0.1 Abraham Bosse, La Galerie du Palais, c.1638, etching 2
1.1 Hans Schmuttermayer, Fiallenbuchlein, fol. 1, 1489 28
1.2 Alart Du Hameel, Monstrance, c.1484–85, engraving 31
1.3 Alart Du Hameel, Gothic Baldachin, c.1478–1507, engraving 33
1.4 Master WA, Flying Buttress, c.1470–80, engraving 35
1.5 Ludger Tom Ring the Elder, Portrait of an Architect, c.1520, oil on panel 36
1.6 Petrus Christus, A Goldsmith in his Shop, 1449, oil on panel 40
1.7 Adam Kraft, Sacrament House (detail), 1493–96, Nuremberg, St Lorenz 42
1.8 Anton Pilgram, Organ Loft, 1510–15, Vienna, St Stephan 42
1.9 Albert Dürer the Elder, Self-Portrait, 1486, silverpoint on prepared paper 43
1.10 Israel van Meckenem, Self-portrait with his wife, c.1490, engraving 44
1.11 Quinten Metsys, St Anne tryptich (detail), 1508–09, oil on panel 47
4.1 Paul Sandby, East View of Edinburgh Castle, 1753, etching 98
4.2 Paul Sandby, South View of Bothwell Castle, 1751 and 1753, etching 98
4.3 Paul Sandby after Thomas Pownall, A View of the Falls on the Passaick, or second River, in the Province of New Jersey, 1761, hand coloured etching and engraving 100
4.4 Paul Sandby after Thomas Sandby, The Great Bridge over the Virginia River, 1754–58, etching and engraving 102
4.5 Paul Sandby and Edward Rooker after John Collins, A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River c.1757–60, etching and engraving 104
4.6 Paul Sandby after Pietro Fabris, View of Arco Felice, 1777, aquatint 107
4.7 Archibald Robertson after Pietro Fabris, A View of the Ruins of the Temple of Bacchus, 1777, aquatint 107
4.8 Paul Sandby after David Allan, The Opening of the Carnival at Rome, 1780–81, aquatint 109
4.9 William Watts after Paul Sandby, Duchess of Athol’s Seat near Charlton in Kent, 1777, engraving 113
4.10 Paul Sandby, Pont-y-Pair over the River Conway above Llanrwst in the County of Denbigh, 1776, aquatint 113
5.1 Jan L’Admiral, Preparations of the Skin and Nail of a Black Woman, 1737, Mezzotint 124
5.2 Jacques-Fabien Gautier-Dagoty, Muscles of the Back: Partial Dissection of a Seated Woman, Showing the Bones and Muscles of the Back and Shoulder, 1746, Mezzotint 124
5.3 Angelique Briçeau, Les Fosses du Cerveau et du Cervelet Recourvertes de la Dure-Mere, 1786, etching with crayon engraving 125
5.4 Amputation of the Right Lower Leg of a Man, 1559, woodcut 126
5.5 Lymphatic System of the Liver of a Dog, 1627, woodcut 127
5.6 Stassel after Charles Billard, Muguet de l’Estomac et de l’OEsophage, 1828, etching 128
5.7 Themoteo Antonio and I. L. Sailliar, Symptoms of Skin Disease Caused by Mites, 1807, etching 134
5.8 James S. Stewart, Symptoms of Syphilis, 1814, dotting 135
6.1 Marcantonio Raimondi, Madonna on Clouds (B.52), engraving 144
6.2 Marcantonio Raimondi, Madonna on Clouds (B.53), engraving 145
6.3 Raphael, Madonna di Foligno, 1511/12, oil on canvas 147
6.4 Marcantonio Raimondi, Madonna on Clouds (B.47), engraving 151
6.5 Giovanni Antonio da Brescia, Madonna on Clouds, engraving 155
6.6 Marcantonio Raimondi, Parnassus, engraving 157
7.1 Jan Ziarnko, The Assembly of the Estates-General in 1614, state II, 1615, etching and engraving 166
7.2.a Jan Ziarnko, The Assembly of the Estates-General in 1614 (detail), state I, 1614, etching 168
7.2.b Jan Ziarnko, The Assembly of the Estates-General in 1614 (detail), state II, 1615, etching and engraving 168
7.3 Jan Ziarnko, Assembly of Notables in Rouen, state I, 1617, etching 171
7.4 Jan Ziarnko, Assembly of Notables in Rouen, state III, 1617, etching and engraving 173
7.5 Jan Ziarnko, Almanac for the year 1617, 1616, etching and engraving 176
7.6 The victory over the English troops by the royal army, broadsheet with Jan Ziarnko’s etching reworked, edited by Michel de Mathonière, 1627, etching and engraving 178
7.7 Jan Ziarnko, Map of Paris, 1616, etching 180
7.8 Portrait of Henry IV—detail from Jan Ziarnko, Map of Paris, 1616, etching 181
7.9 Portrait of Maria de Medici—detail from Jan Ziarnko, Map of Paris, 1616, etching 182
7.10 Map of Paris, Jan Ziarnko’s etching reworked, edited by Nicolas Berey, 1693, etching and engraving 184
8.1 Richard Collin after Abraham van Diepenbeeck, Young Man Offering his Thesis, c.1675, engraving 191
8.2 Schelte a Bolswert after Abraham van Diepenbeeck (and Peter Paul Rubens?), Thesis Dedicated to Sigismund III Vasa, King of Poland, 1628, engraving 193
8.3 Advertisement for Droste Cocoa Powder, after 1904 197
8.4 Attributed to Rogier Van der Weyden, Frontispiece to the Chroniques de Hainaut dedicated to Philip the Good, 1447–1448, presentation miniature 199
8.5 Giotto di Bondone and workshop, The Stefaneschi Altarpiece (verso), c.1320, tempera on panel 200
8.6 Giotto di Bondone and workshop, The Stefaneschi Altarpiece (detail) 201
8.7 Michel Natalis after Bertholet Flémalle, Thesis of Henri Hatzfeldt, Count of Gleichen, 1663, engraving 201
8.8 Michel Natalis after Cornelis Schut, Thesis Defended by George Nicolaus and Wolffgang Andreas, Barons of Rosenberg, 1643, engraving 204
8.9 Michel Natalis after Cornelis Schut, Thesis Defended by George Nicolaus and Wolffgang Andreas, Barons of Rosenberg (detail) 205
8.10 Paul Pontius after Abraham van Diepenbeeck, Thesis of Claudius, Count of Collalto, 1645, engraving 207
8.11 Jean Frosne, Nous Allons à l’An Pire, 1653, engraving 209
9.1 Signets on the front and back covers of the album Typus Ecclesiae Catholicae 220
9.2 Supralibros on the front and back covers of the album Solitudo Sive Vitae Patrum Heremitarum Monasticae Sacrae Professionis … 221
9.3 Exlibris of Jan Ponętowski, woodcut 227
9.4 Sheet with Hans Collaert and Adriaen Huybrechts, Corporal and Spiritual Works of Mercy, before 1582, engraving 227
9.5 Sheet stamped with sixteen plates depicting various subjects, before 1582, engraving 229
9.6 Anonymous, Homini Christiani Ecstasis, before 1582, engraving on silk 235
9.7 Maarten de Vos, Adriaen Collaert and Gerard de Jode, The Allegory of Fire, c.1582, hand-coloured engraving 238
10.1 Giovanni Benedetto Castiglione, Noah and the Animals entering the Ark, c.1650–55, monotype 244
10.2 Theodorus van Kessel after Titian, Charles V, engraving 246
10.3 Pierre Drevet after Hyacinthe Rigaud, Louis Dauphin de Bourgogne, 1707, engraving 247
10.4 Josias English after William Dobson, William Dobson, c.1649, etching 249
10.5 Giuseppe Marchi, James Harrington Esqr. Author of the Oceana, mezzotint 250
10.6 Marcantonio Raimondi, Venus, Mars, and Cupid, 1508, engraving 253
10.7 Rembrandt, Christ Presented to the People (‘Ecce Homo’), 1655, Drypoint on Japan paper 261
10.8 School of Mantegna, The Elephants, from ‘The Triumph of Caesar’, c.1484–92, engraving 263
10.9 Giulio Campagnola, Saint John the Baptist, c.1505, engraving 264
10.10 Francesco Rosselli after Sandro Botticelli, The Assumption of the Virgin, c.1490, engraving 265