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Chapter 20 Works of Art

In: Complexity and Simplicity

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Contributing Artists

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Type:: Chapter

Pages:: 236–272

DOI:: https://doi.org/10.1163/9789004714540_020

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ART 1

Antonina Joszczuk-Brzozowska, Materialization, 2020 (hand-formed hot glass, 40 × 70 × 20 cm)^a

PHOTOGRAPH: DZIKIE STUDIO

ART 2

Anna Trojanowska, SHADES_07, 2014 (lithograph on Carrara marble, 50 × 35 cm)

ART 3

Kamil Moskowczenko, Third Diagonal Symmetry, 2020 (oil on canvas, 160 × 120 cm)

ART 4

Beata Mak-Sobota, Onestring, 2017 (soda glass float, cut, ground, polished, steel, 35 × 45 × 16 cm)^a

PHOTOGRAPH: JUSTYNA ŻAK

ART 5

Karolina Freino, Cataract, 2016 (intervention in the public space of Katowice)^a

ART 6

Łukasz Huculak, Cordyceps, 2022 (acrilic on canvas, 160 × 120 cm)

ART 7

Zuzanna Dyrda, I’m Just a Pawn, 2021 (printmaking performance)^a

ART 8

Dominika Sobolewska, RGB, 2008 A spatial arrangement of nine cubes made of transparent plastic in the basic additive colors (area about 12 sqm). Project realized in cooperation with WRO Art Center.^a

ART 9

Karolina Szymanowska, Sensitive Point, 2014 (0bject)

ART 10

Marzena Krzemińska-Baluch, The Stijl, 2018 (slumped glass, metal, 96 × 36 × 5 cm)

PHOTOGRAPH: ALICJA KIELAN

ART 11

Bożena Sacharczuk, Proximity I, II, from the series Between…, 2022 (stoneware molded on a potter’s wheel, author’s glazes, 65 × 44 and 66 × 43 cm)

ART 12

Anna Kołodziejczyk, The Power of a Seemingly Simple Interior, 2016 (acrilic on canvas, 160 × 110 cm)

PHOTOGRAPH: MAŁGORZATA KUJDA

ART 13

Magda Grzybowska, Sketches for space, 2015 (installation, steel, textile rubber, 200 × 200 × 100 cm)

ART 14

Mariusz Gorzelak, Wonder emptiness – I’m waiting for you, 2020 (intaglio, relief printing, 50 × 70 cm)

ART 15

Ivan Juarez, Insect City, Linz, Austria, 2020 (series of wooden elements)^a

PHOTOGRAPH: GREGOR GRAF

ART 16

Paweł Baśnik, Priestess, 2023 (oil on canvas, 250 × 175 cm)

ART 17

Piotr Jędrzejewski, 67/68, 2016 (CNC-milled HPL, laser cut steel, 190 × 270 × 12 cm) Two ticking clocks, each at a slightly different pace. For every 67 swings of one pendulum, there are 68 swings of the other. Perhaps time does not always flow at the same speed.^a

PHOTOGRAPH: JANUSZ BOCHAJCZUK

ART 18

Artur Skowroński, Wrocław Sienkiewicza, 2017 (digital print, 70 × 50 cm)

ART 19

Artur Skowroński, Wrocław Podwale, 2017 (digital print, 70 × 50 cm)

ART 20

Karina Marusińska, Cacophony, from the series Communication diseases, 2021 (ceramics, acrylic, resin, diameter 45 cm)^a

PHOTOGRAPH: GRZEGORZ STADNIK

ART 21

Wiesław Gołuch, plus minus, 1981/2019 (digital print, 100 × 70 cm)

ART 22

Agnieszka Leśniak-Banasiak, Amoria, 2022 (kiln-formed glass, coldworked, 41 × 8 cm)^a

PHOTOGRAPH: KRZYSZTOF PACHURKA

ART 23

Jakub Jernajczyk, The Knot of Cuts, 2023 (digital print, 100 × 100 cm) A dimensionless point can be indicated by cutting a straight line at a certain place.

ART 24

Marcin Mierzicki, PLAY MY BOY, 2001 (object, steel, 185 × 40 × 45 cm)

ART 25

Mirosław Kociński, Shield 7, 2023 (ceramic mosaic [porcelain, stoneware], diameter 58.5 cm)^a

ART 26

Eugeniusz Smoliński, On the matter of simplicity and complexity, 2014 (digital print, pencil, paper, 21 × 30 cm)

Complexity may be simple. Direct translation from the Polish language: Folded may be straight.^a

ART 27

Marek Grzyb, Stories, 2022 (installation, 80 × 120 × 10 cm)

ART 28

Tomasz Dobiszewski, Tracking the Sun, 2017 (laser engraving in marble, 12 slabs on wooden boxes, 30 × 91 × 2 cm each) The record of the presence of the Sun in a certain latitude, day after day, in each month of the year 2016. Traces burned by the Sun on paper strips were transferred and laser-engraved on twelve marble slabs.

ART 29

Inside Job (Ula Lucińska, Michał Knychaus), Diaphane, 2022 (stainless steel, brass, 67 × 45 × 5 cm)

ART 30

Joanna Opalska-Brzecka, Excess, 2020 (hand-formed chamotte clay, engobes, 55 × 35 × 50 cm)

ART 31

Piotr Kmita, The Great Gatsby, 2013 (digital print, 104 × 385 cm)

ART 32

Justyna Baśnik, Adoratio, 2023 (acrilic on canvas, 250 × 180 cm)

ART 33

Justyna Żak, Written by shadow, 2014 (Pâte de verre, 29 × 21 cm)

ART 34

Jarosław Grulkowski, The Expansion, 2020 (drawing, 100 × 70 cm)

Work first published in the catalog of the exhibition “GLASS_ON. Let’s meet in better Times”, Wrocław 2021, pp. 14–15.

Work first published in: “S+C Szkło i Ceramika” nr 3/2021, p. 9.

Work first published in: Phantom/Widmo, Ed. M. Lisok, Katowice 2016, p. 77.

Work first published in: Urgelles, C. (2023). Printmaking resilience in pandemic times. IMPACT Printmaking Journal, no. 6.

Work first published in the catalog of the exhibition “Update_3 | Body sound”, Antwerp 2010.

Work first published in: Juarez, I. (2021). Understanding nature in contemporary art and design. In D. Sobolewska (Ed.), Signs of empathy in contemporary design (p. 25). Wrocław.

Work first published in: Jędrzejewski, P. (2018 Winter). Ein treffpunkt der Kunst, dem Design und der Uhrmacherei. “Chronometrophilia”, Nr 81 , La Chaux-de-Fonds.

Work first published in: Braun, M., & Marusińska, K. (2024). Okruchy świata. Wobec nieruchomości rzeczy. In B. Bartecka (Ed.), O pracach Kariny Marusińskiej (p. 104). Wrocław.

Work first published in the catalog of the exhibition: “All Quiet on The Western Front? Faculty of Painting and the Department of Glass The Eugeniusz Geppert Academy of Art and Design in Wrocław”, Wrocław 2023, p. 68.

Work first published in the catalog of the exhibition: “Qunszt. Ceramika i szkło”, Wrocław 2023, p. 28.

Work first published in: Miłkowska, D. (2020). Eugeniusz Smoliński, Wrocław, p. 55.

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Complexity and Simplicity

Series: Transdisciplinary Studies, Volume: 7

E-Book ISBN:: 9789004714540

Publisher:: Brill

Print Publication Date:: 23 Dec 2024

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