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Latin love elegy’s flourishing concurrent with Rome’s transition from Republic to Principate has remained an issue central to scholarship on the genre since the turn of the last millennium. This book addresses the Greco-Roman literary inheritance and Augustan socio-political context that paved the way for that flourishing, while examining the genre’s key elements and characters as illustrated in the poetry of Propertius, Tibullus, Ovid, and Sulpicia. Special attention is paid to the gendered dynamics that govern the relationship between “poet-lover” (amator) and beloved and to the role of the poet as artist and creator of a “written girl” (scripta puella).
Author:
Latin love elegy’s flourishing concurrent with Rome’s transition from Republic to Principate has remained an issue central to scholarship on the genre since the turn of the last millennium. This book addresses the Greco-Roman literary inheritance and Augustan socio-political context that paved the way for that flourishing, while examining the genre’s key elements and characters as illustrated in the poetry of Propertius, Tibullus, Ovid, and Sulpicia. Special attention is paid to the gendered dynamics that govern the relationship between “poet-lover” (amator) and beloved and to the role of the poet as artist and creator of a “written girl” (scripta puella).
One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
Transnational Perspectives
One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
Materialities of the Mental in the Works of James Joyce
Author:
James Joyce’s evocations of his characters’ thoughts are often inserted within a commonplace that regards the mind as an interior space, referred to as the ‘inward turn’ in literary scholarship since the mid-twentieth century. Emma-Louise Silva reassesses this vantage point by exploring Joyce’s modernist fiction through the prism of 4E – or embodied, embedded, extended, and enactive – cognition. By merging the 4E framework with cognitive-genetic narratology, an innovative form of inquiry that brings together the study of the dynamics of writing processes and the study of cognition in relation to narratives, Modernist Minds: Materialities of the Mental in the Works of James Joyce delves into the material stylistic choices through which Joyce’s approaches to mind depiction evolved.