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Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series published an average of 1,5 volumes per year over the last 5 years.
Authors can also submit proposals to the publisher at BRILL, Masja Horn.
Spatial Practices will promote a new interdisciplinary kind of cultural history drawing on constructivist approaches to questions of culture and identity that insist that cultural “realities” are the effect of discourses; but also that cultural objects and their histories and geographies are read as texts, with formal and generic rules, tropes and topographies.
In this series only double-anonymous peer reviewed manuscripts will be published. Both collective volumes and monographs are welcome. Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Iulia Ivana or Masja Horn
Please advise our Guidelines for a Book Proposal.
The Dialogue Series is devoted primarily to literary works written in English (or translated into English) after 1900. Engaging a variety of modes within that range, it includes the novel/romance, short fiction, poetry, drama and literary non-fiction (such as literary biography) as well as occasional volumes on emergent genres such as the graphic novel.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The Dialogue Series is devoted primarily to literary works written in English (or translated into English) after 1900. Engaging a variety of modes within that range, it includes the novel/romance, short fiction, poetry, drama and literary non-fiction (such as literary biography) as well as occasional volumes on emergent genres such as the graphic novel.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Matatu is animated by a lively interest in African culture and literature (including the Afro-Caribbean) that moves beyond worn-out clichés of “cultural authenticity” and “national liberation” towards critical exploration of African modernities. The East African public transport vehicle from which Matatu takes its name is both a component and a symbol of these modernities: based on “Western” (these days usually Japanese) technology, it is a vigorously African institution; it is usually regarded with some anxiety by those travelling in it, but is often enough the only means of transport available; it creates temporary communicative communities and provides a transient site for the exchange of news, storytelling, and political debate.
Matatu is firmly committed to supporting democratic change in Africa, to providing a forum for interchanges between African and European critical debates, to overcoming notions of absolute cultural, ethnic, or religious alterity, and to promoting transnational discussion on the future of African societies in a wider world.
Matatu will be published as journal as of 2016. All back volumes are still available in print.
Although the series' focus is mostly comparative, multiethnic, and intercultural, it also welcomes feature analyses of single literary traditions.
Issues of race, ethnicity, class gender, and the interspace between the political and the aesthetic, among other possible topics, figure prominently in the series.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.