8 Printing versus Manuscript: History or Rhetoric? A Short Note Inspired by Pelliot dic

In: Tibetan Printing: Comparison, Continuities, and Change
Author:
Cristina Scherrer-Schaub
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Type:
Chapter
Pages:
153–170
DOI:
https://doi.org/10.1163/9789004316256_010
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Series:  Brill's Tibetan Studies Library, Volume: 39
Cover Tibetan Printing: Comparison, Continuities, and Change
E-Book ISBN:
9789004316256
Publisher:
Brill
Print Publication Date:
01 Jan 2016
Preliminary Material
Introduction
1 Three Print Revolutions
2 The Gutenberg Fallacy and the History of Printing among the Mongols
3 Mongolian Female Rulers as Patrons of Tibetan Printing at the Yuan Court: Some Preliminary Observations on Recently Discovered Materials
4 Empress Shōtoku as a Sponsor of Printing
5 From Chongzhen lishu 崇楨曆書 to Tengri-yin udq-a and Rgya rtsis chen mo
6 A Forgotten Chapter in South Asian Book History? A Bird’s Eye View of Sanskrit Print Culture
7 Manuscript and Print in the Tangut State: The Case of the Sunzi
9 The Uses of Early Tibetan Printing: Evidence from the Turfan Oasis
10 New Discoveries in Early Tibetan Printing History
11 Collected Writings as Xylographs: Two Sets from the Bo dong pa School
12 Continuity and New Developments in 15th Century Tibetan Book Production: Bo dong Phyogs las rnam rgyal (1376–1451) and His Disciples as Producers of Manuscript and Print Editions
13 Tibetan Women as Patrons of Printing and Innovation
14 Prints about the Printer: Four Early Prints in Honor of the Mad Yogin of gTsang
15 Works and Networks of mkhas pa Dri med. On the Illustrations of 16th Century Tibetan Printed Books
16 Early Book Production and Printing in Bhutan
17 An Unacknowledged Revolution? A Reading of Tibetan Printing History on the Basis of Gung thang Colophons Studied in Two Dedicated Projects
18 Revolutions of the Dharma Wheel: Uses of Tibetan Printing in the Eighteenth Century
19 Observations Made in the Study of Tibetan Xylographs
20 Wooden Book-covers, Printing Blocks, their Identification and Dating – How to Read the Wood
21 The Five Colours of Art: Non-invasive Analysis of Pigments in Tibetan Prints and Manuscripts
22 Paper Plants in the Tibetan World: A Preliminary Study
23 The Choice of Materials in Early Tibetan Printed Books
24 Paper, Patronage and Production of Books: Remarks on an 11th Century Manuscript from Central Tibet
25 Pattern Reproduction Possibilities and the Alpha and Omega of Tibetan Printing
Index

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