Figures | ||
8.1 | Jalal Toufic and Graziella Rizkallah Toufic, Attempt 137 to map the drive, Video, 7’, 2011 | 181 |
8.2 | Ayman Baalbaki, Babylon Tower, 2006, oil on canvas, 275 x 200cm | 183 |
8.3 | Ayman Baalbaki, Quartier de boeuf (Side of Beef), 2001, acrylic on wood, 26.5 x 20cm | 184 |
8.4 | Ayman Baalbaki, Tammouz Series, 2008, acrylic on canvas, 30 x 21 cm | 185 |
11.1 | “We are the Popular Revolution, and You are the Civil War”. AUB, LibGuides, Lebanon Protests Oct 2019, Art Posters; https://aub.edu.lb.libguides.com/c.php?g=981597&p=7106321 | 226 |
11.2 | @wallsofthawra Instagram account, posted October 30, 2019; https://www.instagram.com/p/B4P82mrnRedJBSJK9VGs0US88bjJNgz-qifLbQ0/ | 231 |
11.3 | Mural in the Egg, Central Beirut, 14 February 2022; © Craig Larkin | 234 |
11.4 | @wallsofthawra Instagram account, posted November 3, 2019 | 235 |
11.5 | Map of Beirut’s Central District during the October Revolution 2019; © Antoine Atallah | 237 |
11.6 | “The Egg” graffiti and protest artwork, Beirut, 14 February 2022; © Craig Larkin | 239 |
11.7 | “Beirut we will kill you twice”, signed the Nitrate MPs (nawab al-nītrāt), @Daleelthawra, 21 July 2021; https://www.instagram.com/p/CRmaQiTMwvm/?igshid=MDJmNzVkMjY%3D | 242 |
Tables | ||
10.1 | Am Ende bleiben die Zedern, action structure | 206 |
10.2 | Ein Lied für die Vermissten, action structure | 207 |