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Against the common perception of a city founded 762 in a vacuum, which, after experiencing a heyday in a mythical “golden age” under the early ʿAbbāsids, entered since 900 a long period of decline that ended with a complete collapse by savage people from the East in 1258, the volume emphasizes the continuity of Baghdād’s urban life, and shows how it was marked by its destiny as caliphal seat and cultural hub.
Contributors
Mehmetcan Akpınar, Nuha Alshaar, Pavel Basharin, David Bennett, Michal Biran, Richard W. Bulliet, Kirill Dmitriev, Desmond Durkin-Meisterernst, Hend Gilli-Elewy, Beatrice Gruendler, Sebastian Günther, Olof Heilo, Damien Janos, Christopher Melchert, Michael Morony, Bernard O’Kane, Klaus Oschema, Letizia Osti, Parvaneh Pourshariati, Vanessa van Renterghem, Jens Scheiner, Angela Schottenhammer, Y. Zvi Stampfer, Johannes Thomann, Isabel Toral.
Against the common perception of a city founded 762 in a vacuum, which, after experiencing a heyday in a mythical “golden age” under the early ʿAbbāsids, entered since 900 a long period of decline that ended with a complete collapse by savage people from the East in 1258, the volume emphasizes the continuity of Baghdād’s urban life, and shows how it was marked by its destiny as caliphal seat and cultural hub.
Contributors
Mehmetcan Akpınar, Nuha Alshaar, Pavel Basharin, David Bennett, Michal Biran, Richard W. Bulliet, Kirill Dmitriev, Desmond Durkin-Meisterernst, Hend Gilli-Elewy, Beatrice Gruendler, Sebastian Günther, Olof Heilo, Damien Janos, Christopher Melchert, Michael Morony, Bernard O’Kane, Klaus Oschema, Letizia Osti, Parvaneh Pourshariati, Vanessa van Renterghem, Jens Scheiner, Angela Schottenhammer, Y. Zvi Stampfer, Johannes Thomann, Isabel Toral.
Contributors: Sarah Irving, Charbel Nassif, Konstantinos Papastathis, Karène Sanchez Summerer, Cyrus Schayegh
Contributors: Sarah Irving, Charbel Nassif, Konstantinos Papastathis, Karène Sanchez Summerer, Cyrus Schayegh
Contributors
Hazem Hussein Abbas Ali, Gideon Bohak, Ursula Hammed, Juan Campo, Jean-Charles Coulon, Venetia Porter, Marcela Garcia Probert, Anne Regourd, Yasmine al-Saleh, Karl Schaefer and Petra M. Sijpesteijn.
Contributors
Hazem Hussein Abbas Ali, Gideon Bohak, Ursula Hammed, Juan Campo, Jean-Charles Coulon, Venetia Porter, Marcela Garcia Probert, Anne Regourd, Yasmine al-Saleh, Karl Schaefer and Petra M. Sijpesteijn.
The Cairene garbage collectors (the Zabbalin) settled on the Muqattam slopes in 1970. Soon they attracted the attention of different actors involved in development and religious mission: Egyptian engineers, a French Catholic Sister and the most central character of this story, Father Samʿān, who started a mission among the Zabbalin in 1974. This preacher founded several churches, today known as the Monastery of Saint Samʿān the Tanner, a complex of seven churches carved in the Muqattam walls. Through his charismatic style of preaching and his public exorcisms symbolically staging the struggle between Christianity and Islam, Samʿān has become a figurehead of his church.
The Cairene garbage collectors (the Zabbalin) settled on the Muqattam slopes in 1970. Soon they attracted the attention of different actors involved in development and religious mission: Egyptian engineers, a French Catholic Sister and the most central character of this story, Father Samʿān, who started a mission among the Zabbalin in 1974. This preacher founded several churches, today known as the Monastery of Saint Samʿān the Tanner, a complex of seven churches carved in the Muqattam walls. Through his charismatic style of preaching and his public exorcisms symbolically staging the struggle between Christianity and Islam, Samʿān has become a figurehead of his church.
Contributors are Stefano Di Pietrantonio, Ioana Feodorov, Serge Frantsouzoff, Bernard Heyberger, Elena Korovtchenko, Sofia Melikyan, Charbel Nassif, Constantin A. Panchenko, Yulia Petrova, Vera Tchentsova, Mihai Ţipău and Carsten Walbiner.
Contributors are Stefano Di Pietrantonio, Ioana Feodorov, Serge Frantsouzoff, Bernard Heyberger, Elena Korovtchenko, Sofia Melikyan, Charbel Nassif, Constantin A. Panchenko, Yulia Petrova, Vera Tchentsova, Mihai Ţipău and Carsten Walbiner.
Seldom verified or authorized, and frequently rejected by Churches, apocryphal texts had their own process of development, undergoing significant transformations. The book shows how apocryphal accounts could become a medium of literary and artistic elaboration and mythological creativity. Local adaptations of Biblical stories indicate that copyists, authors and artists conceived of themselves as living not in a post-Biblical era, but in direct continuity with Biblical personages.