15 Works and Networks of mkhas pa Dri med. On the Illustrations of 16th Century Tibetan Printed Books

In: Tibetan Printing: Comparison, Continuities, and Change
Author:
Marta Sernesi
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Type:
Chapter
Pages:
332–368
DOI:
https://doi.org/10.1163/9789004316256_017
Open Access
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Series:  Brill's Tibetan Studies Library, Volume: 39
Cover Tibetan Printing: Comparison, Continuities, and Change
E-Book ISBN:
9789004316256
Publisher:
Brill
Print Publication Date:
01 Jan 2016
Preliminary Material
Introduction
1 Three Print Revolutions
2 The Gutenberg Fallacy and the History of Printing among the Mongols
3 Mongolian Female Rulers as Patrons of Tibetan Printing at the Yuan Court: Some Preliminary Observations on Recently Discovered Materials
4 Empress Shōtoku as a Sponsor of Printing
5 From Chongzhen lishu 崇楨曆書 to Tengri-yin udq-a and Rgya rtsis chen mo
6 A Forgotten Chapter in South Asian Book History? A Bird’s Eye View of Sanskrit Print Culture
7 Manuscript and Print in the Tangut State: The Case of the Sunzi
8 Printing versus Manuscript: History or Rhetoric? A Short Note Inspired by Pelliot dic
9 The Uses of Early Tibetan Printing: Evidence from the Turfan Oasis
10 New Discoveries in Early Tibetan Printing History
11 Collected Writings as Xylographs: Two Sets from the Bo dong pa School
12 Continuity and New Developments in 15th Century Tibetan Book Production: Bo dong Phyogs las rnam rgyal (1376–1451) and His Disciples as Producers of Manuscript and Print Editions
13 Tibetan Women as Patrons of Printing and Innovation
14 Prints about the Printer: Four Early Prints in Honor of the Mad Yogin of gTsang
16 Early Book Production and Printing in Bhutan
17 An Unacknowledged Revolution? A Reading of Tibetan Printing History on the Basis of Gung thang Colophons Studied in Two Dedicated Projects
18 Revolutions of the Dharma Wheel: Uses of Tibetan Printing in the Eighteenth Century
19 Observations Made in the Study of Tibetan Xylographs
20 Wooden Book-covers, Printing Blocks, their Identification and Dating – How to Read the Wood
21 The Five Colours of Art: Non-invasive Analysis of Pigments in Tibetan Prints and Manuscripts
22 Paper Plants in the Tibetan World: A Preliminary Study
23 The Choice of Materials in Early Tibetan Printed Books
24 Paper, Patronage and Production of Books: Remarks on an 11th Century Manuscript from Central Tibet
25 Pattern Reproduction Possibilities and the Alpha and Omega of Tibetan Printing
Index

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