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Peter Murphy
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Acknowledgements

I am indebted to John Rundell, David Roberts and Melinda Turner for reading drafts of the book with flair, vigor and insight. Special thanks to Melinda Turner for coining the useful word “ambidexter” for me. Additional thanks to Suzi Adams, Craig Browne, Edward Cranswick, Scott Doidge, Katja Fleischmann, Trevor Hogan, Vrasidas Karalis, Greg Melleuish, Anders Michelsen, Brian Nelson, Glenn Porter, Tom Redwood, and David Salisbury for the stimulating exchanges I have had with them over the years about a number of the topics discussed here. I am obliged to Peter Fenwick for helping me track down a reference.

Several publishers kindly permitted the use of material from the following articles:

  • “Marine Reason,” Thesis Eleven: Critical Theory and Historical Sociology 67(1), 2001.

  • “Architectonics,” Agon, Logos, Polis eds. P. Murphy and J. Arnason. Stuttgart, Franz Steiner Verlag, 2001.

  • “Sacred Icon: Jørn Utzon’s Sydney Opera House,” Sacred Australia ed. Makarand Paranjape, Melbourne, Clouds of Magellan, 2009.

  • “Seeing Double: The Deep Core of the Imagination,” Trans Visuality—Dimensioning the Visual in a Visual Culture eds Tore Kristensen, Anders Michelsen and Frauke Wiegand, Liverpool, Liverpool University Press, 2013.

  • “Topological Creation and the Homoeomorphic Imagination,” Architecture Drawing Topology eds Cort Ross Dinesen, Morten Meldgaard, Anders Michelsen, Henrik Oxvig, Inger Berling. Baunach, AADR/Spurbuch Verlag, 2017.

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