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The Oriental Bequest of Joseph Scaliger and the University Library of Leiden
Translator:
In 1609 Joseph Scaliger bequeathed ‘all my books in foreign tongues’ to the library of Leiden University. The collection was kept in the Arca Scaligerana, an ornamental cupboard in the library. This publication provides a complete overview of all Scaliger' printed books in oriental languages for the first time. How and why did Scaliger collected these rare books? Answers can be found in Scaliger's extensive network, the develoment of oriental scholarship, the booktrade and the use of libraries. Includes the catalogue J.J. Scaliger’s Oriental Printed Books: A Bibliographic Survey
The aim of this volume is to re-evaluate some of the temporal, intermedial and geographical boundaries built around the long-established discipline, the study of incunabula.
This volume starts by setting out the past and future landscapes of incunabula studies, looking particularly at copy-specific features. The following chapters use research on specific editions or subjects in order to engage with the two key themes: production and provenance of early books.
By examining a wide range of copy-specific aspects of individual books, the volume showcases how printed books were produced in the fifteenth century and subsequently used and transformed by readers and owners during their long journeys till they fell into their current owners’ hands.
The book consists of two volumes that examine deployments of mixed emotion in the literary and pictorial arts of early modern Europe. Volume 1 has two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on heuristic and/or restorative functions of portraying mixed emotion. Volume 2 takes the form of a monograph on the myth of Hercules and Omphale/Iole, which, following in the wake of Lukas Cranach’s brilliant pictorial inventions of the 1530s, became a popular epitome for the skilful display of mixed emotions, not just in Germany but also Italy and elsewhere.
Author:
Diese Studie liefert die erste umfängliche Untersuchung der „Republiken“, den ersten und einflussreichsten frühneuzeitlichen Staatsbeschreibungen, die als Buchreihe publiziert wurden. Die Republiken wurden in den 1620er und 1630er Jahren in Leiden und Amsterdam gedruckt und avancierten zu Grundlagentexten der frühneuzeitlichen Staatenkunde. Zunächst verfolgt die Untersuchung die Verbreitung der Bände in Buchsammlungen und Bibliotheken des 17. Jahrhunderts und liefert so neue Erkenntnisse zu verschiedenen Leser- und Nutzergruppen der Republiken sowie ihrer prominenten Rolle auf dem frühneuzeitlichen Buchmarkt. Weiter verfolgt die Studie anhand dreier Fallstudien – der Republik der Niederlande, des spanischen Weltreichs sowie des safawidischen Persien – die Funktionen der Bände im Wissenschaftsbetrieb sowie die Text-, Ideen- und politischen Traditionen, in denen sie stehen.

This book offers the first comprehensive study of the earliest and most notable early modern book series of state descriptions, the ‘Republics’. Printed in Leiden and Amsterdam in the 1620s and 1630s, the Republics evolved into foundational works of early modern political studies. By first tracing the volumes’ circulation and presence in book collections and libraries in the seventeenth century, this study provides fresh insights into their diverse readerships as well as their prominent role in the early modern book market. It then delves into their various academic purposes and their textual, intellectual, and political traditions through selected case studies on the Dutch Republic, the Spanish Empire, and Safavid Persia.
The Myth of Hercules and Omphale in the Visual Arts, 1500–1800
The book examines the myth of Hercules and Omphale/Iole which became an important topic in the visual arts, 1500–1800. It offers an analysis of the iconography from the perspective of the history of emotions, classical and Neo-Latin philology, reception and gender studies. The early modern inventions of the myth excel in a skilful display of mixed and compound emotions, such as the male character's psychopathology, and of the theatrical performance of emotions by the female character.