Author:
Massimo Raffa
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Index of Subjects

Acoustics
ancient acoustic theories 5–7
accounts of pitch
qualitative and/or quantitative 37, 45–49, 50–53, 62
speed of sound 53–55, 65
timbre 7–9
Banquet see Symposium
Dancers 73
Harmonics
definition 2
empirical approach 4–5
mathematical approach 2–4, 8
Monochord 2
Music
as a source of pleasure 39, 89, 97–98, 104–105
sources of 9, 28, 35–36, 81–84, 101–104
Musical Composition 12–13
Musical Êthos
adversaries of 14, 89, 93–95, 97–98
definition 9
Musical Instruments
aulos 75–76
lyra 84, 99n178, 106, 108
salpinx (or trumpet) 20, 83, 109–113, 103n193
Musical Intervals
according to the Pythagoreans 3, 68
according to Aristoxenus 57–58
ancient names of the fundamental concords 8, 16–17, 69–71
compound intervals (i.e. exceeding the octave) 68–69
concordant intervals (concords) 16, 67–69
simple intervals (i.e. within the octave) 68–69
Musical Notes
definition 1n2
Musical Therapy
for fatigue 98, 106–107, 111n226
for the body 105–107
for the soul 18–19
for the treatment of epilepsy, sciatica and other diseases 107–113
Musicians
as performers 13, 72, 75–78
aulos–players 73–78
lyre–players 8, 18, 69
Singing
physiological aspects 55–56
teaching 55–56
with or without words 60, 94–95
Soul
as the source of melody 60–61, 86–89
its relation to musical composition 10–16
Symposium
and poetry 80–81
musical topics suitable for 38–45
Voice
its movement in speaking and singing 20–21, 85–86
vocal apparatus 15
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