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ما وراء الحكاية: دراسات أخلاقية في القصة القرآنية
Volume Editor:
Behind the Story: Ethical Readings of Qurʾānic Narratives is a pivotal work that presents groundbreaking research on the Qurʾānic narrative as a literary genre with profound moral significance. It underscores the genre's integral role in shaping Islamic moral thought, as manifested in areas like Islamic law, theology, Sufism, politics, and art. The book offers insightful interpretations of various Qurʾānic narratives, delving into their ethical dimensions and challenges. It also examines their historical reception and influence across both Muslim and non-Muslim scholarship, covering diverse disciplines such as mysticism, art, and applied ethics. This volume stands as an invaluable resource for scholars and students seeking a deeper understanding of the Qurʾānic narrative and its multifarious interpretations in the context of Islamic Studies and beyond.

Contributors
Taira Amin, Halla Attallah, Bilal Badat, Fatih Ermiş, Mohammad Fadel, Hannelies Koloska, Samer Rashwani, Emmanuelle Stefanidis, and Devin Stewart.

ما وراء الحكاية: دراسات أخلاقية في القصة القرآنية، يعالج هذا الكتاب القَصص القرآني من حيث هو نوعٌ أدبي ذو مضمون أخلاقي في المقام الأول، الأمر الذي لم يَحظَ بالنظر العلمي والمنهجي من قبل؛ على الرغم من تأثيره العميق في حقول الفقه والكلام والتصوف والسياسة والأخلاق والفن، وغيرها. يقدم القسم الأول قراءات تأويلية تسعى للكشف عن المفاهيم والمبادئ والأسئلة الأخلاقية التي يثيرها القصص القرآني، بينما يكشف القسم الثاني عن تاريخ تلقيها وتأثيرها في فنون عديدة تشمل التصوف والأدب والعمارة والأخلاق التطبيقية. هذا الكتاب لبنة جديدة في منهج دراسة القصص القرآني، ويطمح إلى أن يكون مرجعاً لا غنى عنه للباحثين والطلاب المشتغلين في حقول الدراسات القرآنية، والأخلاق النظرية والتطبيقية، والتصوف، والفنون، والدراسات الإسلامية عمومًا.

المساهمون
فاتح إرمش، وطاهرة أمين، وبلال بادات، وسامر رشواني، وإيمانويلا ستيفانيديس، وديفين ستيوارت، وهالة عطاء الله، ومحمد فاضل، وهانيليس كولوسكا.
Author:
Marqus ibn Qunbar's Master and Disciple offers the critical edition and translation of a theological treatise that is published here for the first time. Marqus (+1208), a Coptic priest, was a controversial figure who challenged the Coptic hierarchs and eventually joined the Melkites. He argued that auricular confession is indispensible for salvation, but his superiors considered such teaching foreign to the Coptic heritage and incompatible with the Bible and Didascalia. For them, forgiveness is granted through repentance, the liturgy, and general absolution. The contentious disagreement sparked by Marqus among the Coptic community remains a subject of ongoing debate among Christians.
Global Arabic Literary Culture is a peer reviewed book series that aims to extend Brill’s coverage of the Middle Eastern Literatures and Cultures program to include Arabic literature that has moved into the realm of global literature. It focuses on the global dimensions of Arabic and aims to be a platform to assemble and foster studies on this topic. Arabic literature has become a model for many of the concerns involved in the motions, interactions, and temporal dynamics of the literatures of this world. It is one of the important literary cultures beyond Europe, but having evolved in close quarters with it since premodern times.

The series welcomes monographs, thematic edited volumes, conference volumes, text editions and translations of significant primary texts.The series will accept proposals and manuscripts in the default western languages English, French, and German. It will be hybrid to include both open access and non-open access publications.

The studies that are published in this series may include the following aspects:

(1) Global Arabic Literature: Works of global literature with an Arabic phase, such as Kalila and Dimna, The Seven Sages/Sindbad, Barlaam, the Ahiqar-Legend etc. All of these have ancient Indian or Ancient Near Eastern roots and were disseminated via Arabic into many literatures and languages of Europe, the Near East, South Asia, and South East Asia.

(2) The Arabic Cosmopolis: Usages of the Arabic language and the dissemination of Arabic works in regions beyond the Arabic world, notably Africa and South Asia, but also South America and Central Asia, from what Ronit Ricci has termed an “Arabic Cosmopolis.”

(3) The Evolution of the Arabic Language(s): Studies of cultural production that examine the evolution of the Arabic language(s) over time. This may include explorations of Middle Arabic in a number of literary genres in premodern times, as well as the current use of diverse vernacular forms of Arabic in contemporary and digital media.

The first volume, An Unruly Classic: Kalīla and Dimna and Its Syriac, Arabic, and Early Persian Versions, by Beatrice Gruendler and Isabel Toral-Niehoff, is expected end of 2022, early 2023.

CALL FOR MANUSCRIPTS: Authors are cordially invited to submit proposals and/or full manuscripts by e-mail to Series Editor Beatrice Gruendler (beatrice.gruendler@fu-berlin.de) or Acquisitions Editor Teddi Dols (Teddi.Dols@brill.com).
Beautifying the Ugly and Uglifying the Beautiful by Abū Manṣūr al-Thaʿālibī (d. 429/1038)
In his Beautifying the Ugly and Uglifying the Beautiful (Taḥsīn al-qabīḥ wa-taqbīḥ al-ḥasan) the prolific anthologist al-Thaʿālibī (d. 429/1038) offers a thematically arranged selection of Arabic poems and prose anecdotes or sayings with contrary or paradoxical purport, such as praise of miserliness, boredom, sickness, and death, or condemnation of generosity, intelligence, youth, and music. The book is both entertaining and informative, giving insight in premodern Arab and Islamic culture. It contains a new edition of the Arabic text and a complete English translation (the first in any language) with extensive annotation, preceded by an introduction with the necessary background of the genre.
Islamic and Jewish Studies around the Turn of the Twentieth Century
The scholarship of Ignaz Goldziher (1850–1921), one of the founders of Islamic studies in Europe, has not ceased to be in the focus of interest since his death. This volume addresses aspects of Goldziher’s intellectual trajectory together with the history of Islamic and Jewish studies as reflected in the letters exchanged between Goldziher and his peers from various countries that are preserved in the Library of the Hungarian Academy of Sciences and elsewhere. The thirteen contributions deal with hitherto unexplored aspects of the correspondence addressing issues that are crucial to our understanding of the formative period of these disciplines.

Contributors: Camilla Adang, Hans-Jürgen Becker, Kinga Dévényi, Sebastian Günther, Máté Hidvégi Livnat Holtzman, Amit Levy, Miriam Ovadia, Dóra Pataricza, Christoph Rauch, Valentina Sagaria Rossi, Sabine Schmidtke, Jan Thiele, Samuel Thrope, Tamás Turán, Maxim Yosefi, Dora Zsom.
Author:
This groundbreaking work studies the Arabic literary culture of early modern Southeast Asia on the basis of largely unstudied and unknown manuscripts. It offers new perspectives on intellectual interactions between the Middle East and Southeast Asia, the development of Islam and especially Sufism in the region, the relationship between the Arabic and Malay literary traditions, and the manuscript culture of the Indian Ocean world. It brings to light a large number of hitherto unknown texts produced at or for the courts of Southeast Asia, and examines the role of royal patronage in supporting Arabic literary production in Southeast Asia.
Dalā’il al-Nubuwwa literature that is centered on narratives from the Prophet Muḥammad’s life has most commonly been viewed, or even dismissed, as the product of popular veneration. Building extensive research on biographical and bibliographical sources, this book demonstrates that Dalā’il al-Nubuwwa literature emerged among the circles of early ḥadīth scholars of the late 2nd/8th century. By analyzing extant texts of Dalā’il al-Nubuwwa regarding their sources, structures, methodological approaches, and selection of contents, it showcases that these works were part of epistemological discourses on prophecy that transcended religious boundaries as well as the dividing lines between various Muslim scholarly disciplines.