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Multidisciplinary Analyses
Combining theoretical and empirical approaches, this volume offers a wide-ranging survey of periodical research today. It illustrates the shift from content-related investigations and archival recovery to multidisciplinary analyses which consider, for instance, how magazines, newspapers, and other serial print products shape our opinions and help us to form like-minded communities. International specialists explore periodicals as relational artefacts, highlighting editorial constellations, material conditions, translation, design, marketing, and the consumption of newspapers and magazines from the late seventeenth to the twenty-first century. A must-read for academic and interested readers who wish to explore new and relevant ways to analyze periodicals.
Multidisciplinary Analyses
Combining theoretical and empirical approaches, this volume offers a wide-ranging survey of periodical research today. It illustrates the shift from content-related investigations and archival recovery to multidisciplinary analyses which consider, for instance, how magazines, newspapers, and other serial print products shape our opinions and help us to form like-minded communities. International specialists explore periodicals as relational artefacts, highlighting editorial constellations, material conditions, translation, design, marketing, and the consumption of newspapers and magazines from the late seventeenth to the twenty-first century. A must-read for academic and interested readers who wish to explore new and relevant ways to analyze periodicals.
Maritime spaces are socially constructed by humans and refer to seas and islands, coasts, port cities and villages, as well as ships and other human-made marine structures. Social interaction with marine environments and living beings, e.g. in a symbolic, cultural or economic manner, has led to the emergence of spatial structures which affect the knowledge, beliefs, meanings and obstinately patterns. Those structures shape mutual expectations of human beings and form the perception, imagination, or memory of inhabitants of maritime spaces. They enable or restrict human action, construct people’s everyday life, their norms and values, and are changeable.
Contributors include: Jan Asmussen, Robert Bartłomiejski, Benjamin Bowles, Isabel Duarte, Eduardo Sarmento Ferreira, Rita Grácio, Marie C. Grasmeier, Karolina Izdebska, Seung Kuk Kim, Arkadiusz Kołodziej, Agnieszka Kołodziej-Durnaś, Maciej Kowalewski, Urszula Kozłowska, Ulrike Kronfeld-Goharani, Rute Muchacho, Giacomo Orsini, Włodzimierz Karol Pessel, Célia Quico, Harini Sivalingam, Joana Sousa, Frank Sowa, Nuno Cintra Torres, and Günter Warsewa.
Contributors include: Jan Asmussen, Robert Bartłomiejski, Benjamin Bowles, Isabel Duarte, Eduardo Sarmento Ferreira, Rita Grácio, Marie C. Grasmeier, Karolina Izdebska, Seung Kuk Kim, Arkadiusz Kołodziej, Agnieszka Kołodziej-Durnaś, Maciej Kowalewski, Urszula Kozłowska, Ulrike Kronfeld-Goharani, Rute Muchacho, Giacomo Orsini, Włodzimierz Karol Pessel, Célia Quico, Harini Sivalingam, Joana Sousa, Frank Sowa, Nuno Cintra Torres, and Günter Warsewa.
Maritime spaces are socially constructed by humans and refer to seas and islands, coasts, port cities and villages, as well as ships and other human-made marine structures. Social interaction with marine environments and living beings, e.g. in a symbolic, cultural or economic manner, has led to the emergence of spatial structures which affect the knowledge, beliefs, meanings and obstinately patterns. Those structures shape mutual expectations of human beings and form the perception, imagination, or memory of inhabitants of maritime spaces. They enable or restrict human action, construct people’s everyday life, their norms and values, and are changeable.
Contributors include: Jan Asmussen, Robert Bartłomiejski, Benjamin Bowles, Isabel Duarte, Eduardo Sarmento Ferreira, Rita Grácio, Marie C. Grasmeier, Karolina Izdebska, Seung Kuk Kim, Arkadiusz Kołodziej, Agnieszka Kołodziej-Durnaś, Maciej Kowalewski, Urszula Kozłowska, Ulrike Kronfeld-Goharani, Rute Muchacho, Giacomo Orsini, Włodzimierz Karol Pessel, Célia Quico, Harini Sivalingam, Joana Sousa, Frank Sowa, Nuno Cintra Torres, and Günter Warsewa.
Contributors include: Jan Asmussen, Robert Bartłomiejski, Benjamin Bowles, Isabel Duarte, Eduardo Sarmento Ferreira, Rita Grácio, Marie C. Grasmeier, Karolina Izdebska, Seung Kuk Kim, Arkadiusz Kołodziej, Agnieszka Kołodziej-Durnaś, Maciej Kowalewski, Urszula Kozłowska, Ulrike Kronfeld-Goharani, Rute Muchacho, Giacomo Orsini, Włodzimierz Karol Pessel, Célia Quico, Harini Sivalingam, Joana Sousa, Frank Sowa, Nuno Cintra Torres, and Günter Warsewa.
An Ethnography of Emic Histories and Indigenous Revivalism in Post-Apartheid Cape Town
The Khoisan of the Cape are widely considered virtually extinct as a distinct collective following their decimation, dispossession and assimilation into the mixed-race group ‘coloured’ during colonialism and apartheid. However, since the democratic transition of 1994, increasing numbers of ‘Khoisan revivalists’ are rejecting their coloured identity and engaging in activism as indigenous people. Based on long-term ethnographic fieldwork in Cape Town, this book takes an unprecedented bottom-up approach. Centring emic perspectives, it scrutinizes Khoisan revivalism’s origins and explores the diverse ways Khoisan revivalists engage with the past to articulate a sense of indigeneity and stake political claims.
An Ethnography of Emic Histories and Indigenous Revivalism in Post-Apartheid Cape Town
The Khoisan of the Cape are widely considered virtually extinct as a distinct collective following their decimation, dispossession and assimilation into the mixed-race group ‘coloured’ during colonialism and apartheid. However, since the democratic transition of 1994, increasing numbers of ‘Khoisan revivalists’ are rejecting their coloured identity and engaging in activism as indigenous people. Based on long-term ethnographic fieldwork in Cape Town, this book takes an unprecedented bottom-up approach. Centring emic perspectives, it scrutinizes Khoisan revivalism’s origins and explores the diverse ways Khoisan revivalists engage with the past to articulate a sense of indigeneity and stake political claims.
Foro Hispánico is a peer-reviewed book series devoted to the study of Spanish and Spanish-American culture(s) in the global world. The series offers a forum for internationally focused research that analyses how cultural and literary practices both shape, and themselves are shaped by, global challenges in the Spanish speaking world.
Proposals are welcome for academic monographs and joint volumes, both in English and Spanish. We especially encourage studies that cross disciplines and national borders. Possible interdisciplinary topics of interest include, but are not limited to, the connections between cultural and literary practices, and immigration, race, gender, politics, art, intellectual history, travel writing, rhetoric and anthropology.
Foro Hispánico es una colección académica revisada por pares de monografías centradas en el estudio de las culturas españolas e hispanoamericanas dentro del contexto del mundo globalizado. La colección ofrece un foro para investigaciones desarrolladas en el ámbito internacional que se centren sobre cómo las prácticas culturales y literarias dan y toman forma a los desafíos globales que acontecen en el mundo de lengua española.
Son bienvenidas propuestas para monografías académicas y volúmenes científicos conjuntos escritos tanto en español como en inglés. Especialmente incentivamos estudios transdisciplinares y transnacionales. Algunos temas de posible interés interdisciplinar incluyen, pero no se limitan tan sólo a estas, las conexiones entre prácticas culturales y literarias e inmigración, género, política, arte, historia intelectual, escritura de viaje, retórica y antropología.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Please advise our Guidelines for a Book Proposal.
Proposals are welcome for academic monographs and joint volumes, both in English and Spanish. We especially encourage studies that cross disciplines and national borders. Possible interdisciplinary topics of interest include, but are not limited to, the connections between cultural and literary practices, and immigration, race, gender, politics, art, intellectual history, travel writing, rhetoric and anthropology.
Foro Hispánico es una colección académica revisada por pares de monografías centradas en el estudio de las culturas españolas e hispanoamericanas dentro del contexto del mundo globalizado. La colección ofrece un foro para investigaciones desarrolladas en el ámbito internacional que se centren sobre cómo las prácticas culturales y literarias dan y toman forma a los desafíos globales que acontecen en el mundo de lengua española.
Son bienvenidas propuestas para monografías académicas y volúmenes científicos conjuntos escritos tanto en español como en inglés. Especialmente incentivamos estudios transdisciplinares y transnacionales. Algunos temas de posible interés interdisciplinar incluyen, pero no se limitan tan sólo a estas, las conexiones entre prácticas culturales y literarias e inmigración, género, política, arte, historia intelectual, escritura de viaje, retórica y antropología.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Please advise our Guidelines for a Book Proposal.
Identity, Freedom, and Moral Imagination in the Baltics
Does it make sense to refer to the social and political existence of the Baltic countries as to being between civilizations of East and West, or as being on the boundary of two worlds? What are the most characteristic features of modern moral imagination? How does it manifest itself in the politics and cultures of the Baltic countries? These will be the main foci of the book series intended and launched as a critical examination of identity, politics, and culture in the Baltic countries. We are not going to confine this series to Soviet and post-Communist studies. By offering a wide scope of the social science and humanities disciplines, we would like to encourage intercultural dialogue and also to pursue interdisciplinary research in the field of Baltic studies.
Until Volume 43, the series was published by Brill | Rodopi, click here.
Until Volume 43, the series was published by Brill | Rodopi, click here.
The book series Word and Music Studies is the central organ of the International Association for Word and Music Studies (WMA), an association founded in 1997 to promote transdisciplinary scholarly inquiry devoted to the relations between literature/verbal texts/language and music. WMA aims to provide an international forum for musicologists, literary and cultural scholars with an interest in intermediality studies and in crossing cultural as well as disciplinary boundaries.
Word and Music Studies publishes theme-oriented volumes and monographs, documenting and critically assessing the scope, theory, methodology, and the disciplinary and institutional dimensions and prospects of the field on an international scale.
For specific information on the editing of WMS volumes and style information please visit the WMS Style Guide.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Word and Music Studies publishes theme-oriented volumes and monographs, documenting and critically assessing the scope, theory, methodology, and the disciplinary and institutional dimensions and prospects of the field on an international scale.
For specific information on the editing of WMS volumes and style information please visit the WMS Style Guide.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
An Exploration of Modern Jewish Ontology via Identities in Popular Culture
Historically Judaism has been called both a nation and a religion, yet there are those Jews who eschew the religious and national definitions for a cultural one. For example, while TV’s Mrs. Maisel is ostensibly a Jew, the actor playing her is not, and Mrs. Maisel’s actions are not always Jewish. In The Fractured Jew Joel West separates Judaism into phenomenological and performative, starting with popular portrayals of Jews and Judaism, in today’s media, as a jumping-off point to understand Judaism and Jewishness, not from the outside, but from the emic, internal, Jewish point of view.