIFFs or JPEGs (at least 300 dpi at 4 x 6 inches) and secure all necessary permissions if the article is accepted for publication.
3. Captions file. Each image should be clearly labeled and have a corresponding caption that provides identifying information and appropriate image credits.
4. Abstract and keywords. Submit a 150- to 200-word abstract and 12 keywords for publication in the online version of the journal.
5. CV, stating the author’s institutional affiliation (if any), mailing address, phone number, as well as academic status and a list of publications.
Any submission that does not include these five elements will be returned to the author, as will articles that do not conform to the Muqarnas style sheet.
Articles must present original research that has not been published in any language previously. Authors must properly credit previous scholarship on the subject and cite the source of each quotation, with full bibliographic details given in the endnotes.
All articles are subject to review by the Editorial Committee and anonymous external readers, whose comments will be sent to the author only if the article is accepted for publication. Authors may be expected to make revisions based on the feedback of the readers and editors.
Muqarnas follows the most recent edition of the Chicago Manual of Style. For further specifications on preparing text and images for publication, see the Muqarnas style sheet: https://agakhan.fas.harvard.edu/files/agakhan/files/style_sheet_dec_2019.pdf
Source: https://agakhan.fas.harvard.edu/submission-guidelines
The first two volumes of Muqarnas were published by Yale University Press. For more information, see https://archnet.org/collections/43/publications/4420
Related series: Muqarnas, Supplements.
The series published an average of 1,5 volumes per year over the last 5 years.
Submissions and Submission Guidelines:
Manuscripts should be submitted by email to the Managing Editor of Muqarnas at muqarnas@fas.harvard.edu.The deadline is March 1 for publication in November of the following year. A complete submission includes five elements:
1. Microsoft Word document of the main text file. Submissions should be double-spaced throughout in 12-point typeface. Use endnotes rather than footnotes; no bibliography is required. Articles should be no longer than 50 pages (not including endnotes).
2. Images. All submissions must be accompanied by images, with an upper limit of approximately 30. Low-resolution images are acceptable for initial consideration, with the expectation that authors will provide high-resolution TIFFs or JPEGs (at least 300 dpi at 4 x 6 inches) and secure all necessary permissions if the article is accepted for publication.
3. Captions file. Each image should be clearly labeled and have a corresponding caption that provides identifying information and appropriate image credits.
4. Abstract and keywords. Submit a 150- to 200-word abstract and 12 keywords for publication in the online version of the journal.
5. CV, stating the author’s institutional affiliation (if any), mailing address, phone number, as well as academic status and a list of publications.
Any submission that does not include these five elements will be returned to the author, as will articles that do not conform to the Muqarnas style sheet.
Articles must present original research that has not been published in any language previously. Authors must properly credit previous scholarship on the subject and cite the source of each quotation, with full bibliographic details given in the endnotes.
All articles are subject to review by the Editorial Committee and anonymous external readers, whose comments will be sent to the author only if the article is accepted for publication. Authors may be expected to make revisions based on the feedback of the readers and editors.
Muqarnas follows the most recent edition of the Chicago Manual of Style. For further specifications on preparing text and images for publication, see the Muqarnas style sheet: https://agakhan.fas.harvard.edu/files/agakhan/files/style_sheet_dec_2019.pdf
Source: https://agakhan.fas.harvard.edu/submission-guidelines
Texts, Traditions and Practices, 10th-21st Centuries
Memory and Commemoration across Central Asia: Texts, Traditions and Practices, 10th-21st Centuries is a collection of fourteen studies by a group of scholars active in the field of Central Asian Studies, presenting new research into various aspects of the rich cultural heritage of Central Asia (including Afghanistan). By mapping and exploring the interaction between political, ideological, literary and artistic production in Central Asia, the contributors offer a wide range of perspectives on the practice and usage of historical and religious commemoration in different contexts and timeframes. Making use of different approaches – historical, literary, anthropological, or critical heritage studies, the contributors show how memory functions as a fundamental constituent of identity formation in both past and present, and how this has informed perceptions in and outside Central Asia today.
Texts, Traditions and Practices, 10th-21st Centuries
Memory and Commemoration across Central Asia: Texts, Traditions and Practices, 10th-21st Centuries is a collection of fourteen studies by a group of scholars active in the field of Central Asian Studies, presenting new research into various aspects of the rich cultural heritage of Central Asia (including Afghanistan). By mapping and exploring the interaction between political, ideological, literary and artistic production in Central Asia, the contributors offer a wide range of perspectives on the practice and usage of historical and religious commemoration in different contexts and timeframes. Making use of different approaches – historical, literary, anthropological, or critical heritage studies, the contributors show how memory functions as a fundamental constituent of identity formation in both past and present, and how this has informed perceptions in and outside Central Asia today.
Studies on Graphic Representations in Sufi Literature (13th to 16th Century)
Volume Editor:
Visualizing Sufism approaches the question of the presence of graphic materials in Islamic mystical literature from a broad and comprehensive perspective. To this goal, an international group of specialists in the field worked on largely manuscript and unpublished sources with the aim of analyzing the use of visual elements in the works of some key figures of Islamic mysticism—Ibn al-ʿArabī, Aḥmad al-Būnī, Saʿd al-Dīn Ḥamūyeh, al-Shaʿrānī—, and in intellectual networks—Ḥurūfiyya and Bektashiyya, Shīrīn Maghribī and his connections. The result is the most extensive collection of specimens of Sufi graphic materials ever brought together and discussed in a single volume. By virtue of the object of study investigated in the chapters of this book, in addition to the history of Sufism, questions are raised that touch upon numerous areas in the field of Islamic Studies, including intellectual history, codicology, and art history.
Contributors
Elizabeth R. Alexandrin, Noah Gardiner, Ali Karjoo-Ravary, Evyn Kropf, Giovanni Maria Martini, Orkhan Mir-Kasimov, and Sophie Tyser.
Contributors
Elizabeth R. Alexandrin, Noah Gardiner, Ali Karjoo-Ravary, Evyn Kropf, Giovanni Maria Martini, Orkhan Mir-Kasimov, and Sophie Tyser.