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El discurso interior en las novelas de Javier Marías: los ojos de la mente ofrece una perspectiva novedosa del universo narrativo de uno de los autores contemporáneos más destacados de España. Con el fin de ahondar en el origen y significado de los modos del discurso interior (psiconarración, monólogo o fluir de conciencia) en sus ficciones, este libro presenta una interpretación crítica de todas sus novelas, desde El siglo (1983) hasta Berta Isla (2017).

El discurso interior en las novelas de Javier Marías: los ojos de la mente offers a fresh perspective on the narrative universe of one of Spain’s most distinguished contemporary authors. In order to delve into the origin and meaning of inner speech modes (psychonarration, monologue or stream of consciousness) in his fictions, this book presents a critic interpretation of all his novels, from El siglo (1983) to Berta Isla (2017).
Author: Xiaoping Wang
Combining anatomies of textual examples with broader contextual considerations related with the social, political and economic developments of post-Mao China, Xiaoping Wang intends to explore newly emerging social and cultural trends in contemporary China, and find the truth content of Chinese society and culture in the age of global capitalism.
Through in-depth textual analyses covering a variety of media, ranging from fiction, poetry, film to theoretical works as well as cultural phenomena which mirror social and cultural occurrences and reflect the present ideological proclivities of the Chinese society, this study offers timely interpretations of China in the age of globalization, its political inclinations, social fashions and cultural tendencies, and provides thought-provoking messages of China’s socio-economic and political reality.
Author: Zaifu Liu
Volume Editors: Howard Y. F. Choy and Jianmei Liu
Liu Zaifu 劉再復 is a name that has already been ingrained within contemporary Chinese literary history. This landmark volume presents Anglophone readers with Liu’s profound reflections on Chinese literature and culture at different times. The essays collected here demonstrate Liu’s historical experience and trajectory as an exiled Chinese intellectual who persistently safeguards the individuality and the autonomy of literature, refusing to succumb to political manipulation.

Liu’s theory of literary subjectivity has opened ways for Chinese writers to thrive and innovate. His panoramic view not only unravels the intricate interplay between literature and politics but also firmly regards the transcendental value of literature as a significant ground to subvert revolutionary dogmatism and criticize Chinese modernity. Rather than drawing upon the existing paradigm, he reinvents his own unique theoretical conceptions in order to exile the borrowed “gods.”
Thinking the Cinemakeover in the Film-Philosophy Debate
What is ‘the good’ of the film experience? And how does the budding field of ‘film as philosophy’ answer this question? Charting new routes for film ethics, Martin P. Rossouw develops a critical account of the transformational ethics at work within the ‘film as philosophy’ debate. Whenever philosophers claim that films can do philosophy, they also persistently put forward edifying practical effects – potential transformations of thought and experience – as the benefit of viewing such films. Through rigorous appraisals of key arguments, and with reference to the cinema of Terrence Malick, Rossouw pieces together the idea of an inner makeover through cinema – a cinemakeover – which casts a distinct vision of film spectatorship as a practice of self-transformation.
Transnational Perspectives, Translation Processes, Scandinavian and Postcolonial Challenges
Examining the cultural dynamics of translation and transfer, Cultural Transfer Reconsideredproposes new insights into both epistemological and analytical questions raised in the research area of cultural transfer. Seeking to emphasize the creative processes of transfer, Steen Bille Jørgensen and Hans-Jürgen Lüsebrink have invited specialized researchers to determine the role of structures and agents in the dynamics of cultural encounters. With its particular focus on the North, as opposed to the South, the volume problematizes national paradigms. Presenting various aspects of tri- and multilateral transfers involving Scandinavian countries, Cultural Transfer Reconsidered opens perspectives regarding the ways in which textual, intertextual and artistic practices, in particular, pave the way for postcolonial interrelatedness.

Contributors: Miriam Lay Brander, Petra Broomans, Michel Espagne, Karin Hoff, Steen Bille Jørgensen, Anne-Estelle Leguy, Hans-Jürgen Lüsebrink, Walter Moser, Magnus Qvistgaard, Anna Sandberg, Udo Schöning, Wiebke Röben de Alencar Xavier