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The Introduction includes short portions of “Imperfect Tense: and ethnography of the Archive,” published in Mana. Estudos de Antropologia Social (2006). Part I, Chapter 2, Becoming Brujos, is a comprehensive version, substantially altered and expanded, of Cunha, Olívia Maria Gomes da “Metamorfose infinita: sobre brujos, espíritos e apuntes em Havana.” História, Ciências, Saúde – Manguinhos, Rio de Janeiro (2015). In Part ii, Chapter 1, Traçados, reproduces some sections previously published in Cunha, Olívia Maria Gomes da “Somewhere Close to Nashville: Plantation Cartographies,” Review (Fernand Braudel Center), Binghamton (2011): 79–113.
This book was supported by a DRCLAS/Harvard University postdoctoral fellowship (1999–2000); John Simon Guggenheim Foundation Fellowship (2002–2003), CNPq Fellowships (Brazilian National Council for Scientific and Technological Development, 2005–2008), FAPERJ (Rio de Janeiro State Research Support Foundation, 2011).
Cover illustration: Quebra-Pote. Mar Grande, Bahia, Brazil, 1936. Author: Édison Carneiro. Courtesy of Biblioteca Nacional.
The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov
LC record available at http://lccn.loc.gov/2020008670.
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ISSN: 0921-9781
ISBN: 978-90-04-42865-2 (hardback)
ISBN: 978-90-04-42930-7 (e-book)
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