Politics and Aesthetics – Decoding Allegory in Palamedes (1625)

In: Joost van den Vondel (1587-1679)
Author:
Nina Geerdink
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Type:
Chapter
Pages:
225–248
DOI:
https://doi.org/10.1163/9789004218833_013
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Joost van den Vondel (1587-1679)

Dutch Playwright in the Golden Age

Series:  Drama and Theatre in Early Modern Europe, Volume: 1
Cover Joost van den Vondel (1587-1679)
E-Book ISBN:
9789004218833
Publisher:
Brill
Print Publication Date:
01 Jan 2012
Preliminary Material
Vondel’s Dramas: A Chronological Survey
Vondel’s Works for the Stage Read and Studied Over the Centuries
Vondel’s Dramas: Ways of Relating Present and Past
Vondel’s Life
Vondel’s Religion
Vondel and Amsterdam
Vondel as a Dramatist: The Representation of Language and Body
Vondel’s Theatre and Music
Vondel’s Dramas: Their Afterlife in Performance
Between Disregard and Political Mobilization – Vondel as a Playwright in Contemporary European Context: England, France and the German Lands
New Historicism – Hierusalem verwoest (1620) and the Jewish Question
Translation Studies – Vondel’s Appropriation of Grotius’s Sophompaneas (1635)
Intertextuality – Gysbreght van Aemstel (1637)
Dramaturgy – Staging Problems in Vondel’s Gysbreght van Aemstel
Cultural Analysis – Joseph Plays
The Humanist Tradition – Maria Stuart (1646)
Deconstruction – Unsettling Peace in Leeuwendalers (1647)
Religion and Politics – Lucifer (1654) and Milton’s Paradise Lost (1674)
Gender Studies – Emotions in Jeptha (1659)
Close Reading and Theory – The David Plays
Psychoanalysis – Law, Theatre and Violence in Samson (1660)
Law and Literature – Batavische gebroeders (1663)
New Philology – Variants in Adam in ballingschap (1664)
Philosophy – Noah (1667) on God and Nature
Bibliography of Vondel’s Dramas (1850–2010)
Works Cited
About the Authors
Index of Names, Including Characters
Index of Names of Scholars
Index of Concepts, Subjects, Themes, Geographical Names

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